Comment by crazygringo
2 days ago
> that dark and washed out TV is just a choice everyone's making for... unclear reasons.
It's just a question of aesthetics. TNG was lit almost more like a sitcom, with bright even lighting coming from all directions. In the 1990's, that made TNG look like a TV show, and look very different from dramatic movies.
Then with the rise of TV as an art form rivaling movies, certain dramatic TV shows have been lit more like dramatic, dark movies. Lots of highlights and shadows, instead of even lightning. It's meant to seem more sophisticated, serious, and artful. It also demands that you be watching in more of a cinema-like environment -- a bright, high-contrast TV in a dark room, so you can see the darks. Not a crappy low-contrast screen in a bright room.
But again, this is only certain types of shows. Comedies and "lighter" dramas are still lit more like TNG. It really depends on the show, and what mood the creators want to evoke throughout.
TNG was lit much like other action/adventure shows when it debuted in 1987, e.g. MacGyver, Magnum PI, Simon & Simon, The A-Team (which ended that spring) -- the Bridge and hallways were much brighter than even a sitcom, I'd bet as a specific aesthetic choice of The Future Is Bright.
When DS9 debuted a few years later, it was stepping into a cultural mindset that had embraced Dark And Gritty in broader entertainment. That series is still much brighter than many shows today, but that's because of a technological revolution (including costs) rather than a change of "TV as an art form rivaling movies".
Yes, there is a mindset within Hollywood circle(jerk)s that so-dark-I-cannot-see is "more sophisticated, serious, and artful", but viewers broadly think it is idiotic. (Also, 2-and-a-half or 3 hour movie runtimes.)