Comment by crazygringo
2 days ago
> There are still too many productions that suffer from that default blandness due to a lack of creative intention. I just refuse to believe so many DPs really woke up passionately committed to that particular orange/teal palette as the ideal expressive vision for their current project.
Ha! Indeed. Yup, agreed on all points you've made.
Besides the obvious factors of time and budget, I think it's precisely the technical freedom we have that a lot of people simply don't know how to use. If we have 100x the visual possibilities now, it might also be fair to say that it requires 10x training to be able to use them well. I'm not convinced it's necessarily a lack of creativity, but more just a lack of knowledge and expertise around what's even possible.
> I'm not convinced it's necessarily a lack of creativity, but more just a lack of knowledge and expertise around what's even possible.
Agreed. Great creatives are still great (and still too rare). In addition to the lack of technical proficiency and creative aspiration, I also suspect there's an element of some directors/DPs on VFX blockbusters assuming all the sensational VFX elements in the frame simply overwhelm beautifully subtle, artistically expressive in-camera cinematography or maybe make it matter less. I can't really fault them for assuming that as it's sometimes at least somewhat true (for some viewers). But then I look at an extraordinary outlier example of VFX-soaked comic book movie lensed brilliantly like The Batman compared to a typically competent example like recent live action Spiderman and realize... nope, it still matters - it's just really hard to do well and integrate with VFX. (Some good comparison examples in this: https://www.youtube.com/watch?v=STynLl-2FqU).