Comment by animal531

I find it amazing how many people are working and/or playing with text rendering at the moment. I work in Unity and have also been dipping my toes, but trying to think of doing some modern enhancements to the whole thing.

The Unity solution is quite limiting, someone about 10 years ago made a great asset and was actively developing it, but then they bought it and integrated it into their subsystem, after that all development basically stopped. Now in modern times a lot of games are using Slug, and it renders some really beautiful text, but unfortunately they are doing large scale licensing to big companies only.

Some thoughts I've come up with: 1. Creating text is basically a case of texture synthesis. We used to just throw it into textures and let the GPU handle it, but obviously its a general purpose device and not meant to know what information (such as edges) are more important than others. Even a 2k texture of a letter doesn't look 100% when you view it at full screen size.

2. Edge Lines: I have a little business card here from my Doctor's office. At e.g. 20-30cm normal human reading distance the text on it looks great, but zooming in close you can see a lot of differences. The card material isn't anywhere close to flat and the edge lines are really all over the place, in all kinds of interesting ways.

3. Filling: The same happens for the center filled part of a letter or vector, when you zoom in you can see a lot of flaws creep in, e.g. 5% of the visible layer has some or the other color flaw. There are black flecks on the white card, white/black flecks in a little apple logo they have etc.

4. So basically I want to add a distance parameter as well as using size. Both these cases for just rendering normal 2d text is relatively irrelevant, but in 3d people will often go stand right up against something, so the extra detailing will add a lot. For the synthesis part, there's no reason that any of the lines should be a solid fill instead of for example some artistic brush stroke, or using some derivative noise curves to create extra/stable information/detailing.

5. Another thing to look at might be work subdivision. Instead of rendering a whole set of letters in N time, if the camera is relatively stable we can refine those over successive frames to improve detailing, for example go from 2 to M subdivisions per curve.

6. There are numerous available examples such as the following concurrent B-Tree: https://www.youtube.com/watch?v=-Ce-XC4MtWk In their demo they fly into e.g. a planetary body and keep subdividing the visible terrain on-screen to some minimum size; then they can synthesize extra coherent detailing that matches that zoom level from some map, in their case e.g. noise for the moon, or code for water etc.

I find that a lot of the people working on text are sort of doing their own thing data structure wise, instead of looking at these already implemented and proven concurrent solutions. Here is another interesting paper, DLHT: A Non-blocking Resizable Hashtable with Fast Deletes and Memory-awareness / https://arxiv.org/abs/2406.09986

Not to say that those are the way to parallelize the work, or even if that is necessary, but it might be an interesting area where one can increase detailing.