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Comment by lurk2

3 days ago

They don’t have a huge culture industry yet (or at least, not one that appeals to English-speaking audiences), but they’ve become a lot more prominent on the internet in the last 5 years due to better infrastructure and integration into various English speaking social networks (via both social media and people travelling in and out of Indonesia).

It’s a Muslim majority country and very conservative, so a lot of the themes you’d find in American film, music, and literature wouldn’t make much sense there, and the media that has commercial potential outside of Indonesia is generally coming from wealthy households that don’t have much to do with how the average Indonesian really lives (Nicole Zefanya being the example that comes to mind).

Indonesians (at least the ones who speak English) are quite similar to Latinos in that they have a desire to be accepted into the English-speaking world not only personally but culturally. This can manifest in attempts to whitewash oneself to fit in, adopting whatever seems to be popular on English-speaking social media, leading to comparatively old trends propagating in these countries.

You saw the same thing with the Chinese and the Koreans back in the 2000s and both developed their own internationally-competitive culture industries, but those were both secular countries already well-integrated into the international system. I wouldn’t expect to see anything quite like that in Indonesia until at least 2030, when more of the digital natives come of age.

> both developed their own internationally-competitive culture industries

Korea definitely, but China? Seems like most of China's modern cultural export came from Hong Kong, and even that has stopped. Conventional wisdom is that the Three Body Problem couldn't be published today.

I'm curious what (homegrown) Chinese cultural products are internationally competitive today. China seems to be punching far below their weight, considering their population and their economic position.

  • Mainland China is coming the other side through anime.

    Productions like "The Legend of Hei" are of truly high quality and it's getting a decent reception in Japan for instance (not breaking the box office, but the fact it's there and talked about so no positively is already something)

  • > Seems like most of China's modern cultural export came from Hong Kong, and even that has stopped.

    You’re probably right. I’m just saying that 20 years ago the label of being “Made in China” meant something was cheap and bad. The business culture still isn’t great from what I hear but people are more comfortable than ever buying Chinese products and I’ve been hearing that more exchange students have been going to China to study.

    The impression I had of China’s cultural exports was mostly from having seen more Chinese expatriates and immigrants openly engaging with e.g. Chinese music and fashion influencers. This wasn’t particularly common 20 years ago; I started noticing it around 2019.

    The other thing I should note is that when I said internationally competitive I primarily meant outside of the Anglosphere. K-dramas are an interesting one because you can find women (it’s almost always women) of all ages from all over the world who watch them. Korean media is not unheard of in the Anglosphere but it is not nearly as popular as it is outside of the Anglosphere.

    It’s possible China doesn’t have anything like this yet, and maybe it never will due to being comparatively censorious, but my perception is that sentiment towards China has improved quite a bit outside of the Anglosphere. I haven’t done reading on that; it’s just a hunch.

Feels like in the West the only Indonesian movie that got popular is The Raid, which had a Welsh director anyway. And, uh, The Act of Killing which was also made by a Brit.

  • For anyone else who enjoyed The Raid, the sub-genre of graphic and brutally violent Indonesian action movies is a gem.

    The Raid 2; The Night Comes For Us; The Shadow Strays....those should get anyone started going down the rabbit hole.