Learning music with Strudel

1 month ago (terryds.notion.site)

Loved playing with it! https://strudel.cc/?qVv8Cr0OD6cc

  • I shed an actual tear. I dreamed of days like this. I got close, building a small language for generating generic music, but with decay, sawtooth and stuff? It's a functional DAW.

    • > functional DAW

      I made Lambda Musika[0][1] a long time ago and its elevator pitch is literally "Lambda Musika, the functional DAW" (as in functional programming).

      Check the teal button at the bottom for other examples!

      I don't use it that much anymore (Strudel's language is truly expressive) but I still reach for it when I want to do sound design, since Strudel is more like a sequencer (where Lambda Musika lacks).

      [0] https://lambda.cuesta.dev/

      [1] https://github.com/alvaro-cuesta/lambda-musika

  • This is so incredible, musically, visually and didactically. Absolutely amazing. Absolutely amazing.

  • That demo is excellent. You can uncomment some lines at the bottom and hit alt+enter (or click the Update button) to add visualization effects too.

  • That's absolutely sick. I love seeing a full arrangement like this as opposed to destructive live coding--that's cool too, but I don't really vibe with it as a workflow. Definitely taking some inspiration from this.

  • Wow, I started learning recently, I didn't know you can change the theme.

    Also this music brings really good vibes!

    I get more motivated when I can see it working directly and change some code here and there!

    Thanks for sharing.

  • Ahh, so THAT's how you make an actual song with it instead of just a loop :)

    SwitchAngel always makes their songs live so I never got it, but now I understand.

  • Well that song was my digital dopamine for the day. Couldn’t stop bobbing my head while in a busy train

  • That made me smile, well done and thanks Lennard! (do recommend setting colors = False though)

  • You made an entire performance. Good, good job

    • I found that annoying on the editor, but if used on a 2nd screen to build graphics programmatically (fractals, etc), or via an external port to drive RGB LEDs arrays or matrices, results could be spectacular. Imagine fractals driven by music or a giant spectrum analyzer made of LED strips.

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I've run across more and more strudel musicians (developers?) doing a kind of live coding performance art and posting clips on tiktok and reels. It's really entertaining to watch. I've been meaning to dabble in it.

  • I went to a basement party/rave recently where the DJ was live-coding strudel, was incredibly cool to see in person. people would watch them type out new lines in anticipation of a beat drop

    Pretty cool to see this post, I had no idea where to find more info about it!

  • It's fun to watch and somehow more approachable to me than a big program with lots of menus and virtual knobs.

  • Algorave definitely seems to be having a moment! I know the scene has been around for a while (live chiptune shows have been a thing for years), but it seems like the Strudel-specific live coding shows are rapidly becoming popular. I love to see it. As someone who likes both programming and music, it's awesome to see people mix both and get fantastic results.

  • Would be curious licensing on music you produce with it eg. can you use it, record the session then put it on YT no copyright.

I've been seeing a few links to Strudel recently so I went digging to see how old the project is - looks like it launched in April 2022 https://loophole-letters.vercel.app/strudel

It came out of the same team as Tidal Cycles, a Haskell live-coding music tool which was first released around 2009. https://tidalcycles.org/docs/around_tidal/tidal_history/

  • IIRC, that team are also (now) live-music-coding veterans, which in turn has informed how Strudel is built. It's not just a project that does stuff, it's a pretty well crafted instrument that is ideal for these performances.

    As an engineer, I love letting the requirements shape the solution, but this is just on a whole other level.

  • Such a good example of why everything is becoming js. Because it's where the users are. Anything that isn't in js will just languish comparatively.

    Everything is becoming js because everything is becoming js.

    • Have you taken a look at how to install the Haskell variant? It's a full-on recipe, or a docker container. I'd take a desktop application over a website any day, but that was not on the menu. It was an SPA vs a devops exercise. Of course the SPA wins.

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There's also a neovim plugin for those who want to play around with this locally https://github.com/gruvw/strudel.nvim ; it essentially launches strudel in a browser but synchronizes the strudel and nvim editors.

EDIT: fixed link to not have trailing semicolon.

  • Is there a way (like a CSS rule or something similar) that when you look at the main strudel window, it only shows the piano rolls, punch cards, sliders, etc - but not the code?

    Maybe with just the comments? This would be killer, since I have dual displays, and on one I can just focus on the code, the other one can have all the visual stuff.

    I'm using this plugin, but having the code twice distracts me a lot (but I prefer the original neovim instead the integrated vim mode inside strudel).

    Thanks in advance!

    • Hey, plugin author here, there is a section in the README for that (not the piano roll, but only the hydra visuals) :)

      Note that there is also a feature to inject your own custom CSS into the page.

      You can also run in headless mode to not launch the browser window. Hope it helps :)

    • I'm not using the plugin, but this hides the code in the browser:

      .cm-line span { outline: none !important; color: transparent; background: transparent !important; }

    • I've only just started playing around with it, so I don't know enough about it unfortunately. You could open an issue against the repo; the plugin owner might be able to answer your question.

I posted this link, some days ago:

Coding Trance Music from Scratch (Again) [video]: https://www.youtube.com/watch?v=iu5rnQkfO6M

It´s a well done programming and music performance

I was just talking to JChris Anderson about Strudel last week, he forked it, adding "snaps" where users can snapshot their work allowing for the creation of multi-layered songs, added a "vibe" tab so anyone can easily update the code with pompts, and a few other changes.

Here's the fork on GitHub: https://github.com/VibesDIY/strudel

Here's a preview of what it would look like when merged: https://strudel.use-vibes.com/

Here he is playing around with the preview: https://www.youtube.com/watch?v=0oJhnkWDafM

  • It's a bit annoying that he forked it back to github, when strudel was purposefully moved to codeberg for ethical reasons.

Allow me to use this post to give big kudos to the maintainers of Strudel for having put together a brilliant set of official docs. I found them incredibly well put together and hence really useful to learn. I have played around with Strudel many evenings and I am always amazed about how intuitive Strudel is to create beats and sounds, to the point that I prefer to create music in Strudel over the established DAW software. I would love for there to be a good bridge between producing sounds and beats with Strudel code and structurering and mastering an entire track. This is missing in Strudel since it’s clearly build for a live coding environment. Any tips from users about ways or tools to make this bridge are always welcome!

Let me introduce you to a good time.

Step 1: https://strudel.cc/workshop/getting-started/ . Click play on coastline" @by eddyflux

Step 2: Listen for a while

Step 3: setcps(.75) -> setcps(1.5)

Step 4: Listen :)

That is the extent of my strudel knowledge, but damn this is cool.

  • I was trying to make it automatically randomly choose between the normal speed and twice speed after a long time. I think appending

    .fast(chooseCycles(1, 2).slow(128))

    at the very end does it. But I'm not actually sure. Would a strudel user mind informing me how this is done? Also, I was hoping to make it automatically shift the key, but I couldn't figure it out.

    • Kind of - that's switching between a fast version and a slow version of the track though if that makes sense, rather than changing the global tempo, so you'll get discontinuities in the music.

      You can change the global tempo with something like

      .cps("[0.75|1.75]")

      and make it happen less often like

      .cps("[0.75|1.75]/8")

Love Strudel, trying to learn it but inevitably you also need some musical foundation. It's a fascinating blend of specialties. Also I found AI is complete garbage at generating Strudel. Here is my weak attempt at Beethoven:

<pre> const SCALE = 'C#:minor' const CPM = 56 const SOUND = 'piano'

$: arrange( [4, n("<-7, 0>.25")], [4, n("<-8, -1>.25")],

  [2, n("<-9, -2>*.5")],
  [2, n("<-11, -4>*.5")],
  
  [4, n("<-10, -3>*.5")],
  
  [4, n("<0, -3, -7>*.25")],
  [4, n("<-1#, -3, -8#>*.25")],
  
  [2, n("<-2, -9>*.5")],
  [2, n("<-6, -13>*.5")],
  
  [4, n("<-3, -10>*.5")],
  
  [4, n("<0, -7>*.25")],

).sound(SOUND) .scale(SCALE) .cpm(CPM);

$: arrange( [8, n("4 7 9")],

  [2, n("5 7 9")], 
  [2, n("5 8b 10")],
  
  [1, n("4*.1 6# 10")], 
  [1, n("4 7 9")],
  [1, n("4 7 8")], 
  [1, n("3 6# 8")],
  
  [1, n("0 2 5")],
  [2, n("2 7 9")],
  [1, n("2 7 9, 11 - - 11")],
  
  [1, n("2 8 10, 11 -")],
  [2, n("2 8 10")],
  [1, n("2 8 10, 11 - - 11")],

  [1, n("2 7 9, 11 -")],
  [1, n("2 7 9")],
  [1, n("1 7 10, 12 - -")],
  [1, n("1 7 10")],

  [1, n("2 4 9, 11 - -")],
  [1, n("2 4 9")],
  [1, n("3 4 8, 10 - -")],
  [1, n("3 4 8, 13 - -")],

  [1, n("2 4 9, 9 -")],
  [3, n("2 4 9")],

).sound(SOUND) .scale(SCALE) .cpm(CPM);

</pre>

I was excited to see this, but then realized only chapter 1 is done out of what ultimately will/should be a 25 chapter tome.

Strudel docs leave something to be desired as well.

What I've found to be the most useful so far is to ask an LLM to make a line of whatever: a beat, a synth, etc., tweak it, then layer it.

It gives a really good sense of how to architect a song file, which is missing from the little snippets in the strudel docs

I've been following this project with great interest.

Quite possibly one of the most interesting things is just how competent the REPL is. It does some things that no other programming environment does in a prompt, all centered around real-time processing:

- All code in the prompt is being constantly evaluated - What parts of expressions are currently in use are highlighted - Visualization widgets sit side-by-side with the code

That last one is playfully rendered as pseudo-TUI "graphics", but is also presented with no borders or chrome around it. That's in sharp contrast to notebooks like Jypyter or Mathematica. They use minimal screen real-estate which also minimizes scrolling. If you look at videos of using this live, the ability to navigate the REPL quickly is crucial for performances.

So it's a lot like a kind of step-wise debugger, only more minimalist and moving at the (slow) speed of the music.

Ever since seeing Strudel, I've wondered what various programming sandboxes would be like if they could visually demonstrate operations in slow-motion.

Even though Algorave is quite new, everyone who ever touched .mod/.s3m/.xm/.it can fell young again haha.

DJ_Dave live events are the best illustration for all of it. If you love electronic music, ever touched any generative art, and know basic coding this is for you.

Strudel is dope and a ton of fun, but every single piece of its interface seems determined to confuse people who already know music theory and composition.

That's not really a point against it, it's a great tool and it's a ton of fun, but I wish there was a way to use it that at least kind of sort of mapped back to traditional music notation, especially rhythm notation.

  • It would be unergonomic, if not painful, to use a western classical approach to rhythm in a programming environment. Alex McLean, the main author of Tidal/Strudel, is very much into Indian classical, and this is reflected in the approach to rhythm. IMO this is an good choice, and people who know music theory and composition should feel right at home, assuming we're talking about the right theory.

    When it comes to pitch (and I guess we agree on this) Strudel is firmly on the western traditional side. It generally assumes 12-tone equal temperament, uses ABC notation, has built-in facilities to express chords using their classical names...

    Meanwhile I'm over here programming music where I express all frequencies as fractions or monzos. I find this better suited to a music programming environment, but this might be more personal.

I have just discovered Strudel last month. Even as an owner of Ableton, there is just something compelling about coding music in.

Strudel is my favorite music coding environment. I mostly play on acoustic instruments but coding music has been really helpful as I try to learn music theory. Being able to just play in the browser without setup helps me focus on the music and less on fiddling with the tool. And it supports vim key bindings!

Anyone have any experience improving performance of their Strudel patches?

I find I get close to something ready to perform... but then the webapp starts struggling and I find myself back at the drawing board.

I get the sense I'm not using it right and making the DSP work much harder than it needs to :P

I love this approach to learning music.

A nitpick: Isn't the below statement wrong? I thought "RolandTR909" was the name of the soundbank which is used for both bd and sd?

"bd is bass drum (also called kick-drums), sd is snare drum. RolandTR909 is the name of the sound."

True that compared to FoxDot, Sardine or Tidal, the syntax and visualization are just making the whole thing a real pleasure to use.

But this is way too taxing for my linux boxes that are ending stuttering quite badly sometimes. Are you all using macs or something?

  • Weird. My android phone is 3+ years old and was not a flagship when I got it. It had a little problem with stuttering on more complex examples. It sounded like it was running out of things that can play at the same time, but scrolling was still smooth. It didn't feel like it was pinning my phone's cpu. On my laptop, it didn't break a sweat with firefox and pipewire. Are you sure it's not a config issue?

    • I can't tell, things like BespokeSynth are running ok with alsa or jack. I got the rt kernel, made a few things to audio priority, fiddled with governors, but no luck. Let's say that it happens quite quickly with the Stitch Angel fast trance example "the key needs to be G" supersaw synth.

      Chromium is better at it than Firefox though.

      Maybe this 5800X3D needs a buff up...

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Strudel is great! But... are these really chords?

note("c4 e4 g4 c5").sound("triangle")

Strudel is a great tool and is helping me to make EDM from scratch. There are good tutorials and music that is easy to get started or to make something really interesting.

Love it! Could someone go ahead and make a plugin that allows you to download an mp4 of the loop. for whatever. Abelton, Garageband...

I've been trying to compose music with Strudel after some years attempting to play the guitar and the piano.

This resource is very helpful

Did anyone else think this article was gonna teach you how to play music using strudel (the food) somehow?

when AI takes over the world it will communicate with itself with a tonal language communicated in Strudel