Comment by darhodester

The aesthetic here is at least partially an intentional choice to lean into the artifacts produced by Gaussian splatting, particularly dynamic (4DGS) splatting. There is temporal inconsistency when capturing performances like this, which are exacerbated by relighting.

That said, the technology is rapidly advancing and this type of volumetric capture is definitely sticking around.

The quality can also be really good, especially for static environments: https://www.linkedin.com/posts/christoph-schindelar-79515351....