San Francisco Graffiti

15 days ago (walzr.com)

I live near Paris, and it's a shame to see this sort of thing on every surface here. It's so easy and effortless to trash the look of a place, and so much effort and pain to get it back to a presentable state. It just seems hopeless trying to stop it.

Sure, you can point to examples of graffiti that don't look all that bad, and I imagine some examples can even be considered to improve the look of a space. But taking this site as a random sample, the "good" ones are a vanishing minority. For every subtle Invader mosaic high on a building, you get dozens of effortless name tags that just wreck the look of a place.

Adding frustration is the fact that there's no way to effectively dissuade people from doing this. You don't want to fine, jail or otherwise ruin the lives of thousands of kids to get them to stop. You just want them to stop spraypainting shit. It's really the only example I can think of where I'd support some form of corporal punishment. Catch kids in the act, 20 lashes in the town square to convince them not to do it again, then set them to work with a wire brush until they can demonstrate that it's back to the state they found it. Even still, I can't imagine it would really do much to dissuade.

It's a shame.

  • > You don't want to fine, jail or otherwise ruin the lives of thousands of kids to get them to stop. > You just want them to stop spraypainting shit.

    https://i.imgur.com/qaFgSm7.png

    You have it backwards. It's the act of NOT fining them, NOT calling their parents, of ignoring small destructive acts that ruins lives.

    Almost everyone doing a 10 year sentence for a serious crime started out by getting away with a lot of small ones.

  • No accounting for taste, but, graffiti is important whether it's aesthetically pleasing or not.

    https://ancientgraffiti.org/Graffiti/

    Graffiti is a population's expression of ownership of their city. It's a very common form of countercultural resistance and therefore an important relief valve. It's a way for anyone to express themselves on their environment. A city only has value because it's occupied by many people, and those people need to express their autonomy and quite literally "leave their mark."

    Not to mention, it's lovely to be connected to a common thread of humanity over literal millenia. Just as I scrawled onto a bathroom stall in 2005 "Cameron takes it up the bum," so too did Salvius write of his friend on a wall in the House of the Citharist in the year 79, "Amplicatus, I know that Icarus is buggering you. Salvius wrote this."

    • >It's a very common form of countercultural resistance and therefore an important relief valve. It's a way for anyone to express themselves on their environment.

      So, what are these random scribblers resisting, exactly? It's like saying that defecating on the street is a form of self-expression and "leaving their mark". Even if it is, do we really need to tolerate it?

      >Not to mention, it's lovely to be connected to a common thread of humanity over literal millenia.

      There is nothing lovely about seeing all this garbage littering the walls of public buildings and historical finds do not justify this behaviour.

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    • > Graffiti is a population's expression of ownership of their city.

      I think this is the heart of it, and where cities and suburban towns differ.

      It's admittedly very hard to articulate in words. The walls of buildings in a city are part of the greater, broader, "face of the city." They are in a sense both part of a general "public space" yet also still privately owned. The walls of single family homes in suburban neighborhoods don't really compare. There's much more of a shared sense of "ours" in a city than there is out in the country, where everything's fenced off in little discrete boxes of land, each with someone's name on it. This greater sense of shared agency over the aesthetic of the broader "city" makes street art more justifiable there than it is in single family home places.

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    •     > therefore an important relief valve
      

      Until it is done to your small business or home, then it is no longer an "important relief valve". The solution to reducing graffiti is multi-part. Here are a few ideas: (1) Pass a state law to restrict the sale of spray paint -- you need a special license to buy it. (2) Pass a local law to reward citizens who provide evidence of taggers (video, photos, etc.). If the city can convict, you are rewarded. Make the reward large enough (1000+ USD?) to be strongly encouraging. (3) Create public spaces where people are allowed to spay paint. This is a little bit like skate parks.

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    • I think I used to believe something like this. But I spent two decades living in this context and changed my mind.

      There can be beautiful and effective expressions of culture and resistance that don’t tear down the commons people are trying to build together. And it’s hard to ask people to take care of the commons when other people aren’t. Instead we cede management of shared space to private enterprise (malls and gyms and retail as entertainment because your parks are torn up).

    • Agree with all.

      > Graffiti is a population's expression of ownership of their city.

      My understanding has been (some fraction of) taggers are disaffected. So I could buy that some are reasserting ownership.

      Some are just dumb teenagers acting out (shitposting), like my son did.

      A handful are pretty good artists. Like some of the kids in my kid's extended social group. Worthy of resources and media. eg Commissions for murals.

    • If you're a cinema person, I strongly recommend Agnes Varda's documentary on LA street art at the end of the 1970s, Mur Murs. (That's a pun: murals as an expression of the murmurs of the community.) It takes graffiti as an expression of ownership as the central thesis and I found it really lovely. Thanks for this comment.

    • > It's a way for anyone to express themselves on their environment

      no, just a way for a minority to trash public infrastructure because they're assholes

    • They should work as plate cleaners and civil park workers 100 hours a month. That will teach those entitled teens to leave their mark while autonomously cleaning those plates and planting flowers.

    • > Graffiti is a population's expression of ownership of their city.

      Is of course what art-students, pol-sci and social-sciences majors construct out of it because it fits their narratives. Never mind that the scratching of some roman soldier in a brothel's restroom has nothing to do at all with the NYC-born graffti culture. This top-to-bottom social astro-turfing would be just laughable grandstanding if it didn't result in real consequences for less affluent kids: crime, drugs, and deadly injuries as well as filing for bankrupcy at an age where Mrs. cultural-capital has acquired her prestigous arts degree.

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  • Tons of people unfortunately see this as ok. My response to them is always "let me tag your car, your house, your laptop" and if you complain you're a hypocrite

    I like "Street Art" where permission has been given. I don't like tagging and property destruction. Maybe when I get a little older I'll find some graffiti exhibit at a museum and go tag it.

  • I really enjoy graffiti murals, and I go out of my way to photograph them in my own city and when I travel. I will see them when I driving or walking around and stop to look for a moment and try to understand the perspective and message of the artist and take a picture if I can.

    That said, I don't much like tagging, tagging is generally not art in my opinion even if you can say artist styles are used within it. Tagging is all about ego and selfishness, it's there purely for the sake of saying "I was here", as if you are the most important person in the city that you should claim to put your name on that wall.

    I've met quite a few graffiti artists all over the world in my travels, and the people who tag and the people who paint murals are by and large /not/ the same people. The folks who paint murals are trying to say something, the folks who tag have nothing more to say than to try to create a monument of some kind to themselves. I don't respect taggers, I do respect muralists.

  • I consider corporal punishment inherently barbaric. An appropriate fine or short stay in jail ought not be life-ruining.

    Also, I think there are other effective approaches in some circumstances. People (including "the kids"), locally (Toronto) and other places I've heard of, have been paid (not a super common thing, but it happens) to do actual artwork. There's a mural I consider quite well done, not too far from my place, that isn't getting defaced even though it's in a place where I would otherwise ordinarily expect strong temptation to "tagging" and other graffiti.

    • I've heard real estate people call this legalized extortion, since you have to select a graffiti artist with enough reputation that others don't mess with the piece.

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  • I think there is a lot of nuance here. Just as councils and developers can construct ugly buildings artists can also add ugly work to walls.

    I agree there is a spectrum. On one hand you've Banksy or Basquiat adding to a flat grey wall and creating art that has a political voice or some artistic merit and the other you've some twat scribbling hate symbols on a historic monument. I don't have on ideas on how we can ensure one and not the other though.

    • It sounds like you're saying the only thing ugly about tagging is when it contains objectionable political content. That's not really responding to the complaint here, which is that the vast majority of it is low effort, low quality tagging that makes things aesthetically uglier. It's easy to go out with a collector's eye, cherry-pick the good stuff, and put together a slideshow that makes it look like a public amenity, but that ignores the overall effect of wall after building after block of proof of Sturgeon's Law.

      Is it ignorable? Does all the terrible stuff just disappear into the background, or should we care about how it affects the experiences of people who have to live with it and walk past it every day? I think that's the question people are arguing.

  • > You don't want to fine, jail or otherwise ruin the lives of thousands of kids to get them to stop.

    Oh yes, you want to (with an asterisk). As a former Graffiti writer myself I can speak from experience that the judge will be the first person in those kids life taking their actions seriously, giving them any sort of guidance.

    Better spend a couple of hours per month doing social work than letting them slip further away until no softer juvenile criminal code is there to protect them.

  • To include the obvious in this discussion, it's your opinion that street art / graffiti makes things ugly; others feel differently. I think it brings places alive, brings human expression into the otherwise highly controlled environment. There's a spirit to it, and I love to see kids who have no voice take the step of speaking up. I love to see it, generally. To me it's a sign of freedom and very democratic.

    As for it's quality as art, I don't buy that's a purely subjective, arbitrary opinion (meaning, I think it's reasonable to use some judgment). But people still differ greatly: look at their responses to abstract expressionism, for example; some people think it's trash, others pay tens of millions.

    There is plenty of ugly in cities: There is a lot of ugly architecture; buildings are much more visually prominent and for aesthetics I would remove the ugly ones much sooner than removing the street art. There is ugly advertising and marketing; there are ugly industrial sites on beautiful waterfronts and in neighborhoods.

    Should those be subject to the same judgement as some kids expressing themselves? The people who make the buildings, ads, sites have far more power and resources, including enough to make those beautiful. They seem much more responsible for the results than the kids, who may have nothing else.

  • I think mostly here in switzerland, it’s tolerated in certain areas, and even directly sponsored, in Lausanne, nearly every pedestrian underpass is completely covered in pretty good work, every bit of street furniture has unique designs that seem to be left alone by taggers, areas that might otherwise be run down are covered in colourful murals that are regularly refreshed, i think this is the right approach.

  • My theory is that graffiti is tied to the feeling of lack of agency in one's life. Everyone wants to "make their mark on the world". Some of us get to do that with an interesting career, building a family, getting involved in the community. If you feel excluded from all that, like those things are beyond your reach, you might resort to things like graffiti. IMO it's something that says "I exist, and I can change things around me" for those who don't have a better way to do that.

    Based on that we "fix" the problem by making sure that everyone has a chance to make a fulfilling life for themselves. Better & freer education; Healthcare; cost of living & wage support. Etc.

  • If you want to dissuade illegal graffiti, give people legal walls.

    • As if there's no creative avenues available for people to express themselves other than spray painting people's property ..

  • Are there places people can legally grafitti there? In a number of small towns there are unofficial grafitti rocks or walls in public view that redirects a lot of peoples mischief and desire to display public art. Nobody is in any actual trouble if they are caught painting it although you will lose your paint.

    It might not be a total solution, but it could have a significant impact on grafitti other places.

    • There's Clarion Alley in the heart of the Mission, which I think is open to graffiti, as everything is plastered with it, most of it looking really nice. You can see it on Street View.

  • I understand what you're saying but harsh punishment doesn't really work, they just increase the stakes of the crime and lead to more desperate behavior to avoid getting caught rather than less occurrence of the crime itself. Pretty much the only effective form of crime deterrent is economic development, i.e. give people something else to do.

  • an invader mosiac is not graffiti, it's street art, which is more or less the mortal enemy of graff. I'm not even trolling when I say people with attitudes like yours are what legit motivate so many graff writers out there.

  • I like graffiti - even random tags over blank walls because it’s a sign people are truly living and breathing in a space.

    As long as there have been walls there has been graffiti. Spaces without graffiti are artificial and antiseptic.

    • Graffiti on things like trees (e.g. in urban parks) is awful and trees are the opposite of artificial and antiseptic. The main problem with graffiti is that most of it is made without thought or consideration, and that never ends well.

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    • I like that part of it too - but feel that if I owned a building and had people spraying paint all over its exterior whenever they felt like it...maybe not so much.

    • Tell me your address so I can come tag your car or your windows or your laptop

      Graffiti is property destruction, pure and simple. I'm happy to come destroy your property. Complain and you're a hypocrite

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For a small business owner, graffiti is an unconsented, recurring tax that provides zero ROI for the neighborhood. In SF if you own a business that gets tagged, you have X number of days to clean it up yourself otherwise YOU get fined.. the city does nothing to go after the criminals. They only go after law-abiding tax paying citizens cause that's where the money is.

  • To be fair, not all graffiti on this site is non-consensual. For instance Jeremy Novy's koi fish. After living in Soma for time, everything else was a recurring pain mostly in terms of time I had to spend on it.

  • Regulating otherwise legal non-commercial speech on someone's own property is insane and sounds unconstitutional. If you want it there, or want it gone, that should be your own prerogative.

    • Your comment motivated me to read the way SF frames their regulation:

      https://codelibrary.amlegal.com/codes/san_francisco/latest/s...

      > Graffiti. "Graffiti" means any inscription, word, figure, marking, or design that is affixed, applied, marked, etched, scratched, drawn, or painted on any building, structure, […examples…], without the consent of the owner of the property or the owner's authorized agent, and which is visible from the public right-of-way […variations…]

      > It shall be unlawful for the owner of any real property within the City bearing graffiti to allow the graffiti to remain on the property in violation of this Article 23.

      …surely they’ve thought of it already, but it does seem like that would make “yeah, but I said it was fine” a viable way out of that particular ticket, no?

      I am sympathetic to the way they frame their motivations: it’s not the speech itself they say they’re regulating, it’s the way your neglect signals impunity, encourages more of it, and degrades the quality of your neighbors’ lives (and property). That and gang stuff.

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    • I think you're overthinking it. I think overwhelming majority of people don't want that crap over their streets. It would be an easy 80+% issue for a politician to pick up so most places have laws that say don't have that ugly crap everywhere. Hence you see the value of neighborhoods with a lot of graffiti and considerably lower than those that don't

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    • There are literally dozens of local ordinances in SF that are blatantly unconstitutional. The issue is that nobody wants to actually pursue they to the tune of tens of thousands of dollars in legal fees, just for a court to eventually say “okay, you’re right.”

  • This site scrapes the city efforts to document who is doing "how much" damage/art.

    Once they catch an artist in the act, they will use these archives to recommend a punishment.

    But your point in valid - San Francisco likes graffiti.

    • Did he argue SF likes graffiti? I don't think he does, and the people living in the city certainly don't. These are criminals tagging buildings, and city officials who either don't care or are too busy with other things. I'm not aware of anyone who actually lives there who likes graffiti, and logically there's no reason anyone should. If someone wanted a mural they would have hired a real artist to do it.

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The thing that really gets me about graffiti is that you don't own the canvas. It's just vandalism. If you're commissioned to do it one someone else's wall, I'd call that a mural instead, and I see quite a few aesthetically pleasing ones around. Why can't you paint on stuff you actually own, instead of making it someone else's problem? You might as well just shit on someone else's lawn and say it's fine because it's art

  • If a graffiti artist believed shitting on a lawn was art, they would, but they don't.

    The problem and solution are similar to OSS:

    The problem: the artists have something to say, they want as many people as possible to see it and use it.

    The solution: make it free, and put it where as many people as possible can access it.

    Yes, I just compared graffiti to github.

    • If there were community areas that were designed for painting, that would be totally fine by me. A big wall that is painted white, maybe with some ladders nearby if that doesn't violate health and safety rules, and tell people to go nuts. Though you would potentially get a lot of disagreeable content, but I suspect that they would quickly get overwritten anyway

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  • > You might as well just shit on someone else's lawn and say it's fine because it's art.

    Are you referring to 'tagging' (putting your, or your gang name on something)?

    I agree.

    Referring to well-crafted, or political (think banksy), images, i agree less. Unless i don't like the image/style then it's only lawn-worthy.

    • I don't agree with the political graffiti either. See imgur as where this leads. imgur used to be interesting images. Now it's 90% images of text as political statements. The site is effectively ruined.

    • I do mostly dislike tagging, but even if you paint Starry Night on someone else's wall, that's still vandalism

Having a bit of a cultural shock at how English doesn't have a separate name for the "cruder" graffiti (such as tags) vs the more socially accepted street art. The former is typically called "pichação" [1] in Portuguese, and I was taught this distinction when learning about modern art movements back in elementary school.

[1] https://pt.wikipedia.org/wiki/Picha%C3%A7%C3%A3o - I recommend looking into a machine translated version of the Portuguese Wikipedia article, as the English Wikipedia article reads far more biased

Fascinating, I do love street art and tastefully done graffiti. Some of it is obnoxious. I think it does add to the character of a city e.g. New York, Berlin, Montreal, Paris all have some amazing work etc.

I submit Irish Graffiti I see here: https://old.reddit.com/r/Graifiti/

Though I think displaying these things as a map is more useful: https://streetartcities.com/cities/sanfrancisco

There is a an Irish artist called Dan Leo and I have bought lots of his prints. https://www.danleodesign.com/ so they are dotted around my office and home.

I think they're great! He does animals and I love the style, clean lines and bright colours, they remind me of US football team logos.

  • I'm probably the minority where I don't mind any graffiti, quality or not. As long as it isn't horribly offensive or impacting the functionality of something (over signs/glass/etc). Think I just prefer the look of a wall covered in even shitty tags and pasted posters over a completely blank slate.

    I particularly love seeing peoples stickers about.

    • I agree. It feels like people are actually living there, in contrast to sterile, corporate glass/concrete.

As an aside, the Financial Times (yes, that one) did a great interview a couple of years ago with prolific London graff artist 10FOOT.

The comments were predictably howling with rage and injustice ("he's a criminal!!", says employee of cartel laundry HSBC), but I enjoyed it a lot.

https://www.ft.com/content/45a184ee-b7d9-4c16-b1c2-71def32cc...

Old time graffiti writer here.

There's nothing so wild, anarchic and energetic than painting illegally on some surface without any permission.

Cool, but why lay out the images in such an annoying way? Whatever happened to simple, functional photo galleries? I miss them.

  • It works great on mobile. That's more than I can say for most things.

    • Turn your phone to landscape, does it sitll work for you? Or are you stuck viewing only the top half of the images and unable to scroll down.

      Side scrolling in portrait is not my opinion of working great. It does work to view them at least. Youre trapped in a vertical scroll, no way to get back to the beginning but scroll all the way back.

  • on desktop i had to click on the small black area between two pictures before scrolling with left/right arrows became possible ... very bad UX

It's nice, and a lot of work, to gather this from the city. Many thanks!

But because it's just a stream, the only interaction is to browse, which can be mind-numbing.

It would be interesting to sort by image vector, to find tags from the same person, to locate them on a map, to mark and share favorites, etc.

Graffiti raises a host of social issues; features that concretize that could be helpful.

generally speaking- it is frowned upon by people in graffiti communities to tag peoples homes, cars, private property etc. This doesn't really cover "mom and pop" business'. Not justifying it per se, Although I am more on the favorable side of graffiti.

I like the concept, wish it was a vertical scroll with some safe margins between each picture (also to give them more stage time and removing the noise/distraction from many pictures stitched together)

We have places in Zurich where anyone can spray (I'm sure most cities have designated areas like this) but they still come out into the neighborhoods and do it. Its usually in areas with poor refugee/subsidized housing but the people doing the graffiti are local young swiss, making areas where they don't live shittier.

  • Well yeah, of course they do. Contrary to what what some in this thread are claiming, the modal graffiti isn't self expression or a yearning for freedom. It's tweaking people's noses by altering the property without permission. You can't do that on a designated spray area, so those people have to go into the neighborhoods to get their jollies by pissing people off.

I did a similar pet project about 12 years ago called Graffiti City. It was very simple map that displays pins where reported cases of destruction of property with paint, aka graffiti art, throughout the city of San Francisco. This uses public data available at data.sfgov.org.

As a suggestion,

* Orientation - some images are sideways,

* Option to walk through by date order, and by location ...

There is an audience for the time ordered flux of images on particular sites (at least in Australia).

Would have looked further, but scroll wheel finger cramped. Keyboard nav would be great.

There was an article that came through here a little while ago describing the process by which commercial property owners and banks collude to keep storefronts boarded up and vacant because otherwise they’d have to adjust the loan terms or take a loss somewhere, but sure, go off about how the graffiti artists tagging the boarded up windows are the ones making the city ugly.

  • It’s all Banksy and “wall art” til you get an ugly stick figure drawing sprayed on your storefront/door. Also commercial property owners doing bad stuff and vandalism are not mutually exclusive bad things

A thought experiment I like is to image a city of the future. Imagine we get our shit together and survive another 1,000, heck, 100,000 years. Close your eyes and imagine our most advanced cities, 100,000 years in the future. What does it look like? Do you see graffiti in your vision? I definitely don't see it in mine.

  • I see machines/AI doing almost all the production and heavy lifting. Most urban streets have a brothel, a bar (not necessarily alcohol), a couple art/cultural clubs, something for repairing/dealing with transport. No one pays much mind to the physical view of the street because they're communicating/experiencing most of it through augmented reality of some manner.

I wish I could say this evoked a nostalgic feeling, but having lived in SF, the literal memory that came to mind immediately seeing these is the repulsive smell of urine and the sight of dirty, trash-laden sidewalks. While graffiti itself could be viewed as artistic expression on its own, I liked looking at some of it, in my mind it seems so often correlated with decay

I'm surprised to see so many anti-graffiti comments here. Some of these are crude or ugly (and I'm aware that this is subjective), but a few of these are really good and don't deserve a citation. Meanwhile this thread is SCANDALIZED that there is GRAFFITI (clutch your pearls!). It really goes to show the ongoing slide into total conformity that is the tech industry. I remember when tech had more of a nonconformist, countercultural bent, but it has been dying for quite a few years.

  • I'm surprised and also not. We're a long ways away from 90s hacker culture, and even then there were plenty of upper class kids that were just in it for good pay working for the giant tech corps. We like to romanticize everyone dropping acid and being part of the counter culture, myself included, but reality is different.

    The saddest part to me is that the aesthetic of street art has been totally consumed by major corporations and spit back out on to the streets here in Brooklyn. I laugh to myself whenever I walk by a tourist taking a selfie in front of some mural that is really just some brand advertisement.

  • I don't know anyone in tech who enjoyed watching gangs mark their territory with tags in their neighborhood.

    • Sometime in the last 30 years I realized the "gang territory marking" thing is mostly made up and basically not to take anyone seriously when they say this.

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  • >I'm surprised to see so many anti-graffiti comments here.

    I'm not. HN trends toward the most suburban conformist mindset possible.

Some of these are great.

I expect the mundane "wildstyle" tagging on train cars but have been surprised a few times to see trains roll through town with much more complex graffiti. I'm happy to see examples of some of that more artful work in this post.

If you've seen the film, "Brother From Another Planet" you might look at graffiti a little differently as I do. :-)

Just drive north on 19th Ave, between, say, Brotherhood Way and Sloat, and look at the fencing on your right. Keeps getting filled with grafitti.

I like that the pictures are taken by government employees instead of the graffiti writers themselves nor by fans of graffiti.

Because of that the pictured artworks look much less nice, and the images can capture what 99% of the artworks actually provide to their surroundings: dismay, disregard, and a constant reminder that urban anonymity is a moloch that you can enjoy watching from a coffee shop’s window, while it pisses in a baby stroller.

Beautiful and disgusting at the same time.

It’s vandalizing public property in the same way that human shit vandalizes a lot of public property in SF. I don’t know which one is worse. One can be beautiful, the other is done because he has no choice.

For graffiti I’m in support of lashing or whipping the people that do this. It’s effective in Singapore. But then we lose all this great public art.

  • If they're not covering windows, signs or art, what is being vandalized? A blank slab of concrete performs its function equally well no matter the color.

    • A 'blank slab of concrete' isn't just a structural element; it’s a signal of stewardship. When you ignore tagging on that slab, you create a permission structure for more intrusive vandalism. It’s the 'Broken Windows' theory in practice: tagging leads to broken glass, which leads to copper theft, because the physical environment signals that the space is unmonitored and ownership is absent.

      High-trust societies rely on the shared maintenance of the commons. If the community can't even agree to keep a wall clean, it’s a leading indicator that the city has lost the ability to enforce the social contract on larger issues.

      Sadly this is partly why SF will never be a high-trust society.

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    • Most graffiti is just tagging, scribbling their name on something. I do not consider this art. It makes the environment you live in lease appealing (looks more ghetto).

    • Bro a lot of these aren’t beautiful quotes. Gang signs, immature shit from kids who do most of this stuff. Some is beautiful art most someone just signed their name.

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This collection is a bit ordinary and unremarkable. There are many great large format, new/used print books on street art

  • That is arguably the point. They are taken from the SF city website and are placed in arbitrary order. I personally love this unfiltered take.

    There's more to get from these than just aesthetics, precisely because they're not curated.

the sheer lack of knowledge of the graff scene on HN isn't surprising in any way but wow there are so many idiotic hot takes in this thread hahaha. I've been writing graff for over 20 years - it's something the average civilian mind could never comprehend. Graffiti has existed almost since the beginning of civilization; it's primal, it's raw. Doing graff is one of the most human activities one could partake in. It's also one of the most pure art forms to be conceived. All of that is true and most graff writers are horribly toxic and terrible humans (most but certainly not all).

> city inspectors documenting graffiti violations

Because grey fucking concrete walls are so much better than colorful entertainment.