Many, many historic text adventures are available in the browser, thanks to the Parchment interpreter. You can find them on the IFDB, and click the link to play online. One of my favourites among the classics are Plundered Hearts[1].
There's also a lively community of people who make modern text adventures. These tend to be shorter and more well designed than many of the cruel games of the past. My all-time favourite is The Wise-Woman's Dog[2], a passion project with a very high quality bar.
Text adventures are great[3], and no, as of yet, they are not improved by LLMs. Too inconsistent, too much hallucination. They can't even play text adventures well.
Not sure if it qualifies as a real "text adventure", but I recently played "Type Help" (https://william-rous.itch.io/type-help) and was unexpectedly amazed, how such simple interface, with very few text commands, can lead player through very intriguing story. Will be looking into more IF games now.
> With the cantankerous Wizard of Wordplay evicted from his mansion, the worthless plot can now be redeveloped. The city regulations declare, however, that the rip-down job can't proceed until all the items within have been removed.
It's full of delightful wordplay and puzzles that play with the text-adventure medium, constraining what words you can use. Highly recommended.
There was a time where I spent most evenings playing "A Mind Forever Voyaging" by Steve Meretzky [1], complete with trying to draw maps and jot down notes and clues, while listening to a Dave Brubeck album on repeat. The fact that I still remember that more than a decade later is a testament to how good that experience was.
Mine is ‘Anchorhead’ (1998), by Michael Gentry. I think it’s actually my favourite game of all time, of all genres.
I’ve played the old, text-only, Z-code version back in high school, around 1999, and the experience was so vivid and immersive that to this day I can draw a map of Anchorhead from memory and recite the lineage of the Verlac family. I think it’s still my favourite game of all time (although I spent much more time on some others).
These days, an illustrated version can be bought on Steam for something like $10. Highly recommended!
> js/terminal.js implements the I/O layer: a typewriter-speed character queue drained via requestAnimationFrame, an inline editable prompt with command history, and two promise-based input methods (readToken for OPS5 accept, readLine for acceptline).
> css/crt.css creates the retro look: a bezel frame with power LED, a perspective-transformed screen, repeating scanlines, a slow horizontal band, flicker animation, and triple-layer phosphor text glow. Three themes are available — green P1 (default), amber P3, and white — switchable from the settings menu.
After spending way too long trying to press a button that doesn't do anything (press button, depress button, push button, button, press the button) or trying to talk to the speaker (say open, talk to speaker, talk at speaker, shout at speaker) I got frustrated and used claude to give me a walkthrough based on the source code.
You're quite abjectly wrong, though. Text adventures were heavily advertised, in their illustrious and very brief moment of sunshine, as 'accepting English input' (cf. Maher, The Digital Antiquarian), which by definition constitutes NLP. They were just extremely bad at it, hence their accompaniment by a constant stream of excuses like the one you just made. (You must have had to dust it off first! That one is older than me.)
The wikipedia page on this game is wild too - from the developer themselves: "It violated most, if not all, of the design guidelines for good interactive fiction in that you could get killed much too easily, the puzzles were way too obscure (many based on Saturday morning cartoons from my youth), but it had a certain charm".
Taking cryptic to an entirely new level.
All those saturday mornings I wasted as a kid watching cartoons like Animaniacs, DuckTales, and Thundercats aren’t even going to help me here. The game was written in 1979, so I’m guessing the puzzles are more closely based on Hanna-Barbera series like Magilla Gorilla, Jonny Quest, and The Herculoids.
Funny -- I feel almost the opposite way! In modern games there's a very small set of action one can take in any situation (hence why game controllers can get by with so few buttons) whereas in text adventures, there are several dozens of plausible actions in any situation, down to details like "smell photo" or "break frame".
Sure, a modern game could implement breaking the picture frame as a narrative element, but then it would be telegraphed as "press X to break frame" -- one action in a small set possible at that time. The text adventure would also have to hint at it, of course, but it would be more subtle, like "there is a piece of paper wedged behind the picture" or whatever. The user would then have to figure out on their own that the frame is breakable.
Of course, that unparalleled freedom is also why good text adventures are difficult both to make and to play.
Many, many historic text adventures are available in the browser, thanks to the Parchment interpreter. You can find them on the IFDB, and click the link to play online. One of my favourites among the classics are Plundered Hearts[1].
There's also a lively community of people who make modern text adventures. These tend to be shorter and more well designed than many of the cruel games of the past. My all-time favourite is The Wise-Woman's Dog[2], a passion project with a very high quality bar.
Text adventures are great[3], and no, as of yet, they are not improved by LLMs. Too inconsistent, too much hallucination. They can't even play text adventures well.
[1]: https://ifdb.org/viewgame?id=ddagftras22bnz8h
[2]: https://ifdb.org/viewgame?id=bor8rmyfk7w9kgqs
[3]: https://entropicthoughts.com/the-greatness-of-text-adventure...
Not sure if it qualifies as a real "text adventure", but I recently played "Type Help" (https://william-rous.itch.io/type-help) and was unexpectedly amazed, how such simple interface, with very few text commands, can lead player through very intriguing story. Will be looking into more IF games now.
My favorite of all time is "Ad Verbum".
> With the cantankerous Wizard of Wordplay evicted from his mansion, the worthless plot can now be redeveloped. The city regulations declare, however, that the rip-down job can't proceed until all the items within have been removed.
It's full of delightful wordplay and puzzles that play with the text-adventure medium, constraining what words you can use. Highly recommended.
There was a time where I spent most evenings playing "A Mind Forever Voyaging" by Steve Meretzky [1], complete with trying to draw maps and jot down notes and clues, while listening to a Dave Brubeck album on repeat. The fact that I still remember that more than a decade later is a testament to how good that experience was.
[1] https://ifdb.org/viewgame?id=4h62dvooeg9ajtfa
Mine is ‘Anchorhead’ (1998), by Michael Gentry. I think it’s actually my favourite game of all time, of all genres.
I’ve played the old, text-only, Z-code version back in high school, around 1999, and the experience was so vivid and immersive that to this day I can draw a map of Anchorhead from memory and recite the lineage of the Verlac family. I think it’s still my favourite game of all time (although I spent much more time on some others).
These days, an illustrated version can be bought on Steam for something like $10. Highly recommended!
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"Spider and Web" is quite short, pretty easy, mostly gives good hints. A great starter-game, I think. I also love Zarf's writing.
https://eblong.com/zarf/zweb/tangle/
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How was this built? It's gorgeous, I've been wanting to have a cool-retro-term in the browser for a long while.
If this was built bespoke for this game, fair play, but I would love to have this library if it's a library.
EDIT: I found the repo https://github.com/jscalo/haunt
> js/terminal.js implements the I/O layer: a typewriter-speed character queue drained via requestAnimationFrame, an inline editable prompt with command history, and two promise-based input methods (readToken for OPS5 accept, readLine for acceptline).
> css/crt.css creates the retro look: a bezel frame with power LED, a perspective-transformed screen, repeating scanlines, a slow horizontal band, flicker animation, and triple-layer phosphor text glow. Three themes are available — green P1 (default), amber P3, and white — switchable from the settings menu.
Spoilers in link.
After spending way too long trying to press a button that doesn't do anything (press button, depress button, push button, button, press the button) or trying to talk to the speaker (say open, talk to speaker, talk at speaker, shout at speaker) I got frustrated and used claude to give me a walkthrough based on the source code.
Turns out the correct command was "hi"
here's the walkthrough: https://pastebin.com/LHnFRFjw
Derp. Thanks. I was exactly stuck at the freaking button right now and not finding any help online. Yet :D
Ligatures in the retro terminal kill the illusion.
Fund, but had my CPU maxing out (on firefox).
> Have you played before?
> No.
> I assume that means yes.
Yeah, that's that half-century-old state of the art in natural language processing working...
It's not NLP and it never was. The parser accepts a language with a specific syntax that just happens to vaguely look like English.
Some practise is required to become fluent in that language. But it's worth it, because it unlocks many amazing text adventures!
Thank you for explaining the joke.
You're quite abjectly wrong, though. Text adventures were heavily advertised, in their illustrious and very brief moment of sunshine, as 'accepting English input' (cf. Maher, The Digital Antiquarian), which by definition constitutes NLP. They were just extremely bad at it, hence their accompaniment by a constant stream of excuses like the one you just made. (You must have had to dust it off first! That one is older than me.)
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I got on to a bus then nothing happened/worked.
Look, I think modern games with giant GO HERE arrows are dumb, but these games were an exercise in patience beyond necessary.
The wikipedia page on this game is wild too - from the developer themselves: "It violated most, if not all, of the design guidelines for good interactive fiction in that you could get killed much too easily, the puzzles were way too obscure (many based on Saturday morning cartoons from my youth), but it had a certain charm".
Taking cryptic to an entirely new level.
All those saturday mornings I wasted as a kid watching cartoons like Animaniacs, DuckTales, and Thundercats aren’t even going to help me here. The game was written in 1979, so I’m guessing the puzzles are more closely based on Hanna-Barbera series like Magilla Gorilla, Jonny Quest, and The Herculoids.
https://en.wikipedia.org/wiki/HAUNT
walk around the wall and find the "speaker". Say hi. Never-mind the button doesn't do anything.
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Funny -- I feel almost the opposite way! In modern games there's a very small set of action one can take in any situation (hence why game controllers can get by with so few buttons) whereas in text adventures, there are several dozens of plausible actions in any situation, down to details like "smell photo" or "break frame".
Sure, a modern game could implement breaking the picture frame as a narrative element, but then it would be telegraphed as "press X to break frame" -- one action in a small set possible at that time. The text adventure would also have to hint at it, of course, but it would be more subtle, like "there is a piece of paper wedged behind the picture" or whatever. The user would then have to figure out on their own that the frame is breakable.
Of course, that unparalleled freedom is also why good text adventures are difficult both to make and to play.