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Comment by bardackx

16 hours ago

I find super HARD to believe that we ran out of musicians doing music in the styles of the 80s/90s maybe your friend just doesn't want to search for new music, and that is ok, it's ok to be lazy, not a crime; but saying nobody is making such music is a sad excuse.

It’s also OK to like what you like. She likes Suno jams. Great!

I feel like this trope is strongest amongst musicians-feeling-underappreciated, but that the idea seeps in to all manners of creative work: that, because you’re rightfully proud of what you do, the audience is wronging you (or “lazy,” or “sad,” or “cheap,” or “tasteless”) by not appreciating it. It doesn’t make me feel a lot of sympathy.

  • It is, but also it's ok to silently judge people.

    If somebody told me "I choose to only read AI-generated books" I would also silently judge them.

    • What about the long tail of romance novels, fanfiction, etc though? 50 shades was an outlier in that it was popular but it's absolute drivel, and there is a lot of that kind of low quality writing out there.

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  • That might be OK if Suno had compensated everybody they needed to.

    I feel sympathy for people who made something that was reappropriated by those without strong ethics.

  • > It’s also OK to like what you like. She likes Suno jams. Great!

    People like what they like, sure. And if someone was particularly into the idea of machines making music, or even take some cynical enjoyment out of this on the full understanding of what it is they are doing. Sure, whatever.

    But someone acting like listening to AI generated music is their only choice due to their taste in music? Come on, that's a sci-fi nightmare right there. Not even going full-on ecologist here, but the resource expenditure alone is so out of whack for something only a single person will listen to.

    I don't even consider myself a musician, just a human being baffled at the total lack of humanity and how that lack of humanity is being normalized. Talk about sympathy.

    • Is it though? Do you have calculation how much one suno song does? I work with databases, and I sometimes wonder how much energy those full table scans of the world consume, comparing to ai.

    • What resource expenditure? Inference is dirt cheap, especially for a single person's prompt.

"your friend just doesn't want to search for new music, and that is ok, it's ok to be lazy"

Actually it seems to me like what the friend was doing required a lot more effort than "searching for new music". This isn't the 80s where you have to get in with the "in crowd" to listen to bootlegs or limited prints. You're talking about going through search results at a computer, right? She's actually involving herself in the music creation process, in some small way.

  • Yes, and random song of 80s will be as shitty as random song of 2010s and 2020s.

  • Prompting a machine to generate random slop that sounds like other music isn't really involving yourself in the creation process. This person applied no taste or knowledge to the creation process, didn't learn anything. Just asked for a pattern matcher to give her something like what she already had.

    Nobody generating anything on Suno is showing any kind of creativity. It's somehow worse then regular plagiarism.

easily liking any kind of music only on the merit that it is human generated seems lazy, too.

similarly, firing up a music gen system rather than listening to a billy joel song for the 30,000th time seems less lazy.

say what you want about AI systems, people that I used to see idly sit at a screen and ingest things all day purely are creating things they like now and sharing them. The thing is easier but the engagement seems greater for a lot of people. It's not as black and white as "oh you're lazy." -- and, by the way , that seems so wildly inappropriate to label an unknown third party as site-unseen -- dare I say that seems lazy?

  • Nobody does that. Literally nobody likes a piece of music just because it was made by a human.

    But consider an album I found a couple of years ago, called "The Unfinished Violin". A UK folk musician, Sam Sweeney, bought a violin he thought sounded really good, noticed a name in it. Researched who he was. Turns out he was a music hall performer from Leeds. He had made the parts for the violin, but before he could assemble it, he was sent to fight in WW1 and died in Flanders. The violin had laid unfinished in an envelope for the better part of a century. Sweeney arranged a lot of time-appropriate, military related music for the album, and wrote a few himself too.

    I didn't know any of this when I first heard "The highland soldier" on Spotify DW. I just thought, wow, that was a beautiful tune. And it sounded like it meant something to someone. And it, turned out, it did. It meant something to Sweeney, it meant something to the folk music collector George Butterworth who wrote it down (and then also died in WW1), it meant something to the people he recorded it from.

    If I heard a Suno tune, it's entirely possible I'd also think, wow, that's a beautiful tune. But there's almost no human connection. Nobody cared about that music. It's not entirely devoid of humanity, because of course Suno was trained on the music of people who cared and had something to express, and there's an echo of it. But the link is severed. It has no human provenance.

    You can cut yourself off from humanity, just use audio as a drug and not care where it comes from. Certainly a lot of people did that long before AI. But why, when there's so much human music to connect with?

  • > people that I used to see idly sit at a screen and ingest things all day purely are creating things they like now and sharing them

    Like what? People say this kind of stuff all the time and it's either not true or they're generating things with very questionable taste.

As someone with very specific tastes in music across several genres, yes, it's hard to find new bands making what I like. Every so often I'll find one, but it's pretty rare because- surprise!- the market for people with my tastes is really small so quality production targeting me is a bad career decision.

There's not much AI music I like either, but there's at least one genre where it's really, really hard to find anything both new and authentically human, so AI scratches the itch occasionally.

> it's ok to be lazy, not a crime

It's normal to hate AI being pushed down our throats, but it's a completely different thing when we call people names, who enjoy it on their own.

  • You can also treat lazy not as an insult, but a behavioural description. Everyone likes to be lazy for sometime, and if you do not allow yourself lazy once in a while, you are likely to get burnout. In fact, that's precisely what was done here: "it's ok to be lazy".

    • > if you do not allow yourself lazy once in a while, you are likely to get burnout

      I'm not sure how using AI to generate songs will save anyone from the burnout of searching for songs, but what I understood from context is "intellectual laziness" and I see that as an insult. I'm not a native speaker though, so thanks for offering another perspective.

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Well, it is kind of true though. I used to listen to bboy (breakdance) music; this was ok in the 1990s for the most part. Then things changed. The music today just ... sucks. I can't listen to it anymore. And bboying is now just a tricking contest, with a certain company abusing the dancers as advertisement-robots for them ... I also see that on youtube, with constant product marketing and product logo flashing. It's annoying.

I don’t want to copy paste my answer in another thread, but what if I want to listen to music about some lore? Some topic?

Like this, made by a guy who clearly understands who to use ai?

https://youtu.be/6YTjH_7QUT0?t=42

Ai is a great enabler for people who have ideas but don’t have chops.