Comment by pganssle

I can't believe I didn't put this in the original repo, but this is where I got the piano samples from: https://theremin.music.uiowa.edu/mis.html

They have guitar samples as well, but it was a bit more complicated because with a piano you have one key per note, there's exactly one way to play C4♯ or whatever, but with a guitar the notes are overlapping, so C4♯ might be played on the B string or up on the G string, and I didn't really know how to choose samples for interpolation.

> Maybe also an "identify the root of the chord" mode could be helpful to bridge from the chord sounds to single notes?

There is already a mode (it might turn on automatically for "white" chords after you reach black chords, I forget) that follows on to identifying one of the three notes, chosen at random, from the chord you just heard. That is what I'm doing with my son now and it seems to be bridging the gap, but I think a direct "which note is this" thing might work better for him.

That said, we're pretty far afield of the original Eguchi method at this point. According to the book, kids are supposed to just naturally understand the nature of notes as you improve. The book also mentions that the advanced students are doing stuff like listening to arbitrary combinations of up to 6 notes (not chords, just random combinations), but they don't really explain how that works. There's a decent amount more to do, but given that I'm not 100% convinced that it even works, I'm not sure how much it's worth it to do it.