← Back to context

Comment by ButlerianJihad

13 hours ago

I was a zealous collector of records when we made the switch to digital audio. And let me tell you, there was a significant artistry to the thing: a vinyl record was a standardized work of art. Every album cover was the result of careful design, photography, layout. The inner sleeve oftentimes contained more art, or if we were lucky, all the lyrics we wanted to sing along with. The record label itself, a masterpiece of design. All the smells and all the feels of merely collecting vinyl--even without playing it--are indescribable today.

When CDs came into the market, they were horribly clacky and just clad in layers of tacky plastic. The album art was shrunken, misshapen... and the objects themselves stank of polycarbonate, rather than delicious vinyl. Sure, they sounded great and they lasted a long time, and maintenance was dead simple. But so much artistry was lost. I was still collecting lots of CDs when purely digital distribution hit us, but by then, the smells and feels and experience of collecting vinyl were distant memories.

And that entire experience may be why people argue for the technical superiority of vinyl recordings, and analog tube amplifiers. Because it was all self-reinforcing, and it all fell apart once the clacky, tacky, plasticky CDs took over.

Yeah, that's all part of what I meant by "a kind of retro nostalgia". People enjoy the experience of buying vinyl and of putting on vinyl records. I don't think there's anything wrong with this, for what it's worth. I'm just claiming that this is what's driving vinyl's popularity right now, rather than because people are turning to it due to music availability issues (which is much more of a factor for DVDs/Blu-rays right now).

There's a shitload of valuable vinyl records that don't have any art at all or even any cover. Paper and cardboard doesn't last as long as the record itself.

No, the reasons for this are entirely technical.

  • de gustibus non est disputandum

    Look, I am telling you about my own lived experience with collecting vinyl. You can speak for yourself, but I carefully stored all my items in archival sleeves, and the jacket, art, and inner sleeve were often just as important as the disc and the music encoded on it.

    There was a real thrill and reward that came from collecting LP albums in particular, and that meant 12" discs, and I also had a particular specialty in finding 12" remixes and DJ versions of singles.

    Yes, there were shaped discs, and colored vinyl, and white-labels and acetates that came with no art or plain sleeves, and I collected those with just as much alacrity, but it really was a pleasure to flip through my collection, or someone else's, and drink in that large-format album art.

    • Interestingly the higher-end physical movie releases have moved to metal cases and/or paper sleeves to hide the plastic. Perhaps that's also what digital music would have moved to if the physical market didn't get eaten by streaming. The artwork would still be smaller than vinyl but if you have broad tastes and limited space that may actually be a feature.

    • I'm just saying there is a market for vinyl records with no art or sleeves, but no market for sleeves and art with no record.

      Clearly the art isn't the driver of this market niche.