Fastpotify

6 days ago (fastpotify.rocks)

Spotify is, without doubt, the worst piece of software that I still use on a daily basis. It's incredibly buggy, incredibly slow, and the UI has so many "usability inconsistencies".

I find the Android app particularly bad, just a couple of examples:

- Under a playlist you get a list of suggested songs, the UI element looks like a "regular song", but unlike every other "song" element the user has been trained to recognize, the "swipe right to queue" does not apply to these elements. For some reason.

- When you don't have connectivity, e.g. you walk into a Faraday cage, then the search tries to reach the internet and won't show you results before it either: 1) does so, 2) times out. Which means you can't browse your local library before some websocket times out. Just show me the local results first?

  • It truly has been one of the worst UX experiences and poorly made apps that ever made it to mainstream. I remember a decade or so ago there being a bunch of buzz about them in software dev because they were a microservice node.js/react stack or something with each UI element or portion of back-end having a separate dev team. I can vividly remember thinking "oh that's probably why when I change song sometimes the album art doesn't update." they're living proof your product doesn't even need to be that good you just need to be first to market and not really piss anyone off.

    • I worked for a startup in 2019 which was really pushing the "Spotify model" of team structure. Apparently it's all about self-organising teams and having no leadership. The fact the technology output of the Spotify model - the Spotify app - seemed to be kind of crap didn't seem to matter. I think the main output of the Spotify team structure was blog posts promoting the Spotify team structure.

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    • Right now, if you have video clips in Spotify enabled, your lockscreen controls will display 'Artist' - 'Song' - 'Video Available', instead of 'Album Name'. If you disable video all together, it just leaves that area blank instead of displaying the album title.

      This has been a thing / issue since 2025. It's pretty clear the video team probably put that in to bump video interactions, then the whole team got put on something else and now this problem is blackholed. The most bizarre to me is: even Spotify's top managers must use their own product when they helicopter to home, right? So they would see this too.

      Where is a Jobsian anger for user experience when it is needed. Although in that respect even Apple is in the gutter these days.

    • Totally agree. They also have some stickiness going for them (at least for me). Now that I've organized my music in Spotify and have my habits in place that deal with the crummy UX, I've gotten numb to the poor UX.

      Case in point, I make a daily playlist for running and that UX is frequently changing and often for the worse, but I deal with it because it's a habit that costs me a few seconds maybe a minute per day. The cost of switching to a new thing just feels daunting so I stay.

      I also am guilty of enjoying the wrapped summaries at the end of the year :)

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    • Yeah last I knew the Spotify desktop app loads many dependencies in triplicate or more because each pane is its own independent iframe universe, all so the engineering teams don’t need to talk to each other and they can A/B test incessantly. Inefficient madness.

    • Spotify definitely has a better claim for "mainstream", but Epic's store/game-app takes the cake for me. Stunningly slow and bad.

    • > your product doesn't even need to be that good you just need to be first to market and not really piss anyone off.

      The product is more than the tech stack

    • > each UI element or portion of back-end having a separate dev team

      Really takes shipping your org chart to another level

  • It's a music player, and it's way too heavy for what it does. Well, it does a lot it doesn't need to, too. Uses 1.5GB of RAM on my laptop atm. Since I only have 16GB on my work laptop that's noticeable. I'd love it if Spotify AB could replace its client with a native Rust one, although using an immediate-mode GUI library like fastpotify does might not be the best option...

    Is there any music streaming service with fast native cross-platform (Linux, Mac, Windows, Android) clients? Because I'd switch. Feel like Spotify's recommendations have taken a nosedive lately, so that wouldn't hold me back too much.

    • > Is there any music streaming service with fast native cross-platform (Linux, Mac, Windows, Android) clients? Because I'd switch.

      i use apple music. love it way more than spotify. i originally got it because their descriptions of albums and their playlists are done by actual music nerds. i use the website on linux since it’s my daily/work driver and their app on my phone and macbook when i use it. the apple music app was fine on windows before i switched to linux entirely. definitely leagues better than itunes was.

      have the family plan and i never hear complaints from the family members who use it on android.

      i hated how spotify would just remove tracks after id spend time making a playlist and suddenly it would just be gone, like not greyed out, just gone. so irritating.

      in terms recommendations, apple is a definitely far better than spotify, but it’s still nothing compared to music store nerds, college radio, or friends. recommendation algorithms from every platform are trash and just can’t compete with other people, at all. go to your local record store, look through the employee recommendations or just talk to them, most of them are working in a music store because they love music (its not for the money lol) and then buy the vinyl, you’ll thank yourself later.

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    • Apple Music has native clients on macOS and Windows (the latter being a greenfield WinUI app rather than based on iTunes heritage). No native Linux app, but unlike Spotify they actually allow third party clients to exist and even furnish a library for devs to use, and so third party clients like Cider[0] exist on Linux. It also has a web app that can be installed as a PWA.

      [0]: https://cider.sh

    • > Uses 1.5GB of RAM on my laptop atm.

      That's crazy, I just checked on mine (macOS), it's only ~300MiB, about as much as Apple Mail which is native.

      Still a bit much for what I need it for, but tolerable.

    • For the monthly price of Spotify, one could rent a VPS and host Navidrome on it. In case you already have spare capacity, then it might be (almost) free.

    • Quite annoying when, as we see in the tv show “the playlist” that traces back the story of Spotify, the founder put a huge emphasis on performance to differentiate them from the rest and create the best possible UX…

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  • I switched from Spotify to Amazon Music about 9 months ago, and cancelled Spotify Premium as a result (due to price, not bugs). Amazon Music is so much worse.

    1. If you have no connectivity, the app will frequently get stuck in the offline state, playing the spinner indefinitely, even after connectivity has returned. I had similar issues on Spotify, but Amazon Music is so much worse. 2. I had Amazon Music eat my entire cellular plan's data monthly allowance in a day, after it seemingly got stuck in a loop trying to download the same podcast again and again. The podcast is unplayable when it gets in this state, even on perfect Wi-Fi, it just never starts playback. This has happened twice now (incidentally on the same podcast, but different episodes), even after deleting and reinstalling the app entirely.

    The second bug is a deal breaker, so I've gone back to Spotify.

    • I canceled Spotify a few months ago have been using a free Amazon music trial. It's staggering how the Amazon interface is just worse in every single way.

      Concurrent to this streaming evaluation, I inherited a Sonos system and by the gods is that app pitiful! You would think the premium sound solution that is supposed to "just work" would prioritize UI.

    • apple music is good if you dont need it to be feature packed.

      best value for money if you use youtube is youtube music app that you get from youtube premium.

    • Have they replicated 1:1 Spotify's UX in Amazon music finally? I was a user 7 years ago and their Android app back then sucked, big time.

    • I mean, Amazon just sucks in general when it comes to design. I don't understand why Amazon videos (or whatever their purchased streaming app is) doesn't even queue up sequential movies automatically. It'll play the first Harry Potter movie, then skip to the third, fourth, and then the second, etc. It's not just HP , either.

    • I switched from Amazon music after many years to Spotify, as Amazon's App was just terrible. Never worked well offline in my watch or phone (Apple).

      I only went to Spotify because my kids wanted it. The integration for Spotify is still very good, compared to Amazon Music.

  • Why is spotify so popular? There are different solutions to listen to music. What does spotify do that almost no one else does? Is it the music library or something else?

    I use youtube music, but I am looking for alternatives (but not spotify for various reasons).

    • Because as much as the app sucks the everything else is better than everyone else's music app, at least here in India where we have Apple Music as well. Recommendation, organisation, playlist - it feels like Apple Music is doing all that for a different species altogether. Now I already have said how bloated Spotify iOS app is and I still take it any day over Apple Music's native app. Hell, there are flows in Apple Music that has never gonna past a click at certain page whenever I've tried (that's quite a few in times in last few years). Esp. flows around which they try to play with iCloud and social aspects. Hell, I can't even decide what not to see on my Apple Music home screen. Sometimes I've to do few sipes to reach what I am looking for. Even with all the bloat Spotify never tires me like that.

    • I can’t speak for everyone, but for me, it just works. I’ve never had any of the issues people are mentioning in this thread. The app isn’t slow or buggy for me, I’ve never had artists I listen to disappear from my playlists, and I can find pretty much every song I want to listen to. Most people I know use Spotify too, so sharing stuff is just a little more convenient.

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    • $25/month for 5 users "all you can eat" music library every month is incredibly hard to beat, even if self hosting terabytes of your own music library.

    • I have been on Spotify from almost the beginning, and see zero reasons to switch. The app never bothered me at all - I find the reactions in this thread startling.

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    • They have a big library of music from tiny bands and it works well enough. As long as you ignore the music they try to push it just works.

    • I use Youtube also, I subscribe to Premium so that includes music and is ad-free. Never not found a song or artist I was looking for.

      I listen to music mainly in the car or maybe as background when I'm cooking or doing other chores. I am not someone who has earbuds in all day or who does focused listening or spends time making playlists or seeking out new artists in my favorite genres. So the playlist management, discovery, etc. features and whether they work well are not really relevant to me. I care that its main functions are easy to use and work, and YouTube music does that.

    • Another reason why they are so popular is that they were first to market. They’ve been good enough that they have not lost first mover advantage that other first movers often lose (MySpace for example)

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    • > What does spotify do that almost no one else does? Is it the music library or something else?

      music is tough business to negotiate all the contracts and figure out a business model

    • Why I stay:

      1. family plan that I run. my parents and siblings all use it.

      2. social. Sharing playlists matters to me, and everyone else uses spotify. This is also important in my romantic pursuits.

      3. It has 10+ years of my listening history; the recommendations are decent, and my playlists go that far back.

      4. whatever UI issues it has (and I can name a few off the top of my head), I don't find it difficult to use at all, and I'm used to its quirks.

  • I've cancelled mine 5 years ago after they keep showing me ganster music and podcasts on my main page, even though I no history of listening or liking such content. So they keep trying to force it into my life. Secondly, they messed up the explorability of artists, playlist and related music. They also removed music from the catalogue, meaning on my playlist there are big memory holes of my favourite music, as they don't even show the artist or song name anymore. They also broke the offline-mode for when I drove my car.. so even if I switched it to offline-mode, music would still not play (after they downloaded and using 10GB+ on my phone). Then they added Joe Rogan and pushed other politics and stuff, more mainstream gangster shit. I just needed a good music player with a good discovery system and decent offline-mode. It used to be very simple. Now its a mess.

    So my only path/answer to this was to cancel it. They poisoned the well so efficiently that I will never trust another streaming service again for my lifetime. I hate rewarding bad business practices, businesses pushing their ideologies towards me. No thanks.

    • Their Joe Rogan period was baffling. It reminded me of Apple and U2.

      Apple’s boomer surprise when they discovered we don’t all like U2 was hilarious.

    • The problem with gangster music was a hack I believe. Spotify never admitted it but I have many friends that had that problem. I did not.

  • It’s a music player that regularly cannot play music. I don’t understand how you get that wrong for so long.

    • I ran sound at a friend's wedding recently and unfortunately the music was all on Spotify. Every time I tried to play a specific song from a playlist, "Spotify can't play this item right now" and it would skip to the next one (or the one after that). I ended up having to yt-dlp all the timeline-specific songs.

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  • It's actually crazy that a music app struggles to play music many times. By far my worst big app experience.

  • They’ve left Airplay out of their Mac app for the history of the company and I have no idea why. They have hundreds of engineers. I have airplay running on a raspberry pi since 2019.

    The black and neon is truly a not-good choice for a UI. Nevertheless, they persist.

    Apple Music has a much better UX. Things like “play next” when you want to play that song next but not clear your other queued up songs are little treats that Spotify took years to catch up to. Many of the other bugs—which people document for them!—go untouched for literally years.

    It’s fascinating to me how companies like this ignore easy wins for their users. Have a couple engineers burn down all of those and you’ll win fans (or at least not create enemies.) Take the wins!

    • The Music app on my macOS Sequoia 15.7.5 has an airplay button on the top right, to the left of the lyrics button.

  • This seems a bit harsh. In my experience, it basically works fine for playing music. I haven’t noticed it being particularly slow either. Could it be due to having different hardware, different expectations, something else?

    • > it basically works fine for playing music

      Until you want to play back a playlist in random order over airplay or bluetooth, then the decade old bug with thousands of replies on their forum confirming it surfaces, and it only loops the first 100 songs in the playlist.

      The number of bugs in their service that have existed since inception is insane. It's a buggy mess, and the UI & UX is comically poor. Not to mention the resource usage, as someone else pointed out below its incredibly insane that they think it's ok for it to be such a massive resource hog.

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  • i'd love it if spotify split into two companies: - an enterprise platform that just provided a an API to access/play songs and direct the payment to the correct rightsholders - a consumer app that built on top of that to provide the 'spotify' we all have

    let a whole ecosystem of music streaming apps take off that cater to different niches of listeners.

    each app would be able to differentiation themselves with their UI but also features like recommendations/playlists/etc. And spotify wouldn't see them as competitors because they'd still be getting their cut because they all go through their API.

    • Rights holders would never allow it. It would be too easy for their enterprise customer to underreport plays.

  • > Under a playlist you get a list of suggested songs, the UI element looks like a "regular song", but unlike every other "song" element the user has been trained to recognize, the "swipe right to queue" does not apply to these elements. For some reason.

    If I remember correctly, it has a plus on the side to add it to the playlist. Clearly different I guess (and why would you want to listen to a song before adding it to the playlist amirite?). I also love the way you have to refresh a list to get 3 new songs instead of just getting a scrolling list where you can go back.

  • I’ll take it a step further and say I think the current music player-isms UX is just not easy to use and gets in my way of enjoying music…

  • I think the notion that it's the worst piece of software is a bit of a stretch here. I've used various streaming music players and Spotify has been the best by far. Doesn't mean it's perfect.

    I get that not all edge cases (eg swipe gestures) are bullet proof but that doesn't make it terrible software.

    • It's objectively really bad at a lot things. I've always had the feeling that the music is not even a primary feature of their product.

      The last time I used it, I uninstalled once I realized that my kids could watch Logan Paul YouTube videos through the Spotify app. These masquerade as podcasts, but like a Trojan horse they are just vods of YouTube content. And at the time there was literally no way to disable this. No way to either turn off podcasts or specific content through parental controls or otherwise.

      I just wanted to give my kids a way to listen to music while reading. I have since switched to our local community radio station.

  • Yes, the Android app is particularly bad. For the past couple of weeks, it's gotten to a point where the app will take 30s to load on my phone. Nothing, not even reinstalling the app fixes this.

  • > Spotify is, without doubt, the worst piece of software that I still use on a daily basis. It's incredibly buggy, incredibly slow, and the UI has so many "usability inconsistencies".

    I left Spotify about a year ago and have tried Tidal, Deezer, Qobuz, and Youtube Music. They all have equally worse UI/UX. The Tidal and Deezer apps on Windows were absolute dogshit and would constantly bug out, randomly stop playing, freeze, take ages to load, etc. YTM's UI is awful, and it does not use your liked/saved songs and albums for its recommendations if your Youtube history is turned off, which isn't explained anywhere that I could find. Just absolutely baffling product design decisions all over the place.

    I'm blown away by how much all the big music streaming apps suck. Music player UIs were a solved problem 20 years ago.

    More and more now I'm using Bandcamp, Subvert, local music enthusiast Discord servers, and even Reddit to discover new music. It's a giant pain in the ass, but it's still less unpleasant than the apps.

    • The vast support for Tidal in these discussions is pretty baffling. The whole thing is just an abandoned Jack Dorsey side hustle. Basic things like gapless playback don't work. Playback on dodgy connections is spotty. I have my own fair share complaints of Spotify UX but it actually works as a music player anywhere and everywhere.

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  • 100% Android version/problem.

    Both desktop and iOS ones are very good. As much as a hate Electron, Spotify is a pretty good example of good use of E.

  • You should have tried Deezer. I had switched to Spotify because I couldn't tolerate bugs anymore.

  • This seems a bit harsh. In my experience, it basically works fine for playing music. I’ve not noticed it being slow.

  • I gave YouTube music a try, mostly for the free premium and I have to say, it's ok. It still hiccups sometimes when I'm on the subway or a plane but I don't miss Spotify.

    I do have a more pared down selection of mp3s loaded on my device in case of emergency, but I use it less and less now.

  • Wow, I'm usually the first to complain about buggy software and bad UX. But I use spotify on android and linux and I have no issues.

    Everything works really well?

    I can manage playlists, play on one device, control on another etc.

  • I recently started encountering full on crashes on iOS, as well as random freezing. Not to mention whole navigation just feels 'off', like canceling navigation mid animation. Nowadays, non-native apps don't have issues like that.

  • have you tried apple music app on mac? Apple music is also wrong in so many levels I personally believe teams that work on inside Appple hate it and made so bad intentionally. There is no other explanation.

  • > - Under a playlist you get a list of suggested songs, the UI element looks like a "regular song", but unlike every other "song" element the user has been trained to recognize, the "swipe right to queue" does not apply to these elements. For some reason.

    There's a ton of these inconsistencies. For example, the new releases albums where songs become available over time also do not have it. It's infuriating how inconsistent the UI is sometimes.

    Not so long ago they also had two versions of the "swipe right to queue" UI, one with long swipe (the current one), and one with a much shorter one. I preferred the shorter (with the hard break) one because it is much clearer when a song actually gets added to the queue. What often happens when you're adding multiple songs to the queue, if you only swipe a little bit, it is unclear if it was enough to add it to the queue. With one song this isn't a problem because a message with "added to queue" is shown, but for multiple songs, the messages are shown on top of each other.

  • I am a user since the beginning and had premium for almost as long. The state of the app is bad. Crash fest. They pretty much brags about that they slop code it. But was it better before? Let me give you a hall of fame of historical bugs/features.

    1. Impossible to purge the play queue. Had to delete every track one by one. 2. Completely broke liked songs years after the feature was launched. 3. They broke offline mode like a billion times. Just download everything again. Especially annoying back in the days when mobile data was expensive. Still does not work like half of the time. 4. Changed to a yellow typeface! I am not even kidding. 5. Included some bittorrent like file sharing in the background.

    • The number of times I boarded an airplane to find my offline song list empty... I had to completely stop relying on it.

  • My biggest complaint is the device switching. I pick up my phone and hit play, my laptop starts playing the music

    .. which in turn causes my AirPods to connect to my laptop

    I have to go manually hunt to connect everything correctly Every. Single. Time.

  • Another annoyance is the “genres” in your liked songs. They change seemingly at random and when you select a genre eg country it has the most ass backwards way of grouping songs so I’ll get rap songs playing despite having selected folk or whatever

  • its run by one ceo guy gustav's whims and fancies. he is obviously not a ux expert but every feature in the app needs his "vision"

  • The whole service is shit, all music you discover is bought to be there, a lot of it is AI.

I realise I’m pissing into the wind here, but I find the LLM text on the homepage and docs quite funny/ awkward.

> “Ctrl+M turns it into a tiny player that wears any classic Winamp 2 skin, spectrum analyser, equalizer, and playlist included. 2000s vibes, pixel for pixel.”

Everything is said with too much intensity, and phrasing that sounds impressive but doesn’t really mean that much. Like “wears any classic Winamp 2 skin” feels so awkward, what’s “wears”? You mean it can use it?

I feel like if you can’t be bothered to write the code, at least document it yourself and write the marketing copy so I know you understand the product. Otherwise how can I trust running it on my computer? Did the LLM generate some amazing rm -rf somewhere, or another blunder that wrecks data I might care about?

  • Author here.

    Yes, the code is generated. Yes, the docs are generated. I agree LLM copy is annoying and will rewrite them myself.

    But I built this for myself out of frustration with the official client, and I use it every day, so every bug I find is fixed immediately. I also care about bugs and PRs from other people, as you can see the amount that have been closed on the repo. The only reason I would stop maintaining this is if Spotify kills it.

    I also wouldn't call this vibe coded either. Human directed and LLM generated is fairer. It's been an intense 5 days with tons of design decisions and testing on 3 platforms. I think we need a new vocabulary to distinguish it from "author doesn't care". I do.

    • > Yes, the code is generated. Yes, the docs are generated. I agree LLM copy is annoying and will rewrite them myself.

      I find this kinda funny. Fix the obvious part, better not look at the code.

    • Don’t worry. Folks are entirely too concerned about the distinction between human made and LLM made. In a short handful of years, it will be incredibly rare to find something an LLM hasn’t been involved with

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    • The official client is very annoying.

      I rewrite docs myself on my own projects because they read as very LLMish, there's an intermediate stage which feels slightly less bad where I ask it to remove most of the comments, especially LLM signposting ones and then "rewrite any remaining comments and docs in a dry ukgov/gds style" which makes things slighyly less worse.

    • I'm going to sound harsh here, but please don't take this as criticism of the effort, it's criticism of how it's being portrayed. The quality might for all intents be great and useful.

      > But I built this for myself out of frustration with the official client

      But you didn't build it. This is akin to me telling an intern to build me a widget and then claiming it was me who built it. Or a construction manager saying they built a skyscraper.

      Yes, the intern and the construction crew needs guidance and management, but I can't then go to the management committee and claim ownership of the effort.

      > I also wouldn't call this vibe coded either.

      You didn't write any of the code or even the documentation for that matter. You guided a code generator that relied on you to guide high level decisions but then did all the implementation on it's own. That's vibe coding.

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    • >Author here.

      Not author. LLM manager, technical producer (if we're borrowing game development language), advanced AI user; not author. Authors are those whose code was used to train LLM(s) you were using while producing this fine piece of software. I'm saying this having neither positive nor negative emotions. Just clarifying.

    • I agree that "author cares" and "author doesn't care" is a very important distinction.

      But to me vibe coded is about reading/editing the code. If all your code modifications are by prompt, it is vibe coded by definition.

    • One thing I like about Spotify is the recommendations. I like to do what i call “beat digging” which is basically exploring the platform for new artists and tracks?

      Does this still have that?

    • Should add a full page click through slop warning to each page on the site. Also give credit to the LLM that made it in the "Brought to you by" section at the bottom.

  • Having used Claude a lot for the past four months, I get exhausted from its style. Every sentence has been buffed and polished and enhanced and it never just plainly says a thing. It's as if you have to eat every meal with every possible flavor enhancer in existence. At one point I will totally lose it if it mentions "smoke test" one more time.

    It is also totally not what I want for docstrings in code or Powerpoint drafts, where consistency in language is critical.

    • Like I said in another thread, everything Claude (Code) writes sounds like it’s congratulating itself of how smart it is. While not actually being that smart.

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    • I believe AI technical prose peaked with Opus 4.6. I still use it (mostly for that purpose) and I think it's legitimately great. I'm hoping they are able to reverse the trends that benchmaxxing and RLAIF have wrought on Claude's non-code output with the future models.

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  • Interestingly enough, https://fastpotify.rocks/winamp/ shows what I dislike about LLM-generated text: From "The buttons do what they say [...]" to "[...] a different format and are not supported" is just a huge wall of text without any visual guidance.

    It's as if the person writing these lines didn't care about the result. One could argue that people not caring about written documentation isn't anything new, but in the past, these documentations also had little text. So they were easier to digest. Now, we get great walls of text that are hard to read. I cannot say that I like that.

    • What sucks is that clearly the author has prompted the model somehow to generate this text, and this prompt probably contains the actual meat that the model just "expanded on" while adding it's own fluff, and if the author just shared the actual verbatim prompt instead, the documentation would be 90% shorter but also 200% more "informative per character used".

      Just share the prompt you used, regardless of how low quality or bad it is, rather than this word spaghetti of 100s of words saying basically nothing, such a waste.

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    • I prioritized shipping over carefully crafting docs. I thought nobody would read them and they'd rather enjoy the software. I was wrong. I'll rewrite them.

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    • Not running code from someone who has so little self awareness that they publish documentation like this tbh.

      Doesn't matter if it's open source.

  • > I feel like if you can’t be bothered to write the code, at least document it yourself and write the marketing copy so I know you understand the product.

    Do you not understand it?

    This person doesn't owe you any work. He's providing a product for free and this is a reasonable enough description of the product.

    > Did the LLM generate some amazing rm -rf somewhere, or another blunder that wrecks data I might care about?

    I'm pretty sure at this point hand-crafted code is more likely to contain security bugs. The mythical "rm -rf" random LLM insertion is not a real threat. Every time I see stories about this kind of issue, it's almost always preceded by basically prompt poisoning.

    • > The mythical "rm -rf" random LLM insertion is not a real threat. Every time I see stories about this kind of issue, it's almost always preceded by basically prompt poisoning.

      It is real, typically happening when dumber models (haven't personally seen any of the SOTA ones on reasonable thinking/reasoning level do this) try to clean up stuff via bash and forget to assign a variable. Things like "rm -rf sessions/$id" without double-checking $id is actually defined, would do "rm -rf sessions/" and remove the entire directory. Add in more variables in a path like "rm -rf $HOME/projects/$user/$repo/$tmpdir" and the dumb models people think they can use for local coding, promptly removes a lot more than expected.

      Not sure how people aren't already running these agents in an environment/sandbox where stuff like this wouldn't matter, locally or not, but some LLMs do truly accidentally delete stuff for people, without "prompt poisoning", I had it happen myself while testing Qwen3.8-27B (BF16) locally just a week or two ago, exactly as described above.

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    • > This person doesn't owe you any work. He's providing a product for free

      A product being free doesn’t make it exempt from criticism. It’s not about “owing” anybody work.

      > and this is a reasonable enough description of the product.

      It’s not a great idea to signal a lack of effort, nor is it wrong for users to pick up on that signal. This is the post-llm equivalent to spelling or grammatical errors.

      > I'm pretty sure at this point hand-crafted code is more likely to contain security bugs.

      LLMs produce code which is fairly ‘locally optimal’, so in good hands they can absolutely be used to build correct software. They also allow those with little to no experience* to cobble something together very quickly and easily while creating a ton of security holes. I think you might be underestimating how common the latter is.

      * not to suggest this applies to the OP necessarily. Rather some extra wariness is necessary nowadays since the floor has been lowered so much.

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  • If it can transform into Winamp I don't care if the code is LLM generated, typed by infinite monkeys or found in some ancient scrolls.

    Jokes aside, how can you be sure that the official Spotify app (or any app, or Windows) was not written by a LLM without supervision?

    • Not OP but I don’t really care if it was or not. All I know is that I’ve been using the Spotify app 10+ years and it works well. I don’t know if this random app works, and if it hasn’t been supervised I doubt it does.

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  • I too enjoy wearing the RealPlayer skin of the 90's. Makes me look very chic.

    • If the last twenty years of horror movies have taught me anything it is that maybe you can't be a real player, but you can always wear their skin!

  • LLMs seem to have been fine-tuned to use metaphors, presumably because they read like vivid creative writing. The over-use of metaphor in LLM-produced text is exhausting.

  • Slop code is already hard to tolerate, but any hint of slop in text will immediately make me chuck it into the bin / close the tab, no exceptions. My lifetime is finite, I'm sure as fuck not gonna spend time reading something that a person could not even be arsed to write themselves. I'm only annoyed that it takes sometimes a few seconds, sometimes a few minutes, to detect that I'm actually not reading a person's thoughts but only a machine simulacrum of such.

    I highly recommend anybody to take up a similar rule, in any context. Slop in a website? Close. Slop in an email? Bin. Slop in a code comment? Skip.

  • Uncanny valley. LLMs are great at producing text that reads almost right.

  • Your comment has too much intensity as well. Honestly it too looks like slop. I agree with what you said, but nevertheless your writing is likely AI generated here, it’s very obvious.

Spotify is in the process of killing the librespot project that this and most third party Spotify players are built on. I think the golden age of music streaming is coming to an end. I’ve migrated to a self hosted library with streaming and radio for discovery. I hope we’ll see many projects in the space flourish. Many, like Navidrome and the whole OpenSubsonic ecosystem, seem to be doing quite well.

  • What makes you think Spotify is killing it? I know they aren't supporting FLAC but otherwise I don't think they're actively trying to stop it as opposed to not really caring if they support it (which is more "We don't care" as opposed to "We have to stop this")

    • Author here.

      I haven't seen any evidence of Spotify killing librespot. To me the project looks active and works totally fine. I don't have a new Spotify account to verify the claim above.

      I suspect wilted-iris is conflating it with the recent changes to the Web APIs: new developer apps can't use all endpoints anymore. In Fastpotify if you add your Client ID I use both an older developer app and your app to keep everything as fast and seamless as possible.

      1 reply →

    • Librespot no longer works for new accounts. APIs are being gated off and they’re applying legal pressure to dissuade projects from reverse engineering anything new. At the end of the day, they can turn the tap off anytime they want, whether by technical or legal means. I tired of having so much of my music experience at risk and chose to migrate on my own terms.

      5 replies →

  • If anyone other than me really likes classical music, I thoroughly recommend Hyperion Records. DRM free downloads in your choice of codec, one to two free CDs worth of sampler per month to download (with a jewel case PDF!) and some truly excellent world leading groups and beautiful new music.

    • Thanks for sharing. I loved buying then downloading cheap samplers from punk and hardcore labels when I was younger. That was part of the culture and that really helped me discover new music and shaping my tastes. This is something that doesn't exist that much anymore and I'm glad to find this initiative. I try to listen to classical music but that's a very difficult world to discover, this will probably help by helping me to focus on few titles instead of jumping in the gigantic and maze-ish pool !

      1 reply →

    • Your comment really brought me back to my first job out of college, I worked for Tower Records (RIP) as a call center customer service rep. Tower was known for being the best place to find rare classical recordings, and I recall the Hyperion label as being well respected. It always fun to talk to our customers that were classical and jazz aficionados.

  • > radio for discovery

    Would you be willing to share a bit more about this setup? The only thing keeping my on streaming is the fact that its almost impossible to find new music otherwise. I know LastFM exists but it just doesn't click for me the way that streaming does. I like discovering music organically.

    • I left spotify around two years ago for a self hosted option (I mostly use navidrome+feishin). Music discovery was a concern for me as well, but then I realized that I didn't like the idea of spotify curating which music I discovered. So far, this is what has worked for me:

      - Actually listening to the music I have now. I think the art of listening through full albums has slowly died, but there is so much music we're ignoring because we just listen to Artist's top tracks.

      - Word of mouth. Asking my friends what they listen to. This is a way that people used to discover music and I've found so much good music this way.

      - Bandcamp. Bandcamp is SUCH a good way to discover new music. You can listen to the music in app, there are great articles and you can actually support the artists!

      11 replies →

    • > radio for discovery

      was a big question mark I had as well. The Clear Channel and iHeart stations are not known for discovery. Now if you find a college station or by some miracle an independent station you can get some new stuff. My favorite local college station is also ad free. They also have an app which I lean on as it's not the strongest transmitter so their coverage is spotty. Maybe there's other indy stations with apps as well??

      8 replies →

    • I listen to Flow State, SomaFM, and aggregate from local shows and a few people I follow on social media among other discovery platforms. (I don’t have a favorite yet.)

      I found that Spotify was increasingly recommending AI artists and songs I already knew. It surfaced very little outside of my comfort zone and effectively nothing that wasn’t new. There’s a whole world of music out there that Spotify wasn’t showing me.

      1 reply →

    • Hype machine used to be so good for this. I haven't used it for a long time but it looks like it is still going in some fashion.

      1 reply →

    • There is nothing better plexamp but unfortunately after plex raised their prices it might not be worth it for most

    • Call me a boomer but I’ve had a ton of fun with XM radio. I can find new music on Bandcamp but nothing compares to hearing some classic from the 80’s that you would have never thought to put on when you’re driving home after work on a Friday.

    • > its almost impossible to find new music otherwise

      I don't know where this opinion came from (Probably Spotify's PR department) but it's just so weird to me. Do you think people didn't find new music before streaming? It's not impossible, you just have to talk to people.

    • I don't know about you but spotify discovery feels like the least organic discovery possible. Its so homogeneous and predictable and corporate slop adjacent it makes me cringe just thinking about it.

      1 reply →

  • > Spotify is in the process of killing the librespot project

    How could they possibly do that? They cannot prevent people or AI from reverse engineering their APIs.

    • You're right, they can't prevent that, but they can change their APIs in breaking ways enough to make librespot unreliable, to the point it's just not worth it.

      I assume that for a long time, Spotify was content to ignore projects like librespot... they didn't help those projects, but didn't harm them either, and generally to keep things stable enough that a project based on librespot basically stayed working, which is why you saw so many OSS tools that used it behind the scenes. It does seem like that balance shifted over the last year, and now librespot is constantly breaking in new and mysterious ways. Some accounts work, others don't. Some tracks play, others don't. The devs did a great job fixing that stuff, but it's a game of whack-a-mole, and Spotify seems to have really upped the frequency of how often they break things. And that's for the lossy decoding, which is functionality that used to be pretty stable. Spotify reached out and (I assume) made some threats that explicitly shut down their work around lossless audio [1].

      FYI -- I'm not associated with the librespot project, but I was actively working on a project that relied on it. Eventually I gave up in favor of self hosting, because I want my music to not break all the time. Shame, because I used to like Spotify a lot and now I'm actively looking to move away from it. That's one premium family plan subscription they're gonna lose! I'm sure they'll feel the sting.

      [1] https://github.com/librespot-org/librespot/issues/1583#issue...

    • Depends on how much they care. They can take down repos containing any keys, or use heuristics to block clients.

  • I'm glad they're doing well but I would guess only a tiny fraction of the people who use Spotify would be capable of setting up Navidrome. I tried and went back to Plex. I wish it were otherwise but if something takes more than a few clicks to go from zero to music that leaves 95% of users out! I hope these projects get more accessible though.

  • Tools for piracy are much better today than they were back in the Napster or grooveshark days. It’s actually kind of shocking to me that we haven’t had a popcorntime moment for music again. Nothing technical is preventing the creation of a perfect decentralized anonymous p2p FLAC streaming platform with plausible deniability.

    • How would the plausible deniability piece work? If you stream some bytes to someone else, you can't deny doing it. Unless you imagine this working over Tor, idk what the performance of Tor is these days but I never thought it could support such an application.

      2 replies →

  • I've also canceled my Spotify sub three weeks ago and migrated to Navidrome. I'm still not quite satisfied with the available clients, I'm using Feishin. Fastpotift looks like a nice candidate to extend to support Navidrome.

  • > I think the golden age of music streaming is coming to an end

    There was a world before Spotify. Though the music labels didn’t much like that world we can easily go back to it.

    • > There was a world before Spotify

      There was, and it was definitely not "the golden age of music streaming".

  • I feel I am in the golden age of music streaming right now. Just use Deezer instead of Spotify.

    Perfect quality and it great selection.

    • I have a free Deezer account from my family. Shit is extremely barren. Some examples:

      1. (already posted on HN) Wanted to try Midori's early stuff, but no "1st" EP nor "2nd" LP. Not on Spotify nor Apple Music either.

      Only yesterday:

      2. Looking at Bleach (the Japanese hardcore punk/noise rock band): nothing and they aren't extremely obscure or anything (https://rateyourmusic.com/artist/bleach-4). They're on Spotify (https://open.spotify.com/artist/5gRsPZZNgrkagQnDlyFZUC) but missing two LPs; on Apple Music too (https://music.apple.com/us/artist/bleach/74570682) and one more LP available.

      3. Okay, let's try Meat Puppets' lauded second LP from my backlog... artist is there, but four first LPs aren't. On Spotify and Apple Music.

      4. For fun, let's try to find that very obscure kote kei demo, (螺旋 (Rasen) - Hysterical Noi「z」e / Like「M」(1997)). Nothing, of course, but well, I can't even find it on private trackers or SoulSeek (got some mystery mp3s "somewhere").

      So, if I were to stoop down to streaming, looks like Spotify/Apple are less worse here.

      1 reply →

    • I use Deezer (in a browser tab, and on my iphone.) It's good, but far from great.

      If several artists / bands share the same name, there will be one artist page with all of the artists/bands releases. The queue management sucks, I can add stuff to the queue, move / remove individual entries. That's it. If I added an album to the queue and want to remove it, I have to click a little cross one time for each track of the album. Notifications about new releases: great. Except the UI is a tiny dropdown, and hovering over an item removes the little marker signaling it's a new one. It's really difficult to catch up when there are more than 5 new entries. etc.

  • >I think the golden age of music streaming is coming to an end.

    Already ended for me. They killed the plan I was on, and then started sending me begging emails to sign up for a new, more expensive one.

    But once I experienced their platform with ads, I just stopped using it entirely.

  • Why are they killing librespot?

    • Probably for the same reason Twitter killed their API, more control over the experience and to serve ads/cross-promote. More cross-promote for Spotify.

  • Spoiler: Spotify has always been terrible. The golden age of music streaming was Zune pass where you could stream and download 10 songs/mo.

    And arguably Pandora always had a better radio algorithm than Spotify.

    • The first Spotify client, the one in Qt was actually really good. Things started going downhill slowly when they integrated Facebook then very fast when they threw everything through the window to rewrite everything in electron.

      1 reply →

    • > Spotify has always been terrible.

      It wasn't, really. At least not completely. I fully agree on the algorithm - I miss times of scrobbling to Last.fm, which was much better at this. (Spotify always supported scrobbling to Last.fm from their client, surprisingly).

      Spotify used to be snappy and worked really well on Linux. I even used it for local libraries, as it was one of the few options that didn't crash on mine.

      It was at the beautiful time when we realized web apps can have local storage, Google released that experiment called Chrome to "show public how modern browser can evolve and inspire other browser makers how to progress". We know it ended up in "extinguish the market with it", unfortunately.

      But Spotify chose native app approach - they distributed it as packages. Deezer on the other hand, back then (I don't know now) had just native web app that could pull music locally. I think it was an extension of Chrome (?). It also worked perfectly fine on Linux, almost two decades ago.

      We had a lot of decent options back then.

      3 replies →

  • > I think the golden age of music streaming is coming to an end.

    It's just getting started.

    We're going to vibe code the entire enshittified internet to be ours once again.

    The dream of the 90's and 00's is alive again. The indie web is going to become unstoppable.

    We can build anything of size and scale with the limited spare energy we have now. Every product will be reborn without big tech tendrils.

    • > We're going to vibe code the entire enshittified internet to be ours once again.

      It’s such a wishful thinking, but no it doesn’t and won’t work this way. Code != useful product. Plus today’s web is all about fabricated content, AI bots, cloudflare challenge walls and all other annoying stuff. The very idea of being able to create something in seconds is already killing internet.

      13 replies →

If anyone is interested in selfhosting or wants to stop using spotify without losing the discoverabily:

I use explo+slsk+lidarr+navidrome, for access on my phone I use dsub2000 or symfonium but mainly dsub2000.

Explo is the software used for the discovery https://github.com/LumePart/Explo It automatically downloads daily jams, weekly jams and weekly exploration playlists from your listenbrainz account(free) using youtube, soulseek(with slskd) or lidarr (support was merged very recently).

I also imported all my artists from my spotify account when I migrated which you can do in lidarr with the plugin ̶a̶n̶d̶ ̶t̶h̶e̶ ̶f̶o̶r̶k̶ ̶ bellow ̶b̶e̶c̶a̶u̶s̶e̶ ̶i̶t̶ ̶i̶s̶n̶'̶t̶ ̶s̶u̶p̶p̶o̶r̶t̶e̶d̶ ̶i̶n̶ ̶t̶h̶e̶ ̶m̶a̶i̶n̶ ̶l̶i̶d̶a̶r̶r̶.̶

plugin: https://github.com/TypNull/Tubifarry

̶f̶o̶r̶k̶ ̶d̶o̶c̶k̶e̶r̶ ̶i̶m̶a̶g̶e̶:̶ ̶g̶h̶c̶r̶.̶i̶o̶/̶l̶i̶n̶u̶x̶s̶e̶r̶v̶e̶r̶-̶l̶a̶b̶s̶/̶p̶r̶a̶r̶r̶:̶l̶i̶d̶a̶r̶r̶-̶p̶l̶u̶g̶i̶n̶s̶

docker image: lscr.io/linuxserver/lidarr:nightly

This plugin is also needed for downloading songs with slsk in lidarr.

  • A simpler, lower-tech alternative is to subscribe to Bandcamp newsletters. Infinite discoverability to be had and any purchases made directly support artists.

    There are also excellent listener-supported radio stations that are dedicated to nothing but introducing people to really cool music they wouldn't otherwise hear. Examples:

    - KEXP (Seattle, WA)

    - KCRW (Los Angeles, CA)

    - KUTX (Austin, TX)

    - WYEP (Pittsburgh, PA)

    - So many college radio stations; they still exist and are probably going to see a resurgence now that the youngs are detaching from tech

    (Soapbox: I believe that algorithmic music discoverability works for music _you already like and listen to_ but is terrible for music _you haven't heard before but might like_.)

    • I'd like to add another absolutely great radio Station: "FIP" - France Inter Paris. It belongs to Radio France has been running since 1971. Everytime i Tune in i write down song and artist namens because the mix is so great for me. It really is all over the place but with a lot of style. Plus: once every half hour or so you get one of the famous announcers that tell you interesting or funny things. They are all women and a Main reason for FIPs uniqueness. And i don't even understand them :-) You can listen via the Radio France app or find the link for the stream online. (In the app there are also additional genre-specific streams of FIP but IMHO the Main one is the most interesting one because of its large variety that still fits together.

      https://www.radiofrance.fr/fip

      1 reply →

  • I discovered explo too and AI slopped my own solution a while back for the discover weekly from listenbrainz xD (navidrome-listenbrainz-jams on GH) - aside the fact that listenbrainz had technical issues for a bit - does the job for me; maybe I should add support for last.fm playlists as those seems to be more diverse I would say (but less API-friendly)

  • Thanks for sharing Explo, looks like a good project for discovery, I’m going to check it out!

    I’m using a similar setup, with Lidar/Navidrome, but using Subwave for discovery. It works very well for going through your library and playing music like a radio station would, but it won’t recommend anything that’s not already in there.

  • I'm using a similar setup with soularr, and I just need to import my playlists from Spotify, but I'd rather not use a fork of lidarr.

    • Hi, Actually it's not a fork it's the docker image for the plugin branch.

      Sorry I set this up quite a long while ago and didn't remember correctly.

      And it seems to have been merged so the plugin branch is not needed anymore, see: https://github.com/Lidarr/Lidarr/pull/1829

      So the official image would work.

      edit:

      I just migrated and I can confirm it works.

      I used lscr.io/linuxserver/lidarr:nightly, note that the `latest` tag won't work as it's using the `master` branch which doesn't have plugin support yet, so either use the `nightly` tag or the `develop` tag.

      See: https://docs.linuxserver.io/images/docker-lidarr/#version-ta...

  • you've listed eight different software doodads I'd need to accomplish what my one Spotify app that gives me access to everything I need for $15 does.

I think the key call out with this is how cool egui is (the Rust GUI library it uses). Check out their website: https://www.egui.rs/

The demos are very good: https://www.egui.rs/#clock

Edit: egui is an immediate mode GUI library written in Rust. egui runs natively on , and on the web it is compiled to WebAssembly and rendered with WebGL or WebGPU. Everything you see is rendered as textured triangles. There is no DOM, HTML, JS or CSS. Just Rust.

  • Devs are constantly making the mistake of falling in love with immediate mode GUIs... because it's convenient for them, the developer. For the user, it's almost always a worse experience as things don't behave in the same way as the rest of the platform they're on.

    egui is great for video game debug UI overlays and internal tools, and maybe some specialized graphical tools. Otherwise its quirks are too annoying for general purpose app usage. Sure, you banged out a UI quickly with it, at the expense of your users.

  • I was about to come here and say that egui is a terrible choice for web. Everything is rendered in a canvas, so accessibility and extensibility is thrown out of the window. Basic browser functions like pinch-zoom don't work, it has some very wonky visual bugs when resizing the window, interactions have a very noticeable delay, no browser extensions work with this.

    This is really not a good solution for web apps, and if you're vibe coding your apps anyway, there isn't any reason not to have a native browser application.

  • > Everything you see is rendered as textured triangles. There is no DOM, HTML, JS or CSS. Just Rust.

    So that's why text selection doesn't work.

  • This feels like it would be an accessibility nightmare?

    But maybe it could be cool for doing some advanced animations or rendering games or something.

  • The anti-aliasing is broken, it doesn't apply gamma correction

    • Did you look at it recently? Until a few months ago text was a blurry mess but it seems like they've mostly fixed it now.

  • on Firefox and Windows, it's a disaster

    in addition to what other comments pointed out, on the demo ( https://www.egui.rs/#demo ) if you have a sidebar open, there is an offset of approximately the sidebar's width (though not exactly) between the system's mouse pointer position and the web app

Lots of people seem to care about whether a project was built by hand over time by a few committed developers, or if it was vibe-coded in the past week by a single person.

Whether the distinction matters or not, it would be nice for everyone involved if projects falling into the second category were more upfront about that.

  • I don't think it's needed or a fair ask. Even though project clearly shows one of the contributors as Claude. There are excellent AI assisted software out there and shite software "crafted" by bare fist and knuckles violently banging a mechanical keyboard in a glorious hacker dungeon.

    When I commit I either mark it as my own commit if I've read through every line of that commit at least once (not skimmed), pushed back, changed, etc, or put as "ai@<a word I use>" if it was mostly "fine, do it…" or the "whatever… " phase. I never let AI write a single word of documentation or comment. And I made sure Claude removed its attribution the first time I started using it. Besides I was using GLM 5.2 at that time so Claude was not a fit anyway. I don't think they should have that default behaviour.

  • As a matter of interest, would seeing a full disclosure that vibe coding was used sway your decision one way or the other?

    • Yes, a project maintained and built over longer time has a bigger chance of staying relevant, than someone's weekend fun they will abandon once the dopamine hit of "making something" wears off.

      3 replies →

    • I'm not sure what decision you're talking about. My comment just mentions that it would be convenient if disclosure of vibe-coding was more common.

      I can look for myself and see that the repo was started a week ago and has had hundreds of commits since, and that the author exclusively talks about ai on twitter. I'd just like it if I could save myself some time, and it would prevent useless discussions in this thread were people argue whether the commit-messages look like ai.

    • I'll admit to having some bias against vibe coding, but trying to put that aside I think it depends on the purpose of the project. If it attempts to be an improvement over existing software then absolutely yes it would, things like speed, performance, security and reliability are not something I'd trust vibe coding for. If its for doing something novel where the previously mentioned is less of the focus, I can imagine myself looking past that, sure.

Software has finally started to get faster, and I love it. Pls don't consider this a spam, but if anyone is interested in a fast native Slack client, I'm building one, since Slack themselves don't want to: https://msga.app

Winamp feature is great but so random, and I love how it's listed as if it's a usual feature expected from any music player.

Hoping for a future in which people complain about missing basic functionality like winamp mode being missing in their music player of choice!

Let me start: I was going to recommend foobar2000 with the spotify plugin but the lack of a winamp mode must be a dealbreaker for many!

It’s not specific to this program, but I lately get this feeling that distributing widely a piece of software that exists for 5 days and saw a dozen releases in that period is stretching the open source trust model.

  • Think of something nerds will like (like this!), package malware, distribute, profit. That's the idea, right?

If this player has true random playing of your songs, instant sell for me. Also, a mobile version would be great, even if I have to do a manual install.

Spotify's "random shuffle" has been broken for years, with a long running thread [1] complaining about it. A lot of the commenters think there is some kind of "artist priority" playing algorithm, with some kind of maximum profit goal or something. But I think it's simpler - if Spotify just plays the same ~20 songs, they save a lot on bandwidth as it can just play from a local store. Who knows the real reason, I just know that it's annoying when I have a 2000+ song playlist and only hear a small percentage of it.

And yes I'm aware last year Spotify announced "fewer repeats" shuffle - but it doesn't work, or isn't sufficient anyway.

[1] https://community.spotify.com/t5/Implemented-Ideas/All-Platf...

  • The most sickening part of this is that it isn’t actually broken, it’s working exactly how Spotify wants. Spotify thinks we are so stupid we actually want their janky “shuffle” that doesn’t work properly.

What do you all use to buy music these days?

I've been slowly trying to stop my spotify usage and replace it with owned audio files.

Mostly I try to use Bandcamp but many artists are not there. Sometimes I just rip the audio from youtube but would prefer a way to buy that gives most of the money to the artist.

  • I've found that it's actually surprisingly difficult to find a lot of music I like for purchase. Bandcamp is good but there is also 7Digital (both owned by Songtradr), Bleep and Qobuz. 7Digital usually has stuff that won't be on Bandcamp. There are also a few newer alternatives popping up like Ampwall, Subvert, and Mirlo.

  • A bigger question.

    How do you all GIFT music these days?

    My brother recently sent me a new album for my birthday. Very kind. But, it's on vinyl. And I don't have a player.

    But it just reinforces thoughts I had before. I had wanted to gift him some music too, but, how? He has a phone. He has a computer. He's not particularly tech savvy. I know I can't ship him a CD, he has nothing that can rip it.

    I know you buy an album on Amazon, they let you download the MP3s right away. But, how do I even gift that? Can you even download MP3 to an iPhone? From someplace not Apple? I honestly have no idea.

    And it just highlights, to me, the entire (seemingly) difficulty of gifting music today.

    Me, I still buy CDs and rip them.

  • Saving everything until Bandcamp Fridays for the ones on Bandcamp, otherwise pretty much Beatport or not buying it at all. Some labels I've listened to for a long time (like Liquicity) I buy the music straight from their store, figure the artist/label gets the most then.

  • I don't stream and buy all my music (aside from radio etc), I get music from:

    - Bandcamp (for new music)

    - Second hand CDs for charity shops and discogs (for older music)

    - Quoboz / Amazon (for new music not on bandcamp or something specific I can't find elsewhere)

  • After discovering music I like on YouTube or whatever, I buy albums on Bandcamp and Qobuz if possible, and Amazon as a last resort. Then I host them on my personal Navidrome server to enjoy without involving any big tech.

  • Bandcamp, and I have on several occasions emailed the band directly and asked if I could purchase directly from them.

  • Are compact discs no longer available? I used to rip from those - every album I've ever downloaded and kept I have the CD for. Some bought before the download, many bought after.

    But it's been a long time since I've heard anything good enough to purchase.

  • My personal tier list is:

    - Bandcamp

    - CD

    - 7digital

    I host the media on a Jellyfin server and use offline playlists on my phone with Finamp for Android, works quite well for me!

  • I go to the weekly flea market and sometimes find something that interests me

Interesting. I've always wanted something like this. The official Spotify player sucks in many ways, but the UI/UX is decent, or at the very least I'm used to it now.

All the other lightweight Spotify clients roll their own UIs in ways that I don't like, so I really appreciate that their LLM has taken the time to clone the UI 1:1.

But now I have to decide if I want someone else's vibecode on my computer. I think not.

Looks good, but ran into loading spinners fairly quickly, large playlists kill this, I suspect because the api is not properly respecting the cache headers and is refetching the same information repeatedly and thus getting rate limited. Also

Once that happened I wasn't then sure if issues I'm seeing are from api or the app itself. It's possible this is prioritising the responsiveness of the UI rather than the actual speed of user interactions.

Also the menu bar icon doesn't work for me (on MacOs). I can see it, but it doesn't do anything and there's nothing in the app itself to enable/disable it (though thankfully it does respect cmd+drag to delete).

I might be misremembering, but I swear when Spotify launched it was a big revelation at the time because the client was super fast and playback was almost instantaneous. This was a big deal as other music players like iTunes were bloated.

Obviously streaming was the big selling point, something that iTunes didn’t offer at the time, but I swear the client was written in some native UI framework, along with the C/C++ library.

Or was the spotify UI always just a browser engine skin and the perception of speed was from the playback engine?

Anyway, cool to see projects like this

  • You're remembering correctly.

    https://news.ycombinator.com/item?id=28203654

    What's funny about having to rely on unauthorized clones to provide a fast native UX was that Spotify's original client back in 2008 started out as beautifully light, custom rendered native client.

    Few Apps ever had that wow factor the first time I used it, it was so much lighter and more responsive than anything else of the day. I remember being perplexed at how I could search and skip to any part of a song quicker than iTunes could looking at a local library. Everything was latency-free and instantaneous.

    We were building a Music Startup at the time, so we investigated how it worked. We we’re very surprised we couldn’t find any evidence of an established UI toolkit. It looked as though they had built their own custom UI renderer and optimized TCP protocol which sent back its metadata in XML. Their traffic looked like it was initially seeded from their own (or CDN) servers (for best latency) and then overtime we would see some P2P traffic on the wire.

    Our QT/C++ client had decent performance but was noticeably heavier than Spotify's. I was disappointed to see their native client eventually be abandoned and succumb to become yet another Chromium wrapper. I expect it fell to the pressures of a growing startup adding 100s of developers (without the skill of their original CTO/devs) where a native UI couldn't be updated and re-iterated as fast as a Web App. I wish they maintained 2 desktop clients, and left their native client alone to just be an audio player and push all their new social features to their new flagship CEF app.

    It's unfortunate the skill and desire of building fast native UIs are being lost to Electron and CEF wrappers. Seems the larger the organization the more likely they are to build new Web rendered Desktop Apps and we have to rely on unauthorized Indie efforts like this for fast, responsive native UIs.

    (The comment is from a 2021 post about another Rust-based Spotify client.)

  • Ludvig Strigeus https://en.wikipedia.org/wiki/Ludvig_Strigeus?wprov=sfti1 wrote the original client, and fast, lean, native clients was his modus operandi. OpenTTD and uTorrent were both built the same way. I’ve been wondering on and off over the years why Spotify abandoned it. My guess is that it was hard to scale that approach and that a hybrid browser client was easier to scale when there are many different engineering teams working on different parts of the client.

    • I worked with a few people (tech) that Spotify later hired. Sweden is kind of small.

      The calibre went from extremely high to surprisingly average within a decade. Not bad, to be clear, but kinda mid. I think they scaled too quickly and hit the 'bozo effect'.

      Yes, anecdotal.

  • I found a talk with some history of the Spotify client's transition:

    https://www.youtube.com/watch?v=9UsnX5X_DF0

    It was originally native, then native with some web-based bits, and then the web-based bits slowly ate the whole thing. It seems the ease of development with web-tech compared to C++ (also the better font rendering and screen reader support) was just too tempting.

    Interestingly the Spotify client was never based on electron but instead arrived independently at the "chromium + web app" architecture at around the same time as Atom did.

Tried using Spotify web client on Safari the other day. Performance was absolutely terrible.

For comparison I was using Apple Music via safari before.

I’m just surprised that such a big company can produce such an awful web experience, guess everyone is just using the native app, but for some that’s not possible

Wow, I was going to say I assume the pic in the top right is of the official Spotify client, which seems confusing, but it seems this actually just looks really like the official client. Which is good but possibly makes it more likely Spotify will come after you.

The UI feels a lot less sluggish than the official client (which in my experience seems to have gotten way worse lately) but in many cases I am just sent to a loading page which ultimately takes a similar amount of time to load the content. So it seems a lot of the slowness is coming from the Spotify server side, it's just that the official client seems to freeze while waiting for a response whereas this doesn't.

Hopefully Spotify don't kill librespot. As I understand it you can basically only use it with Premium accounts, so it's not like they aren't getting paid anyway. If some other provider were to come along and offer access to the same content as Spotify with a stable API that you can use with any client, I would pay more for that than I currently do for Spotify.

As an aside, ncspot is another good and more minimalise Spotify client, which is a TUI.

That name is horrible.

Potify sounds like a toddler is learning to take a dump. And well, putting "fast" in front of it doesn't impress either in that case.

  • Potify, the scientifically proven way to get toddlers potty trained, with wearables, app support and an AI coach.

I recently went through most of the Spotify clients I could find on GitHub, looking for something "lean", including screen real estate.

Most of the GUI apps had something similar to the official app in the maximized window, but none had a good mini-player, something I could put in the corner of an external monitor and control most of the important functions with minimal mouse clicking, including EQ and playlist.

Interestingly this one with its Winamp mode is what I was looking for. Nostaliga is probably playing a part, but it a good UI does not have to be "modern".

I also went through a tour of TUI apps. Lots of interesting work there, but a full TUI with windows was less convenient to navigate, and some of them try to do too much. I wound up using https://github.com/hrkfdn/ncspot because it specifically does not attempt to be a character mode GUI. Almost like a ViMusic.

If you're focused on lightweight, native and fast, I don't think you should use an immediate-mode GUI toolkit. Why does an app like this need to hit a 60fps framerate? It's not a game.

  • I was surprised to see an immediate mode gui toolkit.

    They're great to integrate into a game loop because you control your loop, (and they're a delight to use) but I thought for perf retained mode was the way to go?

    Am I missing something? Then again if the bar needing to be beaten is spotify's existing desktop app maybe it doesn't matter?

  • Most immediate mode does a scene graph diff so it's not that bad

    I have a custom IM GUIs based ide thing in C++ that uses like .2% of my 10yo CPU.

    • Egui doesn't do that. But it's written in Rust and only updates when you interact with it so in practice it's way more efficient than I would have expected.

      1 reply →

  • Author here. Two reasons I chose an immediate mode UI framework:

    1. Latency. A click paints on the next frame, because it sidesteps the stages of a retained mode UI: there's no dirty-marking, no layout and paint passes scheduled for later, no cached visual state that can be stale.

    2. Simplicity. The UI is a plain function of app state. There's no retained tree to keep in sync and no invalidation bugs: mutate the state and the next frame shows it.

    Yes, the drawback is that you have to watch what a frame costs, but it doesn't repaint at every frame. It paints on input and you can schedule repaints yourself. Fastpotify sits at zero CPU when idle, asks for a few frames a second while a track plays, and runs at full rate only while you scroll.

I've been using Slint as UI toolkit for Rust and so far liked it, coming as I am from the Qt/QML world.

However, at the beginning I had to choose between Slint[1] and egui[2] (which this project uses)

[1]: https://slint.dev/

[2]: https://www.egui.rs/

Anyone has experience in both and is able to drop some thoughts on their strengths & weaknesses for mid-to-large projects?

This is cool. A few small thoughts:

- would love to be able to disable podcasts / anything non music related. it's my #1 gripe with the official Spotify client today.

- Winamp buttons shouldn't remain "pressed" in that play state

- Winamp doesn't like being stuck to one edge of the screen, after putting there and interacting it will often jump inward a bit

- Winamp could use the EQ in collapsed mode

- Would be nice for Winamp to remember its position (i think it grabs the NW corner of the large player every time?

My worry with this, like all Spotify clients really, is its dependance on Spotify's, quite litteraly, worst public facing API that is known to exist.

I have been using Spotatui and it's been fast enough, but it would be nice sometimes to have a better 'new music' search experience. I'll give this a try, but if Spotify are hell bent on destroying API users, I fear the project maintainers will have more work than it's worth.

This looks great, I'll give it a try. It seems like most of the comments focus on how this was created, whether it's vibe coded, agent engineered, LLM assisted or however you want to term this. On one hand, I am sad at the collapse of my craft. I love building things in code, figuring it out from the system design to the last compile. On the other hand, I love how productive I am now. How I can complete tasks faster. As someone mentioned, there is a very larger distance between "I vibed coded it and I don't know how it worked" to "I built it and I used LLMs to assist the process". It is possible to design a system, and instruct LLMs to write code for you. Task them the actual act of code writing, not feature development. It's not "build me a music player" but "I'm building a music player that works like so, and you will now write me the play button component that will behave like so and so, focusing on this or that, paying attention to x, y and z and avoiding a, b and c".

Although the scope is different but I imagine a similar debate when one didn't need to write machine code anymore...

Spotify on Ubuntu one day stopped outputting audio and never again could I get it to work. How do you screw up the one thing your app needs to do?!

The only problem with macOS Spotify, in my opinion, is audio thread isn't isolated to system performance and it can drop audio frames under load.

Yes, it's Electron and it's a full browser under the hood, but given the complexity of the UI, it's a fair trade-off.

I'd love to see some like headless Spotify client on macOS.

This may be a low effort comment but I just wanted to say that there was a missed opportunity to call this project Spotifast.

I think it's cool people are making custom clients. I actually am working on my own client: WaveeMusic (https://github.com/christosk92/WaveeMusic). I decided not to base it on librespot because it still talks to Spotify's old AP audiokey channel. Official clients don't use that path anymore, it already refuses accounts created after ~2023, and Spotify can turn it off whenever they want.

I decided to use the new PlayPlay instead, the DRM path the official apps actually use. That also gets you music videos, and lossless / FLAC (still working on the decode). Also the app is more focused on the native Win11 niche for the folks who like those type of UIs.

I've been thinking recently about buying an AI-capable GPU and using it to reverse-enginner and debloat apps I use every day. It seems like a task that even a dumber AI model could do. Disassemble the app, then either cut the things I don't care about, or just implement it fresh in a correct way.

  • I don't think models that run on single GPUs are capable of that yet sadly. You still need to spend ~$100k to get an actually good local LLM. Correct me if I'm wrong, local AI guys. It's really hard to get actually numbers on this stuff, but to run e.g. GLM 5.3 Flash as far as I can tell you need one of those super expensive 8 GPU machines.

    • if i tasked it with "create spotify" I'd need that much.

      asking it to "disassemble Spotify and find out the minimal code path needed to play a song" is much more in reach. I don't need it to oneshot it. If it gets stuck, I've read enough disassembled C to figure it out and get it unblocked.

      Instead of banging my head against a binary for 5 hours, I'll have my agent bang it's weights for 20 hours, then put in my 1 hour of polish.

      My first task would be to fix the Android version of Facebook Messenger. My friends still stick with it because they have iPhones, and that version works fine. I have been putting up with broken image previews for 2 years now. I'll fix that fucking wild pointer they don't care about and make it usable as a chat app. And I'll remove the ads while at that.

      1 reply →

    • Aye, and those 8GPU machines are expensive. Powering 2x GPU for GLM is eye watering expense, £5k a month.

I don't really get the comments about Spotify having a terrible UX, works fine for me.

It uses 300 MB of RAM on my MacBook. Saving 50MB of RAM in exchange for losing the ability to play lossless files isn't a trade I want to make.

Cool project though, will keep an eye on it.

Just came to say that official client (all its processes combined) uses 1.1Gb of RAM on my macbook air, while this, playing the same track from the same playlist and nothing else, gets only up to 280Mb

  • I came here to say the opposite. Running on MacOS 15.7 the original Client uses ~200mb and Fastpotify uses ~500mb playing the same song while being substantially slower when navigating music.

    EDIT: I forgot about the Spotify Helper processes - taken into account the original spotify needs ~1GB. However it's still a lot faster than Fastpotify

If you want this experience but don't want Spotify may I suggest my "amp" app - you can get it on tinyjs.app

It's small ~10mb. Yes, takes a bit more memory, but it plays all your local files including rarer things like FLAC + Cue, midi and all the tracker files you could want!

And includes a bunch of viz - and you can write your own too.

It doesn't do Winamp skins; decided I wanted to add more than they could support.

Go easy on Spotify, they don't have much budget left after paying ungodly sums of money for exclusive contracts with nazi-enablers.

This looks amazing but unfortunately this project is doing free work for Spotify rather than brining competition they need. The root problem is that the content access is so gatekept. Apple music opens on it's own. Spotify is junk. YouTube music isn't much better. They've all become lazy and need a shake up.

I'm using Qobuz now, they have both downloads and streaming, and apparently pay the artist more than any of the other streaming alternatives. I've found all the music I've looked for there too (including some artists that dropped Spotify). Quite happy with everything except maybe the name ..

I use the Spotify browser UI on my PC because the Windows 11 app is such a joke. However, the browser UI makes my screen go completely black for a second every single time. That's my #1 reason for wanting to try this. Spotify's playlist algorithm is a joke at best, but that's another issue altogether.

Very cool. I'm cloning the repo, just in case it gets taken down. I've been using EGUI, but its biggest problem is that LLMs really struggle with it. There isn't enough good examples of it. This codebase seems to have a lot of good examples, so given this as a reference, one might make a lot of progress much faster.

Other than having abysmal inconsistencies in their UI, ive never had any problems with the native Spotify app. I've been using Spotify for 10 years now and when im on my PC i open the app, either put my Podcast or song and then minimize it. Didnt know people had such issues with the app.

For me, stock Spotify client on Mac is using ~200MB RAM (no videos / canvas). I probably need to try a leaner build on Fastspotify (built it myself from source), bug the damn thing was using ~350MB RAM. Both RAM counts were based on initial load + playing one song.

  • have you summed up all the Spotify Helper processes from Chrome? alas its way beyond 200MB. But I just built and ran release build of fastpotify and its also hovering in 500s

These apps and systems have hard quirks built in to make you learn them then find the alternatives jarring so you don’t switch. It’s a retention trick by engineers who know what they’re doing. As many pointed out decent music player/library ux was solved yonks ago.

I can’t speak for mobile, but the desktop/web product has been a disaster for years. When Spotify went full Electron a few years back, a bunch of standard macOS keyboard shortcuts stopped working. These issues were on their “support” forum for years before being automatically closed.

Love the Winamp feature - but more so that it comes with milkdrop! That is next level.

What would YouTube music support look like? And another random feature request - universal playlist import / export (i.e. take my YouTube playlist and convert it to Spotify and vice versa - Rosetta stone style)

I use youtube music.. It has everything I listen to and more.. Want an obscure college band (Go ZURCHER) ? .. It is there! Want some rare DnB (source direct).. It is there? Want a curated ambient collection? It is there! UX is totally fine on Apple and Android..

  • I tried switching from Spotify to Youtube Music but the "download for offline" functionality is incredibly broken -- often doesn't recognize that it's on wifi to start downloading, multiple minutes to download an album that Spotify downloads in a few seconds, and for a longer playlist the pause/resume when you go off wifi doesn't work at all.

For me, it gets the job done, which is mainly managing the hundreds of podcast episodes I am bookmarking (and probably never listen to). Or maybe the iOS version is a bit better than the Android one.

I've stopped using Spotify for 2 years now.

What I've realized is that Spotify is great for discovering new songs. But I'm a grown up and listen to the same hundreds of songs every day anyway. No need to keep paying the taxes.

One of the things I liked the least about spotify is typing in a song name, and then getting a infinite list of every song named like that.

I want the song to be a starting point, like Last.fm radio was, I almost never want to listen to every version of it.

Carmine is cooking. His work on RubyLLM has been incredible, even going as far as upstreaming important work about fiber usage into Rails Solid Queue so that we reap the Async benefits, which are essential in this LLM age.

I use Strawberry as my music player on Linux, which is a native Qt app and has Spotify integration. No need for the spotify app. Strawberry has great collection support as I own thousands of ripped CDs.

  • I just looked at Strawberry. Spotify is done via a GStreamer plug-in. It looks like you have to compile it yourself.

I never understood the complaints about Spotify. Apple Music behaved like crap with something as simple as being offline, to me it's always been a no-brainer to use Spotify over anything else.

I like the idea of a fast Spotify player, but I can't get over my doubts of LLM code quality when the audio playback stutters even with the 200ms output buffer setting (on macOS).

I'd love to put in some love and effort into a Spotify replacemeny that supports jams. I'd share the app with friends. I needed an excuse to make a cross-platform app anyway.

Like this, but the problem with such immediate mode GUI apps is that they constantly burn 1-2% of CPU when the app is idle. A waste of compute and power.

hmm I wanted to like this, but for me it's noticeably slower/laggier than the official spotify app, and it's missing common ui features (you can't multi-select and delete from a playlist)

Fuck Spotify. Even if you don't care about the ethics of Daniel Ek's investments, the platform itself is crap. One of the lowest paying to artists, not paying at all unless they hit a threshold, and the catalogue is filling up with AI slop, which they push on users via 'radio' and 'mix' playlists, so they can pay even less royalties. No, thanks.

  • I've tested Deezer for half a year. The software quality was horrible.

    Had a lot of crashes, it often took many many seconds to change between the songs and often getting stuck, the buffering algorithm was nuts and eating a lot of bandwidth.

    Everything on a standard Pixel. Full 5G coverage was available.

    Alternatives?

    • Qobuz have the highest per stream payout rate for artists [0], and have the best audio quality of all streaming platforms (better even that Tidal imho). They have desktop, mobile and android auto (and presumably carplay) clients, and an equivalent to Spotify Connect whereby streaming can be switched to a different client.

      Downsides are no native client (same webview approach as Spotify), not as strong recommendations (though slowly improving), good but slightly quirkier UI (also slowly improving). For me the trade offs are worthwhile.

      [0] eg. https://resources.onestowatch.com/ethical-music-streaming-pl...

      1 reply →

    • Tidal is the last streaming service I use, split between that and a jellyfin+arrs setup coupled with buying music from artists directly.

      Fuck Spotify and their rotten leadership. Was amongst the early adopters (2009). I'm sure they won't care for the loss, and I won't miss th when they're gone.

      1 reply →

    • Also, I know it's a bit niche, but Deezer does not have an equivalent of "Spotify Connect" protocol, which means that Network Integrated Amplifiers (like Onkyo A-50), CANNOT implement a player with good UX. Spotify is now king since they introduced lossless quality which is enabled by default in such amplifiers. The benefit is that there is no local streaming (e.g. Bluetooth) and no latency. The data come from Spotify directly to the amplifier and then your speakers.

      So, Deezer that had a audiophile target audience, has effectively lost the game.

      4 replies →

    • Tried Tidal? The one gripe I have with it is no remote control, as in using phone to change what's currently playing on the device connected to my sound system, without it thinking I want to start playing on my phone.

      Apple Music pays artists better, too.

  • The best is to host your own, navidrome is great and easy to set up. But if you really wanna hate on one, it’s Apple Music, believe it or not, they will actually delete ALL your playlists that you made over the years if you stop paying subscription for few weeks or sometime for days, why? Because Apple says fuck you, you are renting and you are not entitled for anything, which also explains why they are now trying to have hardware as a service with their new renting hardware program.. at least spotify doesn’t do that and keep your playlist to export later.

  • Careful, you'll get downvoted by knee-jerk reactions from people who have absolutely no idea whatsoever about the harm Spotify causes to artists trying to survive in the music industry.

Took a very long time to get it to sign in and play on my local machine... we'll see if it's worth switching from the official client.

Very promising, but works poorly. Playlists load in ~10s, app crashed after a few minutes. Vibe-coded low-quality app.

I would pay reasonable money for a similar native MS Teams client. I now run teams on a separate laptop to avoid it killing my main work machine.

Cant seem to get milkdrop to work on the binary installed via cask on arm macOS. Everything else feels very snappy and fun

Unfortunately this won't fix the atrocious recommendation system. I really wish these music services could just license Pandora's system. Since Pandora won't add high quality streams, they may as well offer a license to make up for the money they leave on the table monthly.

The most user hostile part about Spotify though, is that you can't just thumbs down a song and never hear it again. Why the fuck would I want you to "not recommend it for 30 days" if I'm telling you I dislike it?

If I didn't lock in a bundle deal years ago that I still can't pass up, I wouldn't use it at all. As of now though, it's relegated to my backup player for when I can't find a song on YT Music or Qobuz.

Kudos, I have been carrying exactly this on my personal “to do” projects list for quite some time. Looks really nice!

Would be great if it could get included in Flathub, without it, I'd rather have an AppImage than a Flatpak file I think

Nice to see fastpotify framed this way — I'd been circling the same idea without the right words.

Not helpful for Linux users, but FYI both the Windows and Mac Apple Music clients are native apps.

always thought the spotify ui was really really good, it just has way more features and feels like it is made by a great team that actually uses the app and has input over it's design, vs apple music which is just a normal app that feels like it was made by a committee

I would welcome a mobile counterpart to this, if it is even possible. The iOS app is even worse.

I used `cargo install --path . --locked` to install (had an error when compiling `librespot`)

I find spotify to be more bloated now than iTunes was when apple pulled the plug on it.

I hacked the official client apart to hide some bullshit (like podcasts) and fix bugs that were pissing me off. Shared it exactly once and it stopped working within a month. Bugs were still there too

I stopped sharing after that.

  • Have you seen Spicetify[0]? It allows for this kind of stuff and seems to be a lot more stable than doing it all manually.

    [0] https://spicetify.app/

    • I have, it's good, but it is not compatible with some of the things I am doing which are quite a bit more foundational/stuctural. The pile of scripts I've accumulated do a pretty good job of resolving easy breakages, listing anything worse, and running a little lap around all of my typical interactions (from another account running in a cloud vm) to diff the network requests so I look normal to them.

need this for android. on average, it takes genuinely about five minutes to open—I think it reindexes my entire micro sd card every time.

oh wow, Ive been waiting for this for years, its insane we run entire browsers just to play music. Very excited to try this out

whether vibe coded (which it is) or not - this is free work for a corporation.

that could hardly care less for it's users / customers.

Author here. Happy to answer any questions!

  • This app is a dream come true for me. As a user I'm heavily invested in Spotify but I've grown more and more irritated with their client. Especially the recommendations, which thankfully are largely absent from your client.

    Would love a setting to also remove the "Made for you" section, as well as the "Recommended for you" section, both on the home page.

    I was using Spicetify to customize the official client to this effect, using CSS.

  • Per another comment, is it true that you trick people wanting to view your code on GitHub, into starring your repo?

oh my god. The WinAMP mode is awesome! Probably been waiting for this to be available on macOS for 20 years.

nice that it supports ARM Linux! This is a major gap with the official Spotify desktop app

I've been using Navidrome for a while and love it (long enough to have written an iOS + macOS client). I mount my music from a B2 bucket and use a shell script to sync additions to it. AudioMuse-AI does a great job generating playlists and populating similar artists. There are lyrics plugins, an Apple Music plugin that can populate metadata and on and on. It's a great system and free from the catalogue rot and slop that's been eroding the benefits of streaming for a while now.

> It starts in well under a second and typically uses 100–250 MB of RAM.

Hmm, a music player now use much RAM :/

Serious question: down the road, what's the point of such a UI? (Don't get me wrong, I really like and enjoy it!)

My spouse, for example, doesn't interact with her clock app anymore—she just talks to it.

Wouldn't many programs just use a local LLM to perform whatever is needed?

Now we just need an iOS app that doesn't offer you a choice of speakers on every open and you can just hit play as you intended

took few sessions to re-slop this to OpenSubsonic (navidrome compat) backend; didn't even looked once at the code, I love and hate the future we live in

thanks again for sharing!

Vibe coded or not, Spotify is a disgusting company for artists, however fast or fancy it's made.

Without looking at the codebase I am pretty sure it’s a vibe coded rust app, because this is what today’s most programmers understand about software.

  • the commits are very fine grained and the text is unusually not AI.

    I mean you can beat AI to do anything nowadays, but this looks not that bad

    • I'd argue nobody writes such long commit messages this consistently. I'm VERY sure this is fully AI generated.

    • The volume of commits is quite crazy. For example, he wrote a +486/-51 commit in 20 minutes (33287cb) with quite dense rust code. That's about 25 changes per minute -- very impressive! The docs also smell of LLM output, for example describing the app as native despite using egui/wgpu.

      But hey, he's here, we can just ask him! @earcar

      1 reply →

It takes five minutes to make a website look less obviously AI-generated.

  • The website looks great to me, clean and simple, perfect for a project like this. “Not looking like it was made by AI” isn’t something I value for itself in a website, any more than “not looking like it was made with injection molding” is something I would value in a plastic item.

    Either it’s good or it isn’t, but it’s not good or bad because of how it was made.

    • > “not looking like it was made with injection molding”

      Aside machining POM, what else is there. Injection molding tend to be great.

  • If it was a site made with AI it would be stuffed with way more ad copy, components, UI toggles, and small text. If this was made with AI, they seem to have restrained it from going on the gaudy UI mess of most AI generated sites that are what I like to think of as "Maximalist Minimalist". A hodgepodge of a design library.