Comment by giancarlostoro
1 day ago
> a human artist would do better.
Except we have all seen really awful human made posters long before AI. People are just upset just to be upset at this point.
Code was nosediving before AI badly.
1 day ago
> a human artist would do better.
Except we have all seen really awful human made posters long before AI. People are just upset just to be upset at this point.
Code was nosediving before AI badly.
> Code was nosediving before AI badly.
What? What are you comparing this pre-AI 2020s code to? 90s and 00s code for sure was worse.
2010s to 2020s code has been bad. We used to have 100% natively compiled apps, now everything is a Chrome browser wrapped JavaScript abomination, and before anyone assumes I hate JavaScript, I love doing front-end web development, and backend, and automation... and an unhealthy number of things (my GitHub is a mess). My point being, software quality has been downhill before AI, we just have nonsense rosy eyeglasses.
And before that we had PHP apps and VB apps, etc. Most code didn't have tests, most code wasn't version controlled. Functionality was much more limited, lots more stuff wasn't available on Linux.
Yes, we lost speed and resource usage but regular people don't care enough to pay for that or to punish offending apps in the marketplace.
>People are just upset just to be upset at this point.
Despite this being a technical community we seem to be really bad at understanding scale.
A bad artist is at worst like a fee pieces of trash littered in your lawn. Bad AI art is like a dump truck tipping over into your yard. And you see 10 more dump truck coming in at 90mph. It doesn't matter if it's a recyclables truck and all the bottles are individually cleaner and more Eco friendly than candy bar wrappers. The magnitude is still overwhelming.
You can ignore a few bad artists you don't like. You can't ignore swimming through slop day in and day out. Friction in a previously smooth environment angers people, and AI creates a lot of newfound friction.
There's a theory that when everyone can access some "good", then the rich and powerful will automatically differentiate themselves by switching to a different good that has a visible contrast to the common one. So for example, if the common people can afford only wool, the rich will wear cotton. Once the price of cotton drops, they'll switch to cashmere, which is... a kind of wool. It's not about the specific material or category of thing, it never was, it's just the contrast that matters.
So if everyone has "too busy" AI slop art, then the rich will switch to very plain art, even downright minimalist.
I'm betting that up-market stores will soon have hand-carved wood signs out the front just like in the 1800s to show off that a Real Human(tm) made their signage.
It's not that plain wood is better, it's just that it's not commonly available.
Very interesting idea. And I see some historical support for such actions and trends.
I think modern day life has had two major paradigm shifts that will make this potebtisl "real human(TM)" marketing not emerge among corporate, though. Definitely among smaller business (I'm already seeing it in my field), but not larger onesexcept that generally instead of realising we all have enough of we share, we raise the threshold of what we consider to be enough comfort and stuff.
1. Despite the legal insistence, corporations are not people, and they do not have "taste" to adjust to. Nor do the ways the leaders act and behave make it seem like they feel the company's actions and reputation reflects onto them. This is surprisingly a huge contrast from characters like Trump who traditionally place much importance on legacy and image and use that to shape their mannerisms and actions, aiming for a positive reaction (at least among his audience).
So there's no point in a new marketing scheme that will likely cost a lot more to not receive a lot more. Serving as cheaply as possible is too big a draw, and there's little human(TM) factors to divert from that. Which leads directly into the 2jd point
2. The modern hundred-millionaire/billionaire no longer "participates" in society. There's a decent video that gives an overview of this phenomenon, but I don't think it's a huge revelation to suggest that a billionaire who can be anywhere in the world within a day will truly feel like they are a part of their community the way, say, a Hollywood star would have personal ties to keep LA functional for them. And their social circles are so tiny that they are willing to travel a lot in order find such people.
In this lens, why would such people care about the taste and culture of the common citizen, Unless it's PR to get them more money? They don't go to the same stores (or go to stores at all themselves), they aren't participating nor hosting community events in town, they aren't (usually) performing the same kinds of recreation as their non–rich neighbors. They've already managed to completely divide themselves out from such people, so why care about standing out among them?