Comment by pitchlatte

some of the pain of RAW is mitigated with good workflow. shoot RAW+JPEG and when culling, delete the RAWs you won’t edit. keep RAWs for any outstanding shots. that clears up a large proportion of the issues.

JPEG engines are getting better and more configurable (Fuji recipes, LUTs on Panasonic) which makes this workflow more viable.

what i’d love is a good intermediary archival format that is more space efficient than RAW while keeping more editing latitude than a JPEG. using a dynamic preserving tone curve like Log in 14 bits and compressing it losslessly. although i wonder if that would be much better than compressed DNGs.