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Comment by thrownawaysz

18 hours ago

>An entire theater full of grown adults was falling for it. At one point, people were shouting so loudly at the screen that I couldn’t hear the dialogue. I heard a woman yell, “Criminal!” — and it wasn’t directed at Elizabeth Holmes. I’ve never experienced anything like that in a movie theater. It was emotion, and it was visceral.

Is this a parody lol?

Maybe when I read about "cinemas are a bad experience nowadays" on american sites (reddit, HN) they mean this but I always felt that they are deceiving me.

Maybe I'm just too Asian-European because I never experienced that in any European or Far East Asian cinemas.

No one did anything like that in the theater I saw it in and I have a hard time believing this happened. As if she was some major figure that the avg person was familiar enough with to form an emotional opinion on. I've had to explain who she was to everyone I know and they were all kind of like "oh yeah, I remember hearing something about that."

  • Saw it on Friday in Berkeley, and: yes, there was absolutely audience participation, and there were moments where I had to restrain myself from joining in.

    • I watched it in San Jose at Alamo and no one was heckling, but they also played a recording at the beginning reminding people not to talk during the movie. So if you want a quiet movie experience you should try a nearby Alamo Theater. The audience did clap after it was done.

      I have heard from musicians who visit the bay that concert audiences are more frequently obnoxious here than other places, and they attribute it to a general lack of social skills in conjunction with all the artists being priced out of the area.

> I heard a woman yell, “Criminal!” — and it wasn’t directed at Elizabeth Holmes. I’ve never experienced anything like that in a movie theater. It was emotion, and it was visceral.

No, that's called "obnoxious virtue signalling" and people do it all the time in places like San Francisco, Seattle and Portland. It's gross and unnecessary. Don't glorify it.

  • Hi! I grew up in Seattle, lived in SF just prior to the pandemic, and have since lived in Portland.

    While I understand the stereotype of these places lends itself to that view, I have never, ever seen this type of behavior displayed in a movie theater, from blockbuster showings to small, art-house stuff that touches on controversial issues you think people would be vocal about.

    Please stereotype less.

    • > Please stereotype less.

      Hi! I lived in Seattle, in SF and I’ve been to Portland many times. And I’ve seen the behavior I’ve described in all of the locations I’ve mentioned. Personally. With my own eyes and ears. More than once in each place! Strange, that.

      So I don’t know…right back at you with the stereotyping thing? Because what you’re doing is taking your own limited experiences, overgeneralizing those and throwing shade at people who say things you disagree with.

      (Also, by the way: the “please stereotype less” response is practically a whole delicious stereotype in itself. And here you are using it! The way non-passive-aggressive people say what you’re trying to say is: “I think you’re wrong, because I’ve never seen that.” This approach has the distinct rhetorical advantage of being honest, clear and direct, but of course, lacks that emotional punch of trying to belittle your inquisitor with a subtle insult.)

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  • That’s wild to me, I grew up going to movies… everyone is pretty much silent.

    It doesn’t occur to me as to why I would want to do that…

I've had several awkward experiences lately, in the opposite direction.

You know how cinema is a good opportunity to sit there among several dozen strangers (at least), and enjoy a shared experience, and laugh, cry, scream, whatever you do, together?

Well, I've been to several films where nobody laughed. Like, there were at least a dozen or more other people in the audience, and there were genuinely funny parts of these films, and there was nobody else laughing in there, except me.

And I can tell you which ones: Disclosure Day, The End of Oak Street, and Digger. Now, the first two aren't comedies. But they definitely had comedic, sort of awkward bits that were obviously supposed to be LOL funny, to break the tension and establish some moods. And Digger itself, classified as a black comedy, was thoroughly hilarious, and farcical, although exceedingly awkward in some parts. And I was walking out behind two nerds and they were having an intellectual discussion of how "interesting" it was to them.

But nobody's laughing in the theater. And I am not exactly sure why. It is not long ago when I noticed that younger people were reacting and laughing much faster than I could react, for some reason. But now, the audience has simply stopped laughing altogether.

Is this unique to my experience? Anyone else in the USA noticing this? I know that not a lot of people are attending movies these days. But The Odyssey was selling out, over a month into its run. But there were no funny parts to it, I suppose.

  • I had this experience watching Eddington. My adult son and I were laughing all the way through and the packed audience was totally silent. Very strange experience.

People gin up this stuff up for some reason. The film supposedly had a 25 minute standing ovation as well at some film festival.