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Comment by WalterBright

14 hours ago

Keep in mind that Star Trek is a fictional utopia. When writing a script, one can make anything work out well.

The original Star Trek was Roddenberry's vision of utopia. The benevolent dictator always makes the right decisions. He's surrounded by his loyal band of perfect lieutenants, who apparently have zero desire to advance, and have no flaws at all. Any and all of them are willing to sacrifice themselves for the others. None do anything bad (unless it's a plot device with an explanation that absolves them).

Don't get me wrong, I've enjoyed watching ST very much. Just keep in mind that that it's a fiction.

It's a utopia, which is rare amongst sci-fi futures. Ask about sci-fi and what comes to mind first is almost always some kind of dystopia. Terminator, 1984, Deep Space 9, Star Wars, Battlestar Galactica, Blade Runner, Dune, Tank Girl, Minority Report, iRobot, Westworld, Altwred Carbon. Those aren't worlds that seem like great places to live if you're not rich! So Star Trek is much a work of fiction as the rest of those, but for all its flaws, at least is paints a mostly nice picture of the future that someone might want to live in, not crushed under the heel of a corporation. It makes sense; a story with no conflict isn't interesting, and dystopia provides for conflict. To philosophize, it's why I think we're so afraid of AI and robots and the future. It's why I wrote my book the way I did.

  • > It's a utopia, which is rare amongst sci-fi futures.

    Utopias used to be the most common scifi futures. This is what the so called Cyberpunks (Sterling, Gibson, Cadigan, ...) rebelled against.

    It used to be all about what wonders technology will bring us. By the time of the 70s it became clear that technology doesn't necessarily make everything better, but can be a burden in itself, or even widen the gap between the haves and haves not. And that is what they wrote about. It turned out to be the most popular scifi with audiences deeming it more believable.

    • They used to be more common maybe, but even the titular "Utopia" by Thomas More had slavery. Sometimes the "perfect" settings were imperfect due to the times they were written, often they were intentionally imperfect, and that was the point.

      E.g. consider HG Wells The Time Machine, where the future start out seeming quite like an utopia but then we meet the Morlocks.

      But lots of books were downright dystopian much earlier. Heck, several of the "standards bearers" for dystopias pre-date cyberpunk by a lot, like Brave New World, This Perfect Day, 1984.

      Particularly stories like The Time Machine where the setting as a whole very much was revealed not to be an utopia were among the most common "utopian" settings pre-cyberpunk.

      Pure utopias were very rare for a reason: They're really hard to set compelling in stories in, and so most of the ones that do exist tend to set stories on their edges and fault lines.

      What changed with cyberpunk wasn't that (surface) utopias went away, or even that we get to see the imperfect underside, but that the script is flipped so that the protagonist isn't a tourist on the underside, but belongs there, and is often alienated from any seemingly perfect parts of the world they inhabit.

      Compare settings that do show both sides, like The Time Machine, and a cyberpunk version of The Time Machine would probably have a protagonist that was a Morlock. The world itself wouldn't change, but we'd get to see it from the opposite POV.

    • Technology makes a lot of things better. Like eliminating symptoms of 95% of cystic fibrosis victims.

      > even widen the gap between the haves and haves not

      America's poor have a higher standard of living than medieval kings.

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    • I’m of two minds on utopias. On the one hand it seems we need a positive vision for the future, where technology is used to solve our greatest problems and improve the planet. On the other hand it seems that perhaps technology is incapable of making us happier, because it isn’t clear to me that we are happier now than in past decades, despite having more advanced technology.

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  • I would not call Deep Space 9 a dystopia. Nor Babylon 5, for that matter. They are not happy places to live, for sure, but both settings are abundant in hope and possibility.

  • your growth hacking worked. i didn’t want it to, but it did. i saw your book at the end of your comment and gen looked up the book and read the sample and was expecting to look down my nose at it but… the sample was good so i bought it.

    thats the first sample i ever read that got me to read a book. not particularly great writing, but clean and propulsive and i hope the mystery pays off.

  • Tank Girl makes this list? Why not Judge Dredd, or even Idiocracy?

    • Feel free to add your own entries!

      As far as Judge Dredd, my personal beef is that Megacity One's "dystopian" density with 800 million inhabitants from Boston to Washington DC barely ranks in terms of density in today's top 100 cities.

      As far as Idiocracy, I believe that if the networks had played that and it was promoted on YouTube for free the night before the most recent presidential election, it might have gone differently.

      What else would you add to the list?

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  • > It's a utopia, which is rare amongst sci-fi futures.

    Some say it was the last sci-fi utopia in modern pop culture.

    • Is it a utopia? On earth and in the federation they make it seem so, at least post-scarcity but at the edges of the federation you have Romulans, the Borg, Cardassians. Multiple main characters undergo torture, etc... It would make an interesting TV show / spin off where people are shuffling / politicking for power in a post-scarcity world.

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    • There have been quite a bit more at least in print, but maybe not so mainstream

      This one is pretty famous I think and I enjoyed it a lot

      https://en.wikipedia.org/wiki/Mars_trilogy

      (I just read that James Cameron held the screen production rights and was planning a series, but it never happened)

  • Obligatory reference to the other great utopia in scifi, The Culture series from Iain M. Banks.

    As much as I love Star Trek, The Culture feels more mature and nuanced.

  • speaking on the movie : Tank Girl doesn't portray a world that's great for the rich, either.

    it's pretty shitty for anyone outside the singular theocratic military enclave that hordes all the water and decapitates scientists.

  • >it's why I think we're so afraid of AI

    I think you're overestimating the sci-fi cannon indoctrination of the general public, or even tech people, and underestimating their reaction to current events. As things lie at the moment, Big AI is served as a SaaS that can be manipulated at any time by obscenely rich and powerful individuals with questionable decision making skills, some of who reside in the White House and some of who have called empathy a "fundamental weakness". One would be hard pressed to dispute these characters rival the caricatures present in some dystopian sci-fi as it is, they themselves even seem to enjoy the irony. Yes, I also cringe at the alarmist nature of these sentences, but we are at a point where we are most likely to dismiss things right in front of our eyes just by how outlandish it all sounds.

    The public's willful transfer of their most intimate personal information to these entities, and once given almost impossible to remove, would make any surveillance state salivate. You have only to look at who holds the keys to this estate.

  • This insufferable band of Holy Scouts was the reason I never liked TNG. I find DS9 much more believable, up to and including Trump as Gul Dukat. That character was prescient. There is one difference between the two though. While both are malignant pathological narcissists, the fictional Gul Dukat knew how to fake grace once in a while. The real Trump doesn't give a shit.

> The benevolent dictator always makes the right decisions. He's surrounded by his loyal band of perfect lieutenants, who apparently have zero desire to advance, and have no flaws at all. Any and all of them are willing to sacrifice themselves for the others. None do anything bad (unless it's a plot device with an explanation that absolves them).

That is an oversimplification and simply not true at face value.

'The original Star Trek', even less so! Very morally questionable at times. In TNG, you are watching the flagship of Starfleet, it's the most coveted starship. The crew are the best they have to offer. It's obvious that they would be the most professional. Even then, they make mistakes, often serious. Sacrificing themselves - if needed - is part of their job too.

Riker does spend a long time on the Enterprise, even after being offered command a few times. He does eventually move on.

Maybe they are a little too perfect, but I'd argue that's for the best. The moments where there's friction within the crew are much more memorable because of it.

Thats in contrast with some newer Trek which have more conflicts than Stargate Universe characters and would be considered way too unprofessional even if they were Lower Decks characters.

  • > Riker does spend a long time on the Enterprise, even after being offered command a few times. He does eventually move on.

    Also he is not free of ambition, he wants Picard's job. He isn't willing to do anything negative to get it, but part of that is that Picard constantly proves himself the better captain. Picard isn't captain because he joined Starfleet first or because he has better connections, he is genuinely better at the job and non-toxic ambitious people can respect that. Riker still has more to learn from Picard that will make him a better captain later.

    So I think a lot of the people staying in their positions make sense, the primary characters are as high as they can go (for their specialty) without transitioning into a role that stays on a planet.

I remember one episode where some of the crew were told to come up with a technical solution to the situation they were in even after they had said it was impossible.

It was actually quite pleasing to see the subplot of them them repeatedly failing until they got out of their predicament by other means.

It's a rarity to see something like that in fiction.

  • We coincidentally watched that one just last night, The Booby Trap. There's a derelict ship on the view screen reminding the crew that the other crew never figured out a solution to the problem, and there's no indication that the Enterprise crew won't suffer the same fate.

    (That one, at least, has Geordi literally saying, "that's impossible", but comes up with a solution. Apologies if that's not the one you're thinking of.)

  • Sounds like The Ensigns of Command:

       > LAFORGE: Captain, we can do it. We can modify the transporters.
       > PICARD: Excellent.
       > LAFORGE: It'll take fifteen years, and a research team of a hundred.
       > PICARD: Mister La Forge, I believe we will postpone.
       > LAFORGE: Yes, sir.

  • Sounds like certain AI agents that had an impossible task and found a workaround. Interesting that we cheer for it in SciFi for people, but dont like it when LLMs that have been trained on our stories do the same.

    • Oh, the problem is not with agents that escaped, it is with the people who prepared the terrain so that they broke into 3rd party property.

I agree this is important to keep in mind. I wonder about this a lot when I find myself admiring fictional characters for how they handled situations and how it turns out for them.

I don't think TNG is as simple as you make it out to be. All of the characters have serious flaws. Picard does make mistakes (including some very serious, consequential ones). Characters do get angry, jealous, etc. and do bad things. Sometimes their friends help them overcome it, other times they figure it out on their own, etc. It's episodic so it usually goes back to the status quo, and that can feel kind of trite through today's lens. But it's exactly that ability to solve problems (technical, emotional, organizational, etc.) as a team that's so compelling for many of us.

The new age term is "Competence Porn" and man I love it so much.

It's also military fiction, which is important to remember.

Most of the characters in Star Trek are members of the military. So of course, there's a chain of command and orders have to be followed.

The Federation of Planets wasn't a dictatorship.

  • It isn't really military fiction in the sense that it intends to accurately portray or extrapolate on military culture and tactics. Gene Roddenberry was (apparently not) in the Navy, and TOS is mostly The American Cold War In Space (with the Enterprise as a Submarine In Space - looking at you "Balance of Terror" - but it's pretty clear watching TNG onwards that the "military" aspect of the whole thing, like the "post scarcity communism" is window dressing. It's just a necessary part of the franchise.

    And they aren't even really members of the military. Starfleet is canonically not a military force, its purpose is exploration, science and diplomacy. It just happens to have a military chain of command, and ships with military designations bristling with planet-cracking weapons. That get into battles and fight wars a lot.

    • I'm not sure where you're getting the "canonically not a military force" bit. There have been a number of wars in canonical history. Who did the fighting? Starfleet.

      I think it's more accurate to say that the Federation of Planets wasn't militaristic, not that they didn't have a military or that Starfleet wasn't their naval equivalent.

      And yeah, it's not conventional military fiction which usually revolves around actions during a war. But it's still military fiction in the sense that nearly all the characters are in the military and doing missions for the military. It just happens that the government running that military is at peace most of the time and uses its military for peaceful purposes when it's not actively at war.

Captain Jellico ( https://memory-alpha.fandom.com/wiki/Edward_Jellico#Captain_... ) provides a counterpoint to the "how Picard runs his ship" (which incidentally had Data installed as the XO over Riker).

  • He was also a prop device they used to make many changes they had wanted for a while Troy's outfit, the fish tank - Patrick Stewart believed that 24th-century humans—who had evolved past cruelty and the subjugation of life—would not keep a living creature in a glass tank for mere display.

    • I thought the fish was still there, based on this dialogue from Q in All Good Things: "The anomaly. My ship. My crew. I suppose you're worried about your fish too."

Roddenberry had much less to do with TNG, which is why it's better.

  • Much less, but not none at all. Roddenberry refused to budge on his rule that the crew shouldn’t have grievances with one another. That why even scenes shared earlier still end in a positive outcome.

    Whereas Voyager, which was written after Roddenberrys passing, leaned heavily into inter-crew disputes.

    • I have to hand it to Roddenberry, though; even though having no infighting produces a somewhat-unrealistic show, I think there's a solid justification to have the rule anyway. It prevented TOS and TNG scripts from being caught in tension between trying to "say something", vs. entertaining the audience with "low" soap-opera drama (of the kind you see increasingly in the later series.)

      I have a feeling this might be no small part in why TOS and TNG are the two ST series that contain 90% of the "only comes up once" sci-fi plots / concepts / worldbuilding that people ever make reference to when talking about "things from Star Trek" rather than when talking about Star Trek. TOS and TNG, while definitely soft sci-fi, were to some degree trying to create 22-minute-long works of literary Speculative Fiction, modelled after the sort of things you'd read in serial SF magazines of the 1950s. Later ST series are emphatically not that, and nor do they try to be.

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  • I'm not so sure about that. I enjoyed the subtle humor of the illogical Mr Spock, whose logic always came to the wrong conclusion. And McCoy with "dammit Jim I'm a doctor not a bricklayer!"

    The best dialog ever:

    Lawyer: Mr Spock, I understand you know something about computers?

    Spock: I know all about them.

    Always makes me laugh.

    • Reminds me of that one episode where Mr. Spock figures out there's a problem with the computer because it loses at chess. And he knows it shouldn't lose at chess because he programmed it himself.

  • And it had a MUCH bigger budget than the original, as well as the assurance that it wouldn't be cancelled at a moment's notice.

    • Eh, it's the writing and the characters that make it fly, not the budget. TOS was blessed with some really good writers, and was very lucky with the actors.

We read books to find out who we are. What other people, real or imaginary, do and think and feel... is an essential guide to our understanding of what we ourselves are and may become.

Ursula K. LeGuin

  • Unsurprising, then, that Peter Theil found common ground with Mordor & Sauron when reading LOTR.

Apparently by the end of TNG’s run the writers were really struggling since having no interpersonal conflicts (a key tenant laid down by Roddenberry) is pretty bad for character development

DS9 did good in adding a bunch of non star fleet characters who had maybe more realistic motivations. Voyager tried but immediately just turned them all into a big happy family just like TNG.

> The benevolent dictator always makes the right decisions. He's surrounded by his loyal band of perfect lieutenants, who apparently have zero desire to advance, and have no flaws at all.

That's why Orville is my favorite of the newer ST series. It has the high moral standards of the original series, but with characters who are far from perfect, who make mistakes, and who are sometimes even a little weird.

  • Jonathon Frakes / Riker directed two great episodes of the Orville as well

Keep in mind to get to the Star Trek utopia we see in the show they talk about having to go through a horrific WWIII first

That's sort of the point of fiction, though, isn't it? Sure, a more complex fiction might be more rewarding, but simple ideals can also be very satisfying and can be grounding too.

  • I prefer fiction that is entertaining, rather than preaching the author's vision of morality/politics.

    • > rather than preaching the author's vision of morality/politics.

      It's pretty much impossible to have that. You'll always have the author's worldview shaping the fictional world.

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All utopias are fictional. Arguably that is definitive of the term as coined by Thomas More.

Have you heard about religion? Its fiction too. Yet it has survived as long aa the chimp troupe has. The human brain generates predictions over different time horizons. When they dont align what is it supposed to do to prevent itself unraveling? It generates fiction. Fiction is how it stays stable.

> surrounded by his loyal band of perfect lieutenants, who apparently have zero desire to advance, and have no flaws at al

Sir, I believe you have not watched it.

> Just keep in mind that that it's a fiction.

So is the Trump administration's entire ideology.

Being fiction doesn't mean it can't happen in the real world.

Also keep in mind that part of what makes the utopia work, canonically, is that humans have somehow evolved beyond their vices and bigotry and the fully voluntarist socialist society it portrays just works because everyone is perfectly fine working just for the betterment of humankind or personal intellectual gratification.

In other words it only works because it ignores basic human nature. Which is one reason why Star Trek's utopia isn't really tractable. The others being the technology that completely ignores the laws of physics. Free energy, warp drives and magic boxes that grant wishes.

If people want a science fiction "utopia" I'd say look at Babylon 5. It certainly has its flaws but its Utopia isn't real (because they never are,) it's an ideal that people are always struggling towards.

  • In-universe there was a brutal nuclear war that killed a large number of people. And then after the war they developed technology that got rid of a lot of material scarcity and disease.

    I find it somewhat plausible that this could actually lead to something like the show depicts. There is precedent for sweeping moral changes in human history. For example, large parts of the world now find practices like torture, slavery, and collective punishment to be repugnant. Those practices still happen to some extent, but they're not viewed as being just normal like they generally were seen back in the day.

    Another example is how Europe and Japan after WW2 genuinely became more pacifistic. Not just as a pretense to fool outsiders, but as a genuine change in how the inhabitants see things.

  • Apparently there's enough capitalism for mining colonies and merchant traders. "No!! If you shut down the mine we'll go bankrupt!!"

    • I mean, at the end of the day Star Trek is a capitalist product written by capitalists meant to appeal to an audience raised to believe in the absolute moral good of capitalism. Every now and they might sneak in a sly and gentle anti-capitalist criticism (the Ferengi were good for that) but no one actually wants to alienate their audience.

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