The set of requirements evolved and changed throughout history as our did our culture and society.
We do still have a set of requirements for what is considered art, and we still have a set of hyper conservative gatekeepers that are resistant to change and will blame today’s boogeyman for everything that they feel is wrong with society
By God, you are truly a trifecta of clichés converging.
Where exactly have you got this narrative from? Or even better: please explain how Marxism relates to contemporary art, I can accept just a general line of ideals connecting to each other.
I tried to have some leveled way to see your opinions on my other comments but this went a bridge too far, you seem to be repeating a collage of unrelated stuff, as I said in another comment: it's so bad that it isn't even wrong.
That is general knowledge, but if you really want to go down that way of "where did you get this narrative from" to try and avoid the subject. Well, you can see it, for instance, in the Stanford Encyclopedia of Philosophy for starters. [1]
By just about any reasonable accounting, the willful deconstruction of the concept of art reached its peak during and after World War I (e.g. Dadaism), specifically because of the wanton and apparently pointless destruction of an entire generation of French, British, Germans, and Russians (and others besides, but they bore the brunt of it). There was a very widespread questioning of traditional mores, which arguably bolstered the broader Marxist cause, but its definitely an inversion of causality to say that Marxism caused existentialism.
The set of requirements evolved and changed throughout history as our did our culture and society.
We do still have a set of requirements for what is considered art, and we still have a set of hyper conservative gatekeepers that are resistant to change and will blame today’s boogeyman for everything that they feel is wrong with society
By God, you are truly a trifecta of clichés converging.
Where exactly have you got this narrative from? Or even better: please explain how Marxism relates to contemporary art, I can accept just a general line of ideals connecting to each other.
I tried to have some leveled way to see your opinions on my other comments but this went a bridge too far, you seem to be repeating a collage of unrelated stuff, as I said in another comment: it's so bad that it isn't even wrong.
That is general knowledge, but if you really want to go down that way of "where did you get this narrative from" to try and avoid the subject. Well, you can see it, for instance, in the Stanford Encyclopedia of Philosophy for starters. [1]
[1] https://plato.stanford.edu/entries/art-definition/
By just about any reasonable accounting, the willful deconstruction of the concept of art reached its peak during and after World War I (e.g. Dadaism), specifically because of the wanton and apparently pointless destruction of an entire generation of French, British, Germans, and Russians (and others besides, but they bore the brunt of it). There was a very widespread questioning of traditional mores, which arguably bolstered the broader Marxist cause, but its definitely an inversion of causality to say that Marxism caused existentialism.
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What about Marxism?
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