Comment by samspot
1 day ago
Copyright, and patents, are not based on moral principles. It's a temporary government license meant to encourage innovation and hustle. Whether it works or not, I don't know. But the only question of morality is if it's immoral to break an arbitrary law, or not.
This is strongly jurisdiction-dependent.
US patent and copyright derive from A1S8C8 of the US constitution, "to promote science and useful arts".
Much EU law derives from a French tradition based on droight d'auteur, or moral rights.
International copyright code (Berne Convention) rips and mashes from both traditions.
A law claiming that something is a "moral right" doesn't make it so, though.
Just as e.g. sodomy laws claiming that something is immoral doesn't make it so.
I'd agree with this.
The point I was addressing was whether or not copyright is grounded in moral rights, and as my earlier response notes, it depends on jurisdiction and foundations.
That said, I've come to a general view that moralising of pathologies or other behaviours is often highly counterproductive. Medicine progressed little when illness, disease, or dysfunction were rationalised as will of gods or divine retribution. Germ theory and other causal etiologies broke that dam. Left-handedness was widely viewed as literally malevolent, a sign of the devil. Which did little to prevent the condition, and greatly hampered opportunities and life-paths of the roughly 10% of the population which is left handed. Oppression of LGBTQIX+ individuals is often presented as a similar situation. Mental health and illness still carry strong moralising-of-pathology overtones, though the situation's improving. Justice and penal systems are presented by some as another such case (see in particular Robert Sapolsky).
Back to copyright and patent: both foundations, authorial/inventor support and moral rights strike me as grossly flawed in both grounding and consequence.
Copyright has always been based on moral principles. 'Moral rights' have been part of copyright longer than "encourage innovation and hustle" has been something the government has considered worth promoting. The original copyright laws were about controlling who could print the bible, and the statute of anne was about encouraging learning while controlling what booksellers could and couldn't do. Copyright if anything was about preventing innovation from the very beginning, and slowing the hustle of culture down so that incumbents could edge out newcomers - a drama that has played out generation after generation