Comment by Retric
11 days ago
I was trying to be objective which is why I didn’t try to compare individual shows.
Thus average production quality seems like a useful metric. There’s currently a handful of “traditional media/streaming” shows with absolutely crazy budgets today and if you happen to like them then that’s great. However, if you don’t things quickly fall off a cliff in terms of production quality.
The same is true of YouTube. The quality of 50,000 one man operations is irrelevant if you happen to like MrBeast, but if you don’t like MrBeast budgets drop off fast. A reasonable argument is you and everyone else may prefer a specific YouTube cooking show over Baking with Julia or other 90’s show with a much her budget, but there where several options to chose from.
Thus purely objectively even if 90’s TV had lower maximum budgets the floor being relatively high is worth taking into consideration.
It's worth noting that due to advances in technology, it is possible to deliver the same show for less money and time.
The average "how to cook on a food network" show was, ultimately, one person in the kitchen of a large home cooking for the camera, produced once a week. There are plenty of people delivering that style of cooking show with high production quality today. Obviously it's not the same because some things are less deliverable with smaller or one-person teams (Miss Piggy is not going to visit some Youtube show the way she visited Martha Stewart) but there are people making this content ranging from big shops like NYT Cooking to smaller outfits like Binging with Babish, Glen and Friends Cooking, etc. and there are even outfits like this dedicated to more niche topics like Tasting History or Emmymade.
A wide range of things have gotten dramatically cheaper, but that only goes so far.
Many YouTube channels make great use of Zoom calls for example. It’s still generally a compromise vs an actual face to face conversation.
Safety is another real concern. People have died doing stuff solo that wouldn’t have been particularly dangerous with minimal supervision.
I mean as far as this goes
> Many YouTube channels make great use of Zoom calls for example. It’s still generally a compromise vs an actual face to face conversation.
A lot of today's news footage with experts etc. these days is also not shot from studios but from online calls. Actually flying somebody out onto location is pretty uncommon; and I would say with the rise of filmed podcasting, that podcasters are more likely to have people on set than television news is.
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> it is possible to deliver the same show for less money and time
Do we, though?
I recently learned about the controversial scene "Baby, It's Cold Outside".
Ignoring the content of the scene for a moment, the quality of the choreography stood out to me as something you would never see in a movie today. Certainly not in one take.
I would say that has more to do with the decline in musicals involving small numbers of people doing choreography, and the current movie system de-prioritizing dance as an important skill. The highest grossing musical movie happened in 2024 with Wicked, and the second half of that movie is probably going to do the same thing next year.
I’m also a fan of Tasting History. Highly recommended.