Comment by rcxdude

Hi, I have interacted with a lot of artists, and spent more on commissioning art than is probably financially sensible, as well as playing around with models for writing and image generation and I have a few thoughts on this.

I think, on the whole, the distaste for AI is primarily about a threat to the value of the artist's work. Importantly, I think the idea that this was done by training on their collective work is a bit of a sting on top but it is not the primary reason for the objection. Especially importantly, I think copyright is 100% not a good way to try to mend this issue, because it will primarily enable the parasitic centralization that already plagues the art business, as well as allow for further moat-building by tho ones creating these models (Adobe having already demonstrated this). In my view, a world where the big tech companies have models that only they are legally allowed to train is the worst possible outcome from this tech. I think addressing this either needs to involve some kind of blanket compensation from the big companies (with the important proviso that even their entire valuation spread amongst all the artists in their training set is a relative pittance), or through a general push against AI generation entirely, but from the perspective of the importance of supporting the artists as opposed to leaning on copyright claims which the AI industry can happily navigate if they must.

With regards to quality, Sturgeon's law applies doubly here. The vast majority of AI generated stuff you see will be slop, because it's so easy to make. It is possible to make very good stuff with AI with more effort, but this requires at a minimum some taste and willingness to put thought into what you want to get out of it, and better also some artistic talent. To me the best is when someone engages with it as a tool to achieve a vision as opposed to a perfunctory 'I need to fill some space with something' stock-image type thing (something which humans had already been doing, but were a bit more limited on because of expense and it's hard for someone doing art to not care at least a little bit about making something good even if it's utterly soulless corporate clip-art).

I'll also say it's not universal amongst artists. I know of multiple who are OK with it, and starting to incorporate it into their work. But it's also a somewhat dicey position to take publicly in those circles at the moment, so they're not very visible on the whole. (I suspect this is often dependent on why they got into art: in general the ones who are OK with or actively like AI are the ones who got into art because they wanted to see more art of the kind that they make (insert 'oh boy, two cakes!' meme here). The ones who got into art because they enjoy the process of making the art generally don't like it, though they're not always utterly virulently against it, and the ones who got into art for the status it affords them absolutely hate it. Though of course these are somewhat oversimplified categories)