Sometimes tagging is that, sure, or just some person indicating that they exist there. For some taggers, it's an addiction. I knew one that would tag at people's houses when invited to parties. I was outside smoking a cigarette with him after the owner had threw him out on his ass, asking why he did shit like that, and he said "I just feel like if I can tag someone's house, it's like I've won."
I can kinda empathize since I'll have an addiction to getting the perfect photograph during a protest or whatever and will go to extreme lengths and burn through SD cards to get it.
In my experience the majority of graffiti is artists just putting up art. Privileged folk pass down the propaganda that graffiti is dirty and gangster and so any street art is viewed as dirty, but in the end it's just a matter of taste.
Art? There are some exceptions, indeed, where graffiti can be called art, but most of it is tasteless disgusting mess. It's borderline demonic in some cases. This especially applies to the list of pictures in the post. My theory is why ugliness is often considered beautiful is because ugliness invokes stronger and darker emotions.
Demons aren't real so I don't understand what this means.
> tasteless disgusting mess
Do you disagree that taste is subjective, then? It seems what's happening here is that you're very, very confident that you are an authority on what's beautiful, despite several people telling you they find beauty in what you abhor.
The most well known writers (this is their term, few if any graffiti writers I know refer to themselves as artists) are actually the ones who paint trains, not in metro areas. Yes, writers do paint all over metro areas, but that gets buffed out so quickly that the real holy grail is to get up on trains that go all over the country.
Train graffiti allows your art to roam and writers from other cities see it and recognize it. Your creativity proceeds you when you go to other cities to write and expand where you're known.
I live in a large metro and see very little if any gang graffiti. Also, most of the really good stuff? You never know its there because its under bridges, in aqua ducts and other areas few, if any people know about or venture to.
Sometimes tagging is that, sure, or just some person indicating that they exist there. For some taggers, it's an addiction. I knew one that would tag at people's houses when invited to parties. I was outside smoking a cigarette with him after the owner had threw him out on his ass, asking why he did shit like that, and he said "I just feel like if I can tag someone's house, it's like I've won."
I can kinda empathize since I'll have an addiction to getting the perfect photograph during a protest or whatever and will go to extreme lengths and burn through SD cards to get it.
In my experience the majority of graffiti is artists just putting up art. Privileged folk pass down the propaganda that graffiti is dirty and gangster and so any street art is viewed as dirty, but in the end it's just a matter of taste.
Art? There are some exceptions, indeed, where graffiti can be called art, but most of it is tasteless disgusting mess. It's borderline demonic in some cases. This especially applies to the list of pictures in the post. My theory is why ugliness is often considered beautiful is because ugliness invokes stronger and darker emotions.
> It's borderline demonic
Demons aren't real so I don't understand what this means.
> tasteless disgusting mess
Do you disagree that taste is subjective, then? It seems what's happening here is that you're very, very confident that you are an authority on what's beautiful, despite several people telling you they find beauty in what you abhor.
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Why do you suspect that?
The most well known writers (this is their term, few if any graffiti writers I know refer to themselves as artists) are actually the ones who paint trains, not in metro areas. Yes, writers do paint all over metro areas, but that gets buffed out so quickly that the real holy grail is to get up on trains that go all over the country.
Train graffiti allows your art to roam and writers from other cities see it and recognize it. Your creativity proceeds you when you go to other cities to write and expand where you're known.
I live in a large metro and see very little if any gang graffiti. Also, most of the really good stuff? You never know its there because its under bridges, in aqua ducts and other areas few, if any people know about or venture to.