Rob Grant, creator of Red Dwarf, has died

2 days ago (beyondthejoke.co.uk)

My random claim to fame; I was the support act (juggler) for Norman Lovett (the red dwarf ships computer), for one night only in the Welsh town of Bangor.

What a life I’ve lived.

As an American, Red Dwarf along with Hitchhiker's Guide to the Galaxy created a deep appreciation both for British humor and funny sci-fi in my adolescent self. I now own the box set on DVD and even have a random Red Dwarf novel I got at a yard sale (I forget which one of them wrote it though).

RIP Rob! Will be having a vindaloo, lager, and maybe some fish (Fish! Fish! Fish!) later in your honor

(EDIT: 100% talking about the UK version here, had no idea or forgot there _was_ an American version)

  • Maybe it was written by:

    > Grant Naylor is a gestalt entity occupying two bodies, one of which lives in north London, the other in south London. The product of a horribly botched genetic-engineering experiment, which took place in Manchester in the late fifties, they try to eke out two existences with only one mind. They attended the same school and the same university, but, for tax reasons, have completely different wives.

    > The first body is called Rob Grant, the second Doug Naylor. Among other things, they spent three years in the mid-eighties as head writers of Spitting Image; wrote Radio Four's award-winning series Son of Cliche; penned the lyrics to a number one single; and created and wrote Red Dwarf for BBC television.

    > They have made a living variously by being ice-cream salesmen, shoe-shop assistants and by attempting to sell dodgy life-assurance policies to close friends. They also spent almost two years on the night shift loading paper into computer printers at a mail-order factory in Ardwick. They can still taste the cheese 'n' onion toasties.

    > Their favourite colour is orange.

  • Red Dwarf is an absolute classic, but I think people of all nations can agree that the American version was better off cancelled.

    https://www.youtube.com/watch?v=8mlnntKi2no

    Even the second attempt at it, with Star Trek DS9's Terry Farrell (as Cat), was a bad idea.

    https://www.youtube.com/watch?v=nfJsViD9SjM

    The original was lightning in a bottle.

    • I have watched the American pilot, and one thing I found curious was that the two female characters were the most interesting (Cat and the Computer played by Terry Farrel and Jane Leeves who were both in major series - Deep Space Nine and Frasier). Holly/Computer has been female for much of the British series and Cat did work as a female character. Contrast with the British show which was very male except for computer (sometimes) and Kochanski when she became a regular character (Chloe Annette didn't really work. I wish Clare Grogan had been a regular instead.)

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RIP, thanks for the memories.

No sci fi effect has ever given me the same sense of wonder that I got from the shot of the camera slowly travelling over the gigantic ship in the Season 1/2 intro.

Btw: @dang : Grant was the co-creator, alongside Doug Naylor, who is still kicking

  • The practical effects in the early seasons were truly fantastic. It was never quite the same after they switched to cgi.

    • I've said elsewhere on the "Babylon 5" discussion that Kubrick's "2001" has aged better in many ways than Hyams' "2010" which came out many years later. In the same vein, CGI has a nasty habit of aging more quickly than practical effects. There is stuff from the nineties which looks worse than the seventies as a result.

      In the case of "Red Dwarf", the genius was in having the ship be an ugly industrial environment in the vein of "Dark Star", "Alien", "Outland" etc. That allowed for sets to be built easily and cheaply. I think some of it was even filmed in a BBC canteen/cafeteria.

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    • Oh yes. I remember them talking about the script and how low budget everything was. Like even the script was written to try to convince BBC it wouldn't cost much money. I think (paraphrasing) things like:

      "We open on the corridor of a space ship. Space Odyssey this is not, no high tech serenity here. No, the is very much an ordinary, boring corridor. It could even have been a corridor in a TV studio..."

  • The intro was actually strangely eerie/bleak. I felt sorry for Lister (I think it is) out there painting the ship. There was kind of a sadness because he had lost pretty much all his friends and you could feel the vastness of space.

It's cold outside

There's no kind of atmosphere

I'm all alone

More or less

Let me fly Far away from here

Fun fun fun

In the sun sun sun

I want to lie

Shipwrecked and comatose

Drinking fresh

Mango juice

Goldfish shoals

Nibbling at my toes

Fun fun fun

In the sun sun sun

Fun fun fun In the sun sun sun

  • As fresh immigrant to USA, watching it on local PBS on the gigantic back projection jumbotron TV someone offloaded on us back in mid-90es, it made a huge impact with its absurdity and silliness. I sing "Drinking Fresh Mango Juice" every time I get it out of the fridge, and when my wife and I visited Egypt and got room service with fresh mango juices, it was in heavy rotation. And every time I leave and it's cold outside, I tend to sing "It's cold outside!". RIP

  • For a brief period there it was fashionable to have fish nibbling at your feet (in the 2010s?). Not goldfish shoals although that is probably what Lister wanted to farm in Fiji.

    • If Fiji was under water by then, wasn't his plan to give the sheep snorkels? There's a hazy memory from 30 years ago.

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There was nothing like Red Dwarf on TF (British or American) back then - a laugh-tracked show that could be simultaneously the most hilarious dry wit, not-so-dry bawdy humor, and a compelling and thought-provoking sci-fi action-adventure all at the same time.

I fell off it after they had that comeback season roughly in 2000 where the whole ship got revived. Then I saw a few clips from a later season where everyone was pretty schlubby. I'll need to track down some way to re-watch the whole thing.

  • Very on topic: Rob Grant left the show after the sixth series. I think the lack of his influence was immediately apparent, a lot of the depth was lost. Like how the transition from series 2 to series 3 got a lot more action-y, 6 to 7 started to lean more on established tropes etc (IMO).

    Also of note: Grant and Naylor wrote a series of Red Dwarf novels that were surprisingly good. They really fleshed out a lot of the character behind Lister and Rimmer. One novel goes deep on the concept of Better than Life, a one episode throwaway in the show but expanded to true horror in the novel.

    They split (same time as they split on the show) and wrote separate novels in different continuity in the end. IMO Grant’s was notably better.

    • I read the books as a young teenager in highschool before watching the TV show. I loved the books!

      Actually, I realised I lie, I did occasionally watch a few of them in primary school. I remembered being absolutely terrified of Polymorph.

  • I watched the whole lot thanks to lockdown. I used to like up until series six or so, but had a look at the later ones. Yes, the actors certainly all look more "lived in" nowadays.

    The later series/seasons are very uneven, which surprised me. I stopped watching originally around when Chloe Annette's Kochanski was introduced but I was surprised that instead of a steady decline that the quality was very up and down.

I used to stay up late to watch Red Dwarf. [dark reference to the show incoming] Maybe he's moved on to somewhere Better Than Life.

My wife and I look at each other and laugh really hard every time we order Gazpacho. If you know, you know...

Kryton is one of the greatest characters to ever grace a tv screen.

  • Robert Llewellyn is just a lovely person in general. He now produces a YouTube/TV show about electric cars, but his outtakes from Red Dwarf are delightful. He stays mostly in character during the outtakes (perhaps that's easy in the suit) and he's very funny.

    Some random Red Dwarf outtakes: https://youtu.be/l6VTzq5N0Mo

  • “It’s a banana. It always has been a banana and always will be a banana. It’s a yellow fruit you unzip and eat the white bits. It’s a banana!“

  • It terrifies me sometimes that I can see aspects of both Lister and Rimmer in myself despite them being polar opposites.

    I don't relate to Cat as much, although his character is great too.

Stoke me a Clipper... I'll be back for Christmas!

  • Er. I may be missing something here, but isn't it smoke me a kipper?

    • You are. It's Arnold's first attempt at being/becoming Ace. He stumbles over the phrase, and the "old" Ace tells him he was once like him too, and "there's an Ace inside you, too" (Lister/Cat, I can't remember which: "Yeah, so deep he's been buried..." or something to that effect).

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> Working together under the name "Grant Naylor", the creators of the series collaboratively wrote two novels. The first, Infinity Welcomes Careful Drivers, was published in November 1989, and it incorporates plot lines from several episodes of the show's first two series. The second novel, Better Than Life, followed in October 1990, and it is largely based on the second-series episode of the same name. Together, the two novels provide expanded backstory and development of the series' principal characters and themes.

If you haven't read the books, please do yourself a favour. They are far far better than the series, have much more depth and have not dated as badly. I loved Red Dwarf when it was on TV (jesus, I was 12 years old..) but I find it a little hard to watch now. Some parts are still great though.

Loved the show back in its heyday. From what I remember, the novels are pretty good too

An excellent plan sir, with just two minor drawbacks…

one: what you created was amazing and we will miss you; and

two: you are dead.

— after RG/DN

Damn. Guess I’ll be smoking some kippers in his memory.

Can we get a black bar?

On second thoughts, that would mean changing the CSS.