Comment by Cthulhu_
11 hours ago
Yeah people seem to forget that before AI music, there was already a huge amount of "slop" music out there - background music, muzak, mood music. Hell, Spotify was put in the spotlight not that long ago for commissioning music to mix into their own most popular mixes (the casual background listening ones), so that they own the rights themselves and don't need to pay artists as much. A lot of music is for mass consumption / inactive listening, and honestly I don't think it makes much of a difference whether it's AI generated or churned out by a WFH producer. When it comes to whether I want to listen to it anyway, not so much whether said producer gets paid.
Also the almost industrial score music machines: trailer music, like two steps from hell, even Zimmer. Those are also can be considered as slop, even worse - highly formulaic, almost standard (YouTube “heroic music chord progression”). And those were written by humans
I’m not going to devalue your opinions—music is mostly a matter of taste—but you and your parent comment are stretching the term “slop”, like when a software user misuses “bug” to mean “something which doesn’t work like I want, despite it working exactly as designed for fifteen years”.
“Slop” is specifically about AI content lacking in effort, quality, meaning. You may not like Zimmer, but saying it lacks in those areas seems a tad too much. “Formulaic” isn’t an indicator of slop either, most stories are formulaic following a variation of the hero’s journey. It’s especially not problematic when you’re someone like Zimmer who invents or popularises the formula.
> Formulaic
Also formulaic art isn't necessarily bad, because human appreciation does follow some patterns.
6 replies →
The thing is that there is already enough ai content that is not lacking in effort, quality, meaning too.
I clearly see talented author who just didn’t had chops or resources previously to realize his vision, and now he can and I can enjoy it.
At the same time I probably feel and define slop slightly differently, for myself.
In my birth city there was a street that was closed every weekend for art sellings. You walk about 1km (or less), and there are tables with sculpitures, paintings, crafts etc. In the beginning it’s fun, but after some time (and especially after several visits) you see how repetitive and formulaic it is. Somebody chooses kittens and draws 100s of things with them, somebody chooses nature etc etc etc. I didn’t even know the word slop then, but looking back - it was it.
After watching Bob Ross (and I love the guy) it’s clear that many “creators” were producing slop that is technically similar to what Bob Ross was teaching. Did Bob Ross produced slop? No. Do people who just reuse same approach over and over again (here is how we will paint the tree by using this then than brush) produce slop? In my book - yes. And it’s fine, if they or somebody else enjoy it. I don’t judge them and I don’t judge people who use and enjoy ai.
For me art’s purpose is to invoke some emotion in person, experiencing the art. The way how art is produced is secondary.
You can have buckethead who does music, and you can have someone (even highly technical, with great timing, control, mechanical chops) who “produces song” while sitting on a toilet and an “instrumental album” in a day, by running pentatonic scale all over again. And this is the slop for me. And it has nothing to do with ai.
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None of that is what I would call slop music. All of that is real music for real people with real use case.