Comment by jdw64
10 hours ago
The 'Le Guin' series actually had similar kinds of stories in Asia before. There's a strong Taoist influence, you see—more specifically, Chinese-style Taoism rather than a Buddhist perspective.
From the viewpoint of '不立文字 (Bù lì wén zì): truth is not confined to language; language is merely the finger pointing at the truth' — this is closer to Taoism than to Zen. In fact, the Chinese worldview runs deep throughout her worldbuilding. Le Guin's take on 'magic' reflects a profound understanding of Eastern philosophy. The reason Ged doesn't use magic lightly is precisely a matter of balance, and (without giving away spoilers) the final confrontation between Ged and the Shadow is essentially about embracing one's own dark side — which shows a deep grasp of Taoist thought.
Personally, I also love the Earthsea series. The philosophy underlying that world is exactly the kind that resonates especially well with East Asian readers
Ha, wow, thanks for the refinement. Indeed use of language (especially at the end with the dragons) is a very important theme.
And I agree, it's more than excellent. The judicious magic, the way she manages to naturally - without it becoming a sermon - describe acts of kindness as the biggest miracles, is great.
Highly recommended.