Comment by PaulDavisThe1st
4 days ago
But the central point is that there's no reason to pick on the digital elements in any particular way. Recorded music in 2026 is a pretty good recreation of the original acoustic pressure waves when it is intended to be, but (a) not perfect, even in the pure analog domain and (b) it is frequently not intended to be.
The central point is that AD conversion can and will introduce artifacts. DA process wil intrduce more artifacts. The "imperfect" is a huge range and AD/DA converters play a role in that. We are not talking about "golden cables" bs here, conversion does introduce measurable artifacts in the audio path. The more tracks you record the more artifacts you have. Can everyone hear them? Definitely no. Can they be heard - yes, I can hear the difference between an old Digidesign interface and Grace Design interface.
No, the central point is that the analog signal handling before AD introduces vastly more "artifacts" than the AD or DA does.
In addition, nobody cares about "measurable" artifacts (or rather, they should not). What matters are "audible" artifacts. We have measuring equipment that is vastly more sensitive than human ears (e.g. your recording equipment that can pick up signals far above 22kHz). What's measurable is not particularly interesting - what's audible is.
Artifacts do not sum linearly, because they do not originate from correlated sources (unless you're doing something rather unusual).
Glad you can hear the difference between two converters, but I trust you've tested it in a double blind setting?
Hm, no. The discussion was never about analog artifacts vs AD conversion artifacts. Both are present. And not sure why you use "artifacts", do you not believe the artifacts are real? How can the lowpass filter not introduce artifacts?
And absolutely - I blind tested coverters extensively. Mbox2, Black Lion Audio upgraded converters, UA, Prism.
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