Comment by DrewADesign
4 hours ago
I think the argument is that artificial comes in with IP law, which some people feel is superfluous.
I do think that corporate price gouging is a huge problem that does need to be addressed. But especially with smaller business types — creatives, et al— I still haven’t gotten any grownup answers about what would compel people to get professionally good at something and innovate in the complete absence of copyright: the vastly better business model would be waiting for someone else to do something new and interesting, stealing their work, and then undercutting them in the market because you don’t have R&D/et al costs to recoup. You can’t say that wouldn’t happen because it’s exactly what the AI companies did to billions of people, scoffing at any protest. And ironically, they’re now whining about the Chinese doing it to them.
I'm with you on all of that. There is, nevertheless, a strong argument that IP protection (particularly for creative / "culturally significant" works) is too long. Twenty years - interestingly enough, the original time-period in the US - of protection seems like a better (for society) deal than life of the author plus seventy. I think, in fact, most artists would agree: if you went back in time and asked a playwrite or filmmaker in (say) 1940, I'd bet they'd rather someone freely revives their work in 2026 than that it be sat on by a corporation that has forgot it (or they) ever existed.