Comment by scandox
1 day ago
What's interesting to me is that the examples he gives are beautiful because of their sincerity. Even if there is artifice, or they're being formal or playful, their style reflects their reading, their shared culture and of course as you say their audience - which I think for them was a very small elite.
Anyone who writes in a flamboyant style now - as the essay's author does - necessarily comes across as a kind of pastiche. There is something camp or affected about it. Maybe that can change. Maybe a new flamboyance can develop. But I think his antiquated style of flamboyance is unlikely to come back to real life.
Take a copy of "Usage and Abusage" and blend with Lord Byron after applying suitable libations; toss in the bear for body. Season to taste with the darker dictionary (the parts chained down to protect the reader). Simmer over a fire of coked Latin and Greek primers, scented with a whiff of lilac.
Serve in a curiously beige vessel.
> Anyone who writes in a flamboyant style now - as the essay's author does - necessarily comes across as a kind of pastiche. There is something camp or affected about it
Necessarily? Not at all. I am not sure where “camp” or “affected” come into it. I am a nerdy English bloke and I suppose Americans, Canadians and Australians etc., will assume I am camp (which troubles me not one bit) so I may be unable to accurately judge, but I didn’t get either from this. It reminded me more of Fry or Lewis than Self, put it that way.