Comment by Lautzi
20 hours ago
I highly recommend this video [1] by the Head of Software at Muse who had a big part in the development of Audacity 4.0. Some great insights and really fun to watch!
20 hours ago
I highly recommend this video [1] by the Head of Software at Muse who had a big part in the development of Audacity 4.0. Some great insights and really fun to watch!
Indirectly related his video on music notation itself, "Notation Must Die: The Battle For How We Read Music"[1], is really good IMHO.
> Many people feel that western notation makes it unnecessarily hard to read music. If we want to sight read, learn music theory or just practice an instrument, surely there's a better way? Right? This has been a hot topic for almost 1000 years... AND I PUT IT TO BED RIGHT HERE!
1. https://www.youtube.com/watch?v=Eq3bUFgEcb4
Notation is cool and just right, the more I learned the more I appreciated how great contemporary notation is. Yes it's challenging to read sometines but the subject is challenging too, surely you could try to simplify it for certain applications but you'd lose a lot of flexibility.
Fighting notation is like fighting piano keyboard which is also extremely convenient thing to play compared to other stuff, even to grid controllers.
I find conventional Western notation works quite well for communicating notes, rhythms, and basic expression, but it breaks down pretty quickly once you move beyond that. E.g. a lot of the common techniques on electric guitar (bends, palm muting, tremolo/whammy bar stuff, pick slides, slap/thumping, pinch harmonics, raking) don't really have a convenient notational shorthand. That's without even mentioning synthesizers (how do you notate 'gradually increase the filter cutoff here'?) and DAWs, samplers, drum machines. But it's definitely a hard problem: the more information you try to shove into a notational system, the harder it gets for people to keep track of what everything means. Plus you just start running out of easily distinguishable symbols at some point.
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> Fighting notation is like fighting piano keyboard
Interestingly, the current form of a piano keyboard isn't only way keyed instruments have been laid out.
My mind was blown when I first saw a harpsichord with separate flat and sharp keys for example because I never considered the concept. I grew up with pianos so in my ignorance I never really thought about them being different.
https://en.wikipedia.org/wiki/Split_sharp
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I'm a musician, and am fluent at sight-reading. My perspective doesn't even consider the pro's and con's of conventional notation. The network effect is overwhelming.
Written music involves a symbiosis between the composer and the performer. You have to find people who are willing to do both of those jobs, in sufficient number to make performances happen. If you choose a new or idiosyncratic notation system, nobody will play your stuff.
In the future one could imagine automating the process of converting from one notation to another. But a lot of sheet music is still not in computer readable form. From what I've read, OCR'ing sheet music is still an unsolved problem.
The fundamental problem in music notation is that it was designed for an 8 note system and we use a 12 note system. It's.. fine I guess, they got those extra four notes in there and millions of people read music with no problems. But it does create a lot of confusion for novice readers who now think those 8 notes are somehow more important than the other 4 or that the sharps and flats are somehow half notes(they are not, all 12 are equally spaced on a log scale) and don't even get me started on the confusing terminology, there are 12 notes in an octet, semitones? a fifth? a fifth of what? it is seven notes or 3/2's there is no 5.
With regard to the piano keyboard, again not terrible, but it definitely is a compromise to fit the mechanical needs of the piano. I really like the design of the chromatic keyboard(ever see an accordion with the big hex grid of buttons, this is a chromatic keyboard), it has the advantage that whatever key you play a song in it has the same fingering, on a piano every key has different fingering, so there is a big skill barrier to changing keys that interferes with employment of such a critical aspect of playing.
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> fighting piano keyboard
Interestingly this is a strong thing to fight because there are pieces of music that are physically inaccessible to many players, particularly people with hands not wide enough for the intervals. No amount of practice or stretching can overcome it and you can't exactly travel with a piano or keyboard everywhere.
There some cool things like the Janko keyboard that seem strictly superior to the traditional 12 keys but it's kind of an uphill fight to build conversion kits cheap and light and good enough to travel and perform with.
His video about reality TV music, and the one about the newest musescore default font, are some of my favourite yt videos of all time. Great communicator.
This video is simply excellent. Really shows the challenges involved.
His other videos are awesome too. He is an expert in making great software AND a great video creator.
He also hit the nail on the head- reaction videos are just low effort click bait.
He also is guilty of an Internet-ism that is about as low effort click bait as reaction videos:
> AND I PUT IT TO BED RIGHT HERE!
Self-aggrandising bullshit.
Alternately, if you want to go on the same journey Keary (the person you mention) went on to form an opinion on what constitutes good vs. bad UX design in music/notation/DAW software, they've also put out a whole series of videos taking the piss out of the UX of most of the software in the field:
- Reason (https://www.youtube.com/watch?v=7PFRyONURSo)
- Sibelius (https://www.youtube.com/watch?v=dKx1wnXClcI)
- MuseScore (https://www.youtube.com/watch?v=4hZxo96x48A)
- Dorico (https://www.youtube.com/watch?v=S-3wEC6Fj_8)
So, they've realized podcasters and vloggers are a large part of their target audience. Then I believe they have to implement some models for speech restoration.
These days most people just Adobe Podcast Enhance and forget and, from what I've seen there isn't an open source GUI based tool for automated voice processing out there.
Must add that it's so awesome to have an open source Qt based audio editor on KDE Plasma that does not look like shit!
Yes, Tantacrul. Pretty weird story, a composer and programmer who absolutely roasted the UIs of well known sheet music dinosaurs Finale and Sibelius in hilarious diss videos on YouTube. Then he conceded a bit reluctantly that Musescore was the better of the lot, but still had plenty of opinions on how it could be better.
So the guitar tabs website which had then recently acquired Musescore offered him a job. Not just a job, but basically to be boss of the whole thing. Then they bought audacity, staffpad and Hal Leonard too. Then they bought out their private equity backer.
I can't think of any other time something good has come out of a private equity roll-up. They haven't enshittified it (from my perspective as a user anyway). It seems in the end these people just loved music more than they loved money.
He, unfortunately, left recently. https://x.com/Tantacrul/status/2092817784782598440
> I can't think of any other time something good has come out of a private equity roll-up.
Just remember bad news sells. I'm reasonably sure there are a number of other cases where this happens, likely most. However they are not big news and not memorable so I can't cite them.
If it happens all the time and it's positive, you shouldn't need a news story to confirm it. People should just be able to think of examples.
Certainly I'm able to think of plenty of terrible results from private equity take-overs from my own personal experience as an employee or as a customer.
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MuseScore and Ultimate Guitar unfortunately both have some dark patterns around subscriptions and data collection. But yeah very weird situation
https://gprotab.net/
This site is a lot like how I remember ultimate guitar, being that you can look up tabs and access them. I hope people keep uploading more tabs because ultimate still has a larger volume
AFAIK, Francisco Partners was only involved in the Hal Leonard acquisition.
It was more of a partnership regarding Hal Leonard than ownership of Muse.
It seems after the Native Instruments fiasco, they (Francisco Partners) just decided to quit music altogether.
EDIT: I know a lot of people from Muse and Native Instruments and that's the impression a lot seem to have.
>conceded a bit reluctantly that Musescore was the better of the lot
Well he said that Sibelius was the best for serious musicians, it just had a horrible UI.
I remember using Audacity back in 2006-ish, I just needed some basic mp3 editing and I was so happy with it. Has been my go to audio editor for, goodness feels weird to say, decades now, awesome to hear them staying alive and improving. Hooray opensource / PE not killing something good!
Beat me to it, I was just about to post this. It's a really cool breakdown of what goes into supporting and modernising such old open source software.
Not trying to hate because a FOSS audio editor is great, but all of these UI improvements are carbon copies from conventional DAWs or video editors, invented 30 or so years ago. Like giving audio clips a header which lets you move them around, or letting you adjust the audio clip start/end by dragging the start/end of the clip, are not exactly revolutionary in 2026. Maybe Audacity will re-invent automation lanes next? I'm not against it. I don't see how any of this requires user studies and the framing as some kind of breakthrough though.
Damn this guy is well versed on the topic at hand. Really clear and nice video.
I don't even need to watch that video to be reminded of the tagline - "Audacity says no!". Agreed this is a great watch for pretty much any developer.
Quit Sibelius
all of his videos are amazing