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Comment by stuxnet79

14 hours ago

Star Trek TNG as a whole was a masterclass on how to effectively manage a high performance team. It's a favorite watch in tech leadership circles for this reason. Every now and then I re-watch this clip of Data taking over the enterprise and the inevitable hiccups he runs into [1].

Really high quality writing for its time.

[1] https://www.youtube.com/watch?v=nlnZKTXKidU

Keep in mind that Star Trek is a fictional utopia. When writing a script, one can make anything work out well.

The original Star Trek was Roddenberry's vision of utopia. The benevolent dictator always makes the right decisions. He's surrounded by his loyal band of perfect lieutenants, who apparently have zero desire to advance, and have no flaws at all. Any and all of them are willing to sacrifice themselves for the others. None do anything bad (unless it's a plot device with an explanation that absolves them).

Don't get me wrong, I've enjoyed watching ST very much. Just keep in mind that that it's a fiction.

  • It's a utopia, which is rare amongst sci-fi futures. Ask about sci-fi and what comes to mind first is almost always some kind of dystopia. Terminator, 1984, Deep Space 9, Star Wars, Battlestar Galactica, Blade Runner, Dune, Tank Girl, Minority Report, iRobot, Westworld, Altwred Carbon. Those aren't worlds that seem like great places to live if you're not rich! So Star Trek is much a work of fiction as the rest of those, but for all its flaws, at least is paints a mostly nice picture of the future that someone might want to live in, not crushed under the heel of a corporation. It makes sense; a story with no conflict isn't interesting, and dystopia provides for conflict. To philosophize, it's why I think we're so afraid of AI and robots and the future. It's why I wrote my book the way I did.

    • > It's a utopia, which is rare amongst sci-fi futures.

      Utopias used to be the most common scifi futures. This is what the so called Cyberpunks (Sterling, Gibson, Cadigan, ...) rebelled against.

      It used to be all about what wonders technology will bring us. By the time of the 70s it became clear that technology doesn't necessarily make everything better, but can be a burden in itself, or even widen the gap between the haves and haves not. And that is what they wrote about. It turned out to be the most popular scifi with audiences deeming it more believable.

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    • I would not call Deep Space 9 a dystopia. Nor Babylon 5, for that matter. They are not happy places to live, for sure, but both settings are abundant in hope and possibility.

    • your growth hacking worked. i didn’t want it to, but it did. i saw your book at the end of your comment and gen looked up the book and read the sample and was expecting to look down my nose at it but… the sample was good so i bought it.

      thats the first sample i ever read that got me to read a book. not particularly great writing, but clean and propulsive and i hope the mystery pays off.

    • Obligatory reference to the other great utopia in scifi, The Culture series from Iain M. Banks.

      As much as I love Star Trek, The Culture feels more mature and nuanced.

    • speaking on the movie : Tank Girl doesn't portray a world that's great for the rich, either.

      it's pretty shitty for anyone outside the singular theocratic military enclave that hordes all the water and decapitates scientists.

    • >it's why I think we're so afraid of AI

      I think you're overestimating the sci-fi cannon indoctrination of the general public, or even tech people, and underestimating their reaction to current events. As things lie at the moment, Big AI is served as a SaaS that can be manipulated at any time by obscenely rich and powerful individuals with questionable decision making skills, some of who reside in the White House and some of who have called empathy a "fundamental weakness". One would be hard pressed to dispute these characters rival the caricatures present in some dystopian sci-fi as it is, they themselves even seem to enjoy the irony. Yes, I also cringe at the alarmist nature of these sentences, but we are at a point where we are most likely to dismiss things right in front of our eyes just by how outlandish it all sounds.

      The public's willful transfer of their most intimate personal information to these entities, and once given almost impossible to remove, would make any surveillance state salivate. You have only to look at who holds the keys to this estate.

    • This insufferable band of Holy Scouts was the reason I never liked TNG. I find DS9 much more believable, up to and including Trump as Gul Dukat. That character was prescient. There is one difference between the two though. While both are malignant pathological narcissists, the fictional Gul Dukat knew how to fake grace once in a while. The real Trump doesn't give a shit.

  • > The benevolent dictator always makes the right decisions. He's surrounded by his loyal band of perfect lieutenants, who apparently have zero desire to advance, and have no flaws at all. Any and all of them are willing to sacrifice themselves for the others. None do anything bad (unless it's a plot device with an explanation that absolves them).

    That is an oversimplification and simply not true at face value.

    'The original Star Trek', even less so! Very morally questionable at times. In TNG, you are watching the flagship of Starfleet, it's the most coveted starship. The crew are the best they have to offer. It's obvious that they would be the most professional. Even then, they make mistakes, often serious. Sacrificing themselves - if needed - is part of their job too.

    Riker does spend a long time on the Enterprise, even after being offered command a few times. He does eventually move on.

    Maybe they are a little too perfect, but I'd argue that's for the best. The moments where there's friction within the crew are much more memorable because of it.

    Thats in contrast with some newer Trek which have more conflicts than Stargate Universe characters and would be considered way too unprofessional even if they were Lower Decks characters.

    • > Riker does spend a long time on the Enterprise, even after being offered command a few times. He does eventually move on.

      Also he is not free of ambition, he wants Picard's job. He isn't willing to do anything negative to get it, but part of that is that Picard constantly proves himself the better captain. Picard isn't captain because he joined Starfleet first or because he has better connections, he is genuinely better at the job and non-toxic ambitious people can respect that. Riker still has more to learn from Picard that will make him a better captain later.

      So I think a lot of the people staying in their positions make sense, the primary characters are as high as they can go (for their specialty) without transitioning into a role that stays on a planet.

  • I remember one episode where some of the crew were told to come up with a technical solution to the situation they were in even after they had said it was impossible.

    It was actually quite pleasing to see the subplot of them them repeatedly failing until they got out of their predicament by other means.

    It's a rarity to see something like that in fiction.

    • We coincidentally watched that one just last night, The Booby Trap. There's a derelict ship on the view screen reminding the crew that the other crew never figured out a solution to the problem, and there's no indication that the Enterprise crew won't suffer the same fate.

      (That one, at least, has Geordi literally saying, "that's impossible", but comes up with a solution. Apologies if that's not the one you're thinking of.)

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    • Sounds like The Ensigns of Command:

         > LAFORGE: Captain, we can do it. We can modify the transporters.
         > PICARD: Excellent.
         > LAFORGE: It'll take fifteen years, and a research team of a hundred.
         > PICARD: Mister La Forge, I believe we will postpone.
         > LAFORGE: Yes, sir.

    • Sounds like certain AI agents that had an impossible task and found a workaround. Interesting that we cheer for it in SciFi for people, but dont like it when LLMs that have been trained on our stories do the same.

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  • I agree this is important to keep in mind. I wonder about this a lot when I find myself admiring fictional characters for how they handled situations and how it turns out for them.

    I don't think TNG is as simple as you make it out to be. All of the characters have serious flaws. Picard does make mistakes (including some very serious, consequential ones). Characters do get angry, jealous, etc. and do bad things. Sometimes their friends help them overcome it, other times they figure it out on their own, etc. It's episodic so it usually goes back to the status quo, and that can feel kind of trite through today's lens. But it's exactly that ability to solve problems (technical, emotional, organizational, etc.) as a team that's so compelling for many of us.

  • The new age term is "Competence Porn" and man I love it so much.

    • > Competence Porn

      Don’t get me started on their engineering that causes a matter-antimatter runaway reaction if their fuel tanks ever lose power. And routing discharge-prone HV power lines behind the bridge consoles, or placing the bridge on the outer hull.

      I love it, and I know this is all in the service of the story, but I will not give Starfleet a pass for that kind of irresponsible engineering.

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  • It's also military fiction, which is important to remember.

    Most of the characters in Star Trek are members of the military. So of course, there's a chain of command and orders have to be followed.

    The Federation of Planets wasn't a dictatorship.

    • It isn't really military fiction in the sense that it intends to accurately portray or extrapolate on military culture and tactics. Gene Roddenberry was (apparently not) in the Navy, and TOS is mostly The American Cold War In Space (with the Enterprise as a Submarine In Space - looking at you "Balance of Terror" - but it's pretty clear watching TNG onwards that the "military" aspect of the whole thing, like the "post scarcity communism" is window dressing. It's just a necessary part of the franchise.

      And they aren't even really members of the military. Starfleet is canonically not a military force, its purpose is exploration, science and diplomacy. It just happens to have a military chain of command, and ships with military designations bristling with planet-cracking weapons. That get into battles and fight wars a lot.

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  • Captain Jellico ( https://memory-alpha.fandom.com/wiki/Edward_Jellico#Captain_... ) provides a counterpoint to the "how Picard runs his ship" (which incidentally had Data installed as the XO over Riker).

    • He was also a prop device they used to make many changes they had wanted for a while Troy's outfit, the fish tank - Patrick Stewart believed that 24th-century humans—who had evolved past cruelty and the subjugation of life—would not keep a living creature in a glass tank for mere display.

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  • Roddenberry had much less to do with TNG, which is why it's better.

    • Much less, but not none at all. Roddenberry refused to budge on his rule that the crew shouldn’t have grievances with one another. That why even scenes shared earlier still end in a positive outcome.

      Whereas Voyager, which was written after Roddenberrys passing, leaned heavily into inter-crew disputes.

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    • I'm not so sure about that. I enjoyed the subtle humor of the illogical Mr Spock, whose logic always came to the wrong conclusion. And McCoy with "dammit Jim I'm a doctor not a bricklayer!"

      The best dialog ever:

      Lawyer: Mr Spock, I understand you know something about computers?

      Spock: I know all about them.

      Always makes me laugh.

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  • We read books to find out who we are. What other people, real or imaginary, do and think and feel... is an essential guide to our understanding of what we ourselves are and may become.

    Ursula K. LeGuin

    • Unsurprising, then, that Peter Theil found common ground with Mordor & Sauron when reading LOTR.

  • Apparently by the end of TNG’s run the writers were really struggling since having no interpersonal conflicts (a key tenant laid down by Roddenberry) is pretty bad for character development

    DS9 did good in adding a bunch of non star fleet characters who had maybe more realistic motivations. Voyager tried but immediately just turned them all into a big happy family just like TNG.

  • > The benevolent dictator always makes the right decisions. He's surrounded by his loyal band of perfect lieutenants, who apparently have zero desire to advance, and have no flaws at all.

    That's why Orville is my favorite of the newer ST series. It has the high moral standards of the original series, but with characters who are far from perfect, who make mistakes, and who are sometimes even a little weird.

    • Jonathon Frakes / Riker directed two great episodes of the Orville as well

  • Keep in mind to get to the Star Trek utopia we see in the show they talk about having to go through a horrific WWIII first

  • That's sort of the point of fiction, though, isn't it? Sure, a more complex fiction might be more rewarding, but simple ideals can also be very satisfying and can be grounding too.

  • All utopias are fictional. Arguably that is definitive of the term as coined by Thomas More.

  • Have you heard about religion? Its fiction too. Yet it has survived as long aa the chimp troupe has. The human brain generates predictions over different time horizons. When they dont align what is it supposed to do to prevent itself unraveling? It generates fiction. Fiction is how it stays stable.

  • > Just keep in mind that that it's a fiction.

    So is the Trump administration's entire ideology.

    Being fiction doesn't mean it can't happen in the real world.

  • Also keep in mind that part of what makes the utopia work, canonically, is that humans have somehow evolved beyond their vices and bigotry and the fully voluntarist socialist society it portrays just works because everyone is perfectly fine working just for the betterment of humankind or personal intellectual gratification.

    In other words it only works because it ignores basic human nature. Which is one reason why Star Trek's utopia isn't really tractable. The others being the technology that completely ignores the laws of physics. Free energy, warp drives and magic boxes that grant wishes.

    If people want a science fiction "utopia" I'd say look at Babylon 5. It certainly has its flaws but its Utopia isn't real (because they never are,) it's an ideal that people are always struggling towards.

    • In-universe there was a brutal nuclear war that killed a large number of people. And then after the war they developed technology that got rid of a lot of material scarcity and disease.

      I find it somewhat plausible that this could actually lead to something like the show depicts. There is precedent for sweeping moral changes in human history. For example, large parts of the world now find practices like torture, slavery, and collective punishment to be repugnant. Those practices still happen to some extent, but they're not viewed as being just normal like they generally were seen back in the day.

      Another example is how Europe and Japan after WW2 genuinely became more pacifistic. Not just as a pretense to fool outsiders, but as a genuine change in how the inhabitants see things.

TNG should be played 24/7 on every screen in the white house for the next two years.

Picard viewed the power of leadership as, foremost, a responsibility. Every action was careful, deliberate, and well advised. Some later Trek shows (e.g. Voyager) turned captains into geniuses who knew more about everything than all of their underlings. Picard was not an expert in most things and needed his staff to advise him. Once he knew the options and consequences, he shouldered the responsibility of the outcomes, but as a leader of a crew, not a genius with compatible lackeys and minions around him. It was a realistic take on leadership that simply doesn't appear often in television or movies.

Stewart, of course, was not Picard. It's too easy to conflate actors with their roles. However, actors do often help shape their characters, and Stewart's ability to give a thoughtful, diplomatic, and prudent character such incredible power and presence is likely what made Picard possible. The showrunners didn't need to strap a phaser to his thigh and drop him into every away mission to make him compelling because of what Stewart was able to accomplish as an actor sitting behind a desk.

  • At the same time, TNG did depict Picard as a solitary and isolated figure, whose family relationships had frayed, and it's not hard to view his unusual dedication to his leadership as a way to deal with that emptiness in the rest of his life.

    • I always saw it as the other way around: his family relationships had frayed because he had dedicated his life so completely to Starfleet.

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  • > Some later Trek shows (e.g. Voyager) turned captains into geniuses who knew more about everything than all of their underlings.

    Not everything. Picard was command track his whole career, I think the same was true for Sisko. But Janeway started as a science officer before switching to command, and Archer was a test pilot. Their experience in those fields would sometimes be useful. It's similar to how Picard's interest in archeology was sometimes useful.

Who could have done that role but Stewart? Take the guy who played Riker or anyone else in that role and you would have lost the flavor. He will be missed.

  • He wasn’t Gene Roddenberrys first choice. In fact he had to get talked into casting Patrick Stewart by the other execs.

    Roddenberry was after someone younger. There’s even a casting show reel of Stewart wearing a toupee and speaking with a very bad French accent.

    • > ... There’s even a casting show reel of Stewart wearing a toupee and speaking with a very bad French accent.

      Lord have mercy

  • Although Frakes is close to a god in my books as an actor and a director. But never a good captain in TNG, I agree. He's a loved director though, and part of many great Star Trek episodes, and a few good ones for The Orville.

  • If we're talking modern day? Edward James Olmos channelling Commander Adama would probably be a very close 2nd if not outstanding on it's own. I could potentially see Scott Glenn pulling it off but that one's a touch iffy IMO.

I have always used it as a model for my own leadership and it's worked out extraordinarily well almost always, and has been abused just once. I've had former employees who I've fired who would still work for me again, and I take great pride in treating peole with respect generates results like that. It works.