Comment by solyin
15 hours ago
It's a utopia, which is rare amongst sci-fi futures. Ask about sci-fi and what comes to mind first is almost always some kind of dystopia. Terminator, 1984, Deep Space 9, Star Wars, Battlestar Galactica, Blade Runner, Dune, Tank Girl, Minority Report, iRobot, Westworld, Altwred Carbon. Those aren't worlds that seem like great places to live if you're not rich! So Star Trek is much a work of fiction as the rest of those, but for all its flaws, at least is paints a mostly nice picture of the future that someone might want to live in, not crushed under the heel of a corporation. It makes sense; a story with no conflict isn't interesting, and dystopia provides for conflict. To philosophize, it's why I think we're so afraid of AI and robots and the future. It's why I wrote my book the way I did.
> It's a utopia, which is rare amongst sci-fi futures.
Utopias used to be the most common scifi futures. This is what the so called Cyberpunks (Sterling, Gibson, Cadigan, ...) rebelled against.
It used to be all about what wonders technology will bring us. By the time of the 70s it became clear that technology doesn't necessarily make everything better, but can be a burden in itself, or even widen the gap between the haves and haves not. And that is what they wrote about. It turned out to be the most popular scifi with audiences deeming it more believable.
They used to be more common maybe, but even the titular "Utopia" by Thomas More had slavery. Sometimes the "perfect" settings were imperfect due to the times they were written, often they were intentionally imperfect, and that was the point.
E.g. consider HG Wells The Time Machine, where the future start out seeming quite like an utopia but then we meet the Morlocks.
But lots of books were downright dystopian much earlier. Heck, several of the "standards bearers" for dystopias pre-date cyberpunk by a lot, like Brave New World, This Perfect Day, 1984.
Particularly stories like The Time Machine where the setting as a whole very much was revealed not to be an utopia were among the most common "utopian" settings pre-cyberpunk.
Pure utopias were very rare for a reason: They're really hard to set compelling in stories in, and so most of the ones that do exist tend to set stories on their edges and fault lines.
What changed with cyberpunk wasn't that (surface) utopias went away, or even that we get to see the imperfect underside, but that the script is flipped so that the protagonist isn't a tourist on the underside, but belongs there, and is often alienated from any seemingly perfect parts of the world they inhabit.
Compare settings that do show both sides, like The Time Machine, and a cyberpunk version of The Time Machine would probably have a protagonist that was a Morlock. The world itself wouldn't change, but we'd get to see it from the opposite POV.
Technology makes a lot of things better. Like eliminating symptoms of 95% of cystic fibrosis victims.
> even widen the gap between the haves and haves not
America's poor have a higher standard of living than medieval kings.
> America's poor have a higher standard of living than medieval kings.
False Equivalence, Red Herring, Chronological Snobbery, Fallacy of Relative Deprivation, Contextomy.
So, by this logic, a homeless person with a used iPhone is better off than Louis XIV (who literally owned all of France) just because the king couldnt play Candy Crush?
This statement confuses global technological progress across centuries with an individuals actual financial security, social power, and quality of life within their own modern society.
I simply just cant understand why would someone repeat such a statement (and I have seen it everywhere).
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Is there a definition of standard of living? A king would be entertaining, socialising, and strategising most of the time (along with a lot more pursuits of hunting, etc for leisure). While I understand they had less access to healthcare and variety of food, travel, etc...id still argue they had a better standard of living than someone that works 8-10h/day and then comes home to cook and clean?
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Oh, great, then there is nothing to fix. We just apply medieval standards and everything is hunky dory.
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Medieval poor likely had a higher standard of living than ancient kings, should they have complained?
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I'm not sure a medieval king would take that swap. Maybe for EU poor.
Is that the bar? Who looks at medieval kings and goes "their standard of living should be our baseline"? Living in a cold stone building with no medical care questionable food, etc?
But also, no they don't. Standard of living includes one's agency over their environment. An medieval king could say things and the kingdom would bend to their will. No one making $18,000 is having hundreds or thousands of people bending over to serve them.
Utter nonsense.
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> America's poor have a higher standard of living than medieval kings.
Do America’s poor have a standard thing like a roof on top of their heads? Nevermind a castle, just a basic house which has already been paid for.
They also work longer hours than medieval serfs, are more precarious in housing and food security and more separated from their family. Also slaves work the farms. Read tomatoland or the lives and deaths of the American workers.
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> Technology makes a lot of things better. Like eliminating symptoms of 95% of cystic fibrosis victims.
Counterpoint: any leaking abandoned oil well. Check out YouTube videos documenting the abandoned oil wells in West Texas, which are dumping industrial volumes of water into abandoned land.
That is a silly comparison.
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I’m of two minds on utopias. On the one hand it seems we need a positive vision for the future, where technology is used to solve our greatest problems and improve the planet. On the other hand it seems that perhaps technology is incapable of making us happier, because it isn’t clear to me that we are happier now than in past decades, despite having more advanced technology.
I believe the more accurate statement is that technology can reduce the burdens of survival (better access to food, medicine, information) but cannot provide longterm happiness, and in some ways impair it (social media, mass surveillance, reliance on technology).
We are social beings, and technology in the last decade especially has been gearing itself towards reducing communities both physically and digitally. Less people spend time together, more people feel lonely and isolated, and divisions between people are at all time highs with glorification of death to the “enemy”. Forums are almost entirely dead, the feed of information is both nonstop while being useless, and we have few outlets to feel true connection.
Harvard’s happiness studies finds that standard of living only impacts happiness to a point before facing a sharp plateau and socialization takes over as a dominant factor in longterm happiness, according to my memory at least. And, while I don’t entirely agree with Kojima’s predictions in MGS2, the AI seeking to provide “context” for the feeble human mind as rate of information on the Internet increases was prescient, though humans have adapted to this (albeit suffering shorter attention spans as a consequence).
IMO a true utopia would be similar to the Enterprise: people socialize and enjoy a life with comfort by technology, not at the behest of social media or the collective consciousness of others. Unplugged and connected in a more meaningful way.
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I would not call Deep Space 9 a dystopia. Nor Babylon 5, for that matter. They are not happy places to live, for sure, but both settings are abundant in hope and possibility.
I was thinking of mentioning Babylon 5, but it's worth contrasting the situation aboard the station with the fascist takeover of Earth. Maybe "dystopia with hope" describes it better.
Also worth mentioning the recently deceased Walter Koenig who had said that playing Alfred Bester in Babylon 5 was his favourite role, despite being much more famous as Chekov in the original Star Trek.
your growth hacking worked. i didn’t want it to, but it did. i saw your book at the end of your comment and gen looked up the book and read the sample and was expecting to look down my nose at it but… the sample was good so i bought it.
thats the first sample i ever read that got me to read a book. not particularly great writing, but clean and propulsive and i hope the mystery pays off.
Tank Girl makes this list? Why not Judge Dredd, or even Idiocracy?
Idiocracy isn't a dystopia. It's a documentary.
No its not, not in America. Since this decade the highest IQ is on trend to having higher TFR than the lowest, since children are expensive
https://ifstudies.org/blog/more-babies-for-the-rich-the-rela...
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Feel free to add your own entries!
As far as Judge Dredd, my personal beef is that Megacity One's "dystopian" density with 800 million inhabitants from Boston to Washington DC barely ranks in terms of density in today's top 100 cities.
As far as Idiocracy, I believe that if the networks had played that and it was promoted on YouTube for free the night before the most recent presidential election, it might have gone differently.
What else would you add to the list?
If I remember correctly, the crime statistic that they give in one of the movies is also much lower than many US cities.
> It's a utopia, which is rare amongst sci-fi futures.
Some say it was the last sci-fi utopia in modern pop culture.
Is it a utopia? On earth and in the federation they make it seem so, at least post-scarcity but at the edges of the federation you have Romulans, the Borg, Cardassians. Multiple main characters undergo torture, etc... It would make an interesting TV show / spin off where people are shuffling / politicking for power in a post-scarcity world.
The utopian bits were never really explained, either.
They mostly just said it was all great and fair and nobody needs money and is somehow trying to be their best selves… nevermind the numerous examples to the contrary.
They weren’t really post scarcity. They never explained how they’re not in a constant state of rioting when a weird government/military decides what everyone can have or do.
You just go with it, because that’s the backdrop. You have to suspend disbelief and just enjoy the story.
But also, Picard is the best Captain, by far.
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we can pick it apart forever. Who gets the penthouse or the beach view property and who lives in the basement? Replicators will not solve all the reasons we have money today. Maybe uploading into cyberspace will but where you can have every place and every thing, though I'm sure someone will point out how that won't lead to utopia either.
I don't want to attempt to classify the entire franchise as that, or even Starfleet in its entire story arc.
But if we examine TOS and TNG, I could say it represented a "roving utopia" model where Utopia Meets Reality. The episodic nature and self-contained stories would typically examine the question: "what happens when the Roddenberry philosophy comes into contact with something unique?" and it would be a study in anthropology, comparative religions, or sociological questions.
I hadn't watched much Star Trek in the 1990s, but I was becoming excited about Babylon 5. One of the main points of departure was the planning of the 5-year story arc, and the character development that accompanied it. Every character in Babylon 5 was imbued with an origin, a narrative, and a destiny. Jumping into the story from the beginning, and riding along for all 5 imperfect years, it felt like we also had a destination, and threads came together, and there was resolution and revelation. The Babylon station was never a utopia in reality, only in its aspirations.
So I cultivated a disdain for Star Trek as it was in those days, but Trek was a product of its time, and had helped to cast the die for episodic and self-contained "Monster of the Week" type shows. However, I've rewatched all the films, and I commend them on great production values, acting, and interesting themes. The Star Trek franchise has grown to include something for everyone, including the Klingon-language performance of Bonnie Tyler's "Total Eclipse of the Heart", which definitely captured my attention.
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There have been quite a bit more at least in print, but maybe not so mainstream
This one is pretty famous I think and I enjoyed it a lot
https://en.wikipedia.org/wiki/Mars_trilogy
(I just read that James Cameron held the screen production rights and was planning a series, but it never happened)
Does Iain M Banks count as pop culture?
Right, Banks' Culture seems fairly mainstream and because it doesn't need to make episodic adventures it often gets to actually do utopian stuff Trek wouldn't even if only as a backdrop to the exciting story. The repeated instances in which Culture children play happily, insulated from whatever terrifying stuff we're reading about is an example.
Or if Comic Books are in scope, obviously "Miracleman: The Golden Age" is a utopia. Explicitly so. It is about the ways people are still people in a utopia.
Less mainstream, Greg Egan's Amalgam is also clearly a utopia. The couple in "Riding the Crocodile" choose to die at the end of that story, more out of some sense that stories need endings than because of any outside force.
Obligatory reference to the other great utopia in scifi, The Culture series from Iain M. Banks.
As much as I love Star Trek, The Culture feels more mature and nuanced.
speaking on the movie : Tank Girl doesn't portray a world that's great for the rich, either.
it's pretty shitty for anyone outside the singular theocratic military enclave that hordes all the water and decapitates scientists.
>it's why I think we're so afraid of AI
I think you're overestimating the sci-fi cannon indoctrination of the general public, or even tech people, and underestimating their reaction to current events. As things lie at the moment, Big AI is served as a SaaS that can be manipulated at any time by obscenely rich and powerful individuals with questionable decision making skills, some of who reside in the White House and some of who have called empathy a "fundamental weakness". One would be hard pressed to dispute these characters rival the caricatures present in some dystopian sci-fi as it is, they themselves even seem to enjoy the irony. Yes, I also cringe at the alarmist nature of these sentences, but we are at a point where we are most likely to dismiss things right in front of our eyes just by how outlandish it all sounds.
The public's willful transfer of their most intimate personal information to these entities, and once given almost impossible to remove, would make any surveillance state salivate. You have only to look at who holds the keys to this estate.
This insufferable band of Holy Scouts was the reason I never liked TNG. I find DS9 much more believable, up to and including Trump as Gul Dukat. That character was prescient. There is one difference between the two though. While both are malignant pathological narcissists, the fictional Gul Dukat knew how to fake grace once in a while. The real Trump doesn't give a shit.
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